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TICKET TO HEAVEN is dramatically effective, sociologically interesting, and thoroughly engaging. It has one of my favorite endings,which leaves the viewer with an intense sense of catharsis and relief. Great performances, especially by R.H. Thomson as the "deprogrammer"- what a classic character! This is an unsung sleeper which lends much insight into the world of cults and their effect on families-- track it down on video if you can!

Nick Mancuso throws his all into the part of David, a young man seeking some meaning from his messy life who ends up bound tight in the web of a quasi-religious cult group. But he's got some big competition from co-star Saul Rubinek.

In the early eighties there were a couple of films fascinated by ideas of brainwashing, religious cults and deprogramming. Split Image is a companion piece to this film, which will interest many simply because of Kim Catrall's appearance as the obsessessed Ruthie, but which is even more notable I think for the strong friendship between Saul Rubinek's stand-up comedian character and the troubled protagonist, David. The film builds a poignant, revealing portrait of these two friends whose bond is crucial in determining both their futures. Rubinek is one of those instantly familiar faces whose performances in films like The Contender, Nixon, True Romance, and Dick conceal him in that strange underclass of actors - the supporting player (as opposed to the more showy supporting "Actor" parts claimed by brilliant die-hards like Dennis Hopper and Dianne Wiest.)

In this film, however, he shines and deserves to be seen in an excellently performed role. Mancuso similarly hasn't had much chance to fire like he does here (admittedly he wasn't the greatest Marquis De Sade in the film of the same name a couple of years back). His transformation here though is painful to watch but compelling and easy to empathise with as he struggles with notions of identity and truth.

If this film has any problem it is that the film is kind of tailored-for-effect a little too neatly like a tv movie, but it still manages to provoke some suspense thanks to the intensely credible performers.

An interesting lost gem of the early eighties.

This is a descent cult movie but it could have been better , the end scene with the so called de programming is rushed and also the cult itself stays a bit shallow The transition from summer camp to cult is in my opinion to sudden .

I also compared this title to Split image with James Woods and that movie was better in the details and the psychological backstory .

Tho on the surface it seems a bit dated, A TICKET TO HEAVEN is an offbeat, thoughtfully produced, and deeply absorbing tale about the religious cults of the 1970s. It shows in detail just HOW they work, and explains to us in step by step fashion just how rational, intelligent people, often with absolutely no interest whatever in religion, could wind up being recruited and converted to the unthinking followers of philosophies which, to outsiders, seem absolutely ridiculous.

The film is unique in that it also shows us one possible path back OUT of that jungle of conflicting ideas, tho the path chosen here is the most controversial of the possible choices. Unspoken, but always hovering over the action, are the issues of civil liberties and religious freedom. There's a LOT of heavy stuff going on here.

This film is a deep sleeper... a Canadian made gem that deserved much more attention than it got from US audiences.

Nick Mancuso plays David Capelle, a Toronto schoolteacher whose life is currently at loose ends after a painful breakup with his long time lover. He needs SOMETHING... ANYTHING... that will give back to his life the direction and stability that was lost.

On a vacation to California an old friend introduces him to a New Age religious group. From then on (and in an amazingly short time, just one weekend) David literally vanishes from his old life and the rest of the world, his every thought and action now dictated by the needs of his newfound "family". He has willingly given up his entire personality to the group-think of the movement.

David's sole link to his old life and the outside world is his friend Larry (Saul Rubenek), a Toronto accountant who aspires to stand up comedy. Larry's suspicions about occasional cryptic phone calls from David lead him to go to California to find out for himself just exactly what the hell is going on with David. After the group makes an attempt to recruit him too, Larry returns home to Toronto and sounds the alarm with David's friends and family.

After seeing the situation for themselves, David's family resorts to the most drastic action possible... kidnapping him from the group and using psychological deprogramming. This is probably the ONLY film or TV production that deals with this emotionally charged and legally sensitive topic truthfully, and in detail. It's electrifying!

There are standout performances here from the entire cast. Meg Foster as "Sister Ingrid", the leader of the local group, is intense and FRIGHTENING. She's a cold, calculating package of almost maniacal devotion to the movement. She gives an outstanding performance which, for me at least, was TOO good; in my mind she'll ALWAYS be "Sister Ingrid", no matter what role I see her in. Meg Foster is now typecast for me.

For sheer intensity tho, the grand prize goes to the Canadian actor R. H. Thompson. His portrayal as Linc Strunk, the deprogrammer that David's friends engage, is POWERFUL. Strunk is the mirror image of Sister Ingrid; he's just as cold, calculating, intelligent and determined as she is, but his mission is to convince David that the group's concepts are patently absurd, and at their base they're essentially an evil con game. Strunk's "In Your Face" confrontations with David are tense intellectual, theological, and philosophical battles of will that are absolutely riveting. Mancuso and Thompson give each other as good as they get from beginning to end.

The finished product here is at the same time chilling, disturbing and inspiring... and it provides an unsettling cautionary message for us all.

This was an extremely accurate account of recruitment, indoctrination and life in a coercive religious group. It also accurately portrayed the lengths some go to rescue people from this type of group, the lengths some will go to stay in the group and the difficulty some people have breaking out.

In addition to an accurate portrayal of the subject matter, the film is very well made. Although I doubt it would be considered as "art", the film moves along very well, has a good plot, good acting, great dialog and the production values are very good. I did not view this film for entertainment, but rather because of the subject matter. I was pleasantly surprised that it was outstanding as dramatic film, as well as educational.