IMDb-BEWERTUNG
7,6/10
1721
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe life and career of Elvis Presley are chronicled in home movies, concert footage, and dramatizations.The life and career of Elvis Presley are chronicled in home movies, concert footage, and dramatizations.The life and career of Elvis Presley are chronicled in home movies, concert footage, and dramatizations.
- Regie
- Drehbuch
- Hauptbesetzung
Elvis Presley
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Ral Donner
- Elvis Presley - Narration
- (Synchronisation)
Joe Esposito
- Self - Narration
- (Synchronisation)
Empfohlene Bewertungen
This is an excellent biography about the life of Elvis Presley on the heels of his death. Ral Donner, an Elvis clone, does his voice. It is as if Elvis speaks to us from beyond the grave. A young actor plays Elvis in scenes from his early life. Leo and Solt managed to tap Elvis' private film archives. Young Priscilla is shown at Elvis' birthday party in Germany. Of course, there is the condescending Ed Sullivan assuring us that Elvis is "a fine boy, thoroughly alright." Roger Ebert's review implied that Elvis was an alcoholic. Nothing could be farther from the truth. He did not drink. There is a marked contrast between Elvis in his 20s and Elvis in his 40s, but I sense in some a grim exultation regarding the fall of Elvis Presley. The soundtrack contains Always On My Mind. Elvis' version is far superior to Willie Nelson's.
10Boyo-2
On Elvis' birthday this past year, I watched his movies and documentaries on television all day long. By the end of the day, I was a hooked fan and understood why this man is worshipped around the globe. Since then I have seen many of his movies, concerts and read books.
This movie is separate from all of that, as it reveals the man inside the myth. Anyone with even a casual interest in Elvis would find this interesting, but to a fanatic like myself this is immeasurably important. I enjoyed seeing him in the later years practising karate, to the song "Kung Fu Fighting".
This movie is separate from all of that, as it reveals the man inside the myth. Anyone with even a casual interest in Elvis would find this interesting, but to a fanatic like myself this is immeasurably important. I enjoyed seeing him in the later years practising karate, to the song "Kung Fu Fighting".
Very good documentary from Malcolm Leo and Andrew Solt on Elvis Presley's life, as "narrated" by Presley from beyond, in the voice of sound-alike impersonator Ral Donner (who doesn't sound exactly like Elvis if you're someone who's really become familiarized with Presley's speaking voice). Anyway, this is essential viewing for fans, naturally, but even for those who aren't big followers of Elvis. It shows the rise and fall of a music legend, and along the way are a plethora of choice musical performance clips, interviews, home movies, and montages.
The one thing that has always bugged me slightly about this film are the occasional "faked" interviews supposedly done with fans at various times over the years, like the segment after Elvis and Priscilla got married in 1967. This was completely unnecessary, and some of the re-enactments with a phony Presley supposedly walking around his hospital with his current girlfriend Ginger are equally silly and not needed. The movie hit theaters in 1981 at around 100 minutes, but for home video in 1983 there were an additional 40 or so minutes of performance clips added, which is the version I watched, and is the one this review is based on. In the theatrical version, an original line is left intact during a backstage Elvis exchange where he says that the girl he had the other night "gave great head"; on the extended version, this is overdubbed into "could raise the dead". Another change regards a song switch during Elvis' final 1977 concert... originally, the film had him singing "Are You Lonesome Tonight" where he's nervously laughing and screwing up the lyrics; in this edition it is changed to the less embarrassing "Love Me". Perhaps the shorter theatrical edition might work even better, since the 144 minute cut does feel occasionally padded in the earlier years. Whatever the cut chosen, it's still an important and vital piece of music history. ***1/2 out of ****
The one thing that has always bugged me slightly about this film are the occasional "faked" interviews supposedly done with fans at various times over the years, like the segment after Elvis and Priscilla got married in 1967. This was completely unnecessary, and some of the re-enactments with a phony Presley supposedly walking around his hospital with his current girlfriend Ginger are equally silly and not needed. The movie hit theaters in 1981 at around 100 minutes, but for home video in 1983 there were an additional 40 or so minutes of performance clips added, which is the version I watched, and is the one this review is based on. In the theatrical version, an original line is left intact during a backstage Elvis exchange where he says that the girl he had the other night "gave great head"; on the extended version, this is overdubbed into "could raise the dead". Another change regards a song switch during Elvis' final 1977 concert... originally, the film had him singing "Are You Lonesome Tonight" where he's nervously laughing and screwing up the lyrics; in this edition it is changed to the less embarrassing "Love Me". Perhaps the shorter theatrical edition might work even better, since the 144 minute cut does feel occasionally padded in the earlier years. Whatever the cut chosen, it's still an important and vital piece of music history. ***1/2 out of ****
Malcolm Leo and Andrew Solt: enough said. These guys do deep research and do everything first class. This will be one of the best documentaries of an entertainer ever put on film. Elvis Presley meant so many different things to so many different people. He effected society, hair and clothing styles like no one before him. He changed the music world with the power of an Atomic Bomb. He has sold over one billion records and was the first visual founding father of the phenomenon that became rock 'n' roll. His influence will live for decades to come. This is a personal look as well as a tribute to the world's most loved entertainer.
I have the expanded 144 minute version of THIS IS ELVIS and watch it at least once a year. The soundtrack is like a history and not a greatest hits project. Even the non Elvis fan will be impressed with this entertaining look at musical history.
I have the expanded 144 minute version of THIS IS ELVIS and watch it at least once a year. The soundtrack is like a history and not a greatest hits project. Even the non Elvis fan will be impressed with this entertaining look at musical history.
Although some reviewers criticize the actor renditions of Elvis's early life, how else could the creators, Malcolm Leo and Andrew Solt, present the full story of Elvis Presley? The scene of Elvis performing to his high school music class in Memphis was a high moment for me, especially when he believed that he was so poorly regarded by his classmates and teachers. How was he able to overcome a sea of negativity and doubt in order to accomplish that task so successfully? His ability to stand before his class and then capture them with his musical talent and personal charisma was a significant turning point, not only in the film but in his life. The rest was history. Can anyone speculate what would have happened if he chose the bicycle over the guitar as his parents' birthday gift? We can all be inspired by the story of Elvis Presley.
In my humble view, this film accurately portrayed the heavy toll that enormous fame can take on a gentle human being. While other famous people have been able to overcome the constant pressures and hardships of a constant, unforgiving public eye, they may not have possessed the humanity and decency of an Elvis Presley. As exemplified by his extraordinary generosity with the Cadillac gifts, he wanted more than anything else to please others, including his adoring audiences, and when the world demanded so much from him, how could he constantly live up to their expectations?
Ed Sullivan was not condescending when he showered Elvis with praise at the end of the earth-shattering 1956 appearance on his enormously popular television show. Sullivan had been extremely reluctant to sign Elvis because he allowed others to develop his opinion of Elvis before he realized who Elvis was on his own. It was to Sullivan's credit that he finally gave the green light to Elvis, but he was also bowing to public pressure as he sought the most sensational musical performers at the time. First and foremost, Ed Sullivan was a very shrewd businessman.
As in the case of the Beatles, I never understood what all of the screaming and shrieking was about, but I always loved the music of Elvis Presley. For me, Elvis will always be the king of rock n roll. In spite of all of his flaws as a human being, he will live as one of the greatest musical performers of my time. Not only did this film provide a very deep insight into the life and challenges of one of the greatest stars in modern music, but it also highlighted some of my favorite Elvis tunes, including "Always on My Mind", "Suspicious Minds", and "Don't Be Cruel". Even when Elvis messed up the lines of "Are You Lonesome Tonight", he could sing a song like no other. As "An American Trilogy" plays in the background, the white Cadillac funeral procession through the streets of a bereaved Memphis, the city he loved so dearly, will always leave an indelible impression on my mind. Rest in peace, Elvis. We will never forget you.
In my humble view, this film accurately portrayed the heavy toll that enormous fame can take on a gentle human being. While other famous people have been able to overcome the constant pressures and hardships of a constant, unforgiving public eye, they may not have possessed the humanity and decency of an Elvis Presley. As exemplified by his extraordinary generosity with the Cadillac gifts, he wanted more than anything else to please others, including his adoring audiences, and when the world demanded so much from him, how could he constantly live up to their expectations?
Ed Sullivan was not condescending when he showered Elvis with praise at the end of the earth-shattering 1956 appearance on his enormously popular television show. Sullivan had been extremely reluctant to sign Elvis because he allowed others to develop his opinion of Elvis before he realized who Elvis was on his own. It was to Sullivan's credit that he finally gave the green light to Elvis, but he was also bowing to public pressure as he sought the most sensational musical performers at the time. First and foremost, Ed Sullivan was a very shrewd businessman.
As in the case of the Beatles, I never understood what all of the screaming and shrieking was about, but I always loved the music of Elvis Presley. For me, Elvis will always be the king of rock n roll. In spite of all of his flaws as a human being, he will live as one of the greatest musical performers of my time. Not only did this film provide a very deep insight into the life and challenges of one of the greatest stars in modern music, but it also highlighted some of my favorite Elvis tunes, including "Always on My Mind", "Suspicious Minds", and "Don't Be Cruel". Even when Elvis messed up the lines of "Are You Lonesome Tonight", he could sing a song like no other. As "An American Trilogy" plays in the background, the white Cadillac funeral procession through the streets of a bereaved Memphis, the city he loved so dearly, will always leave an indelible impression on my mind. Rest in peace, Elvis. We will never forget you.
Wusstest du schon
- WissenswertesAt the time of its release, the film included lots of very rare and never-before-seen footage of Elvis Presley.
- PatzerWhen Elvis pulls up to the house in the beginning, his girlfriend gets out of the car wearing a maroon pantsuit. When he opens the door and they enter the house, she is wearing blue shorts and a blue workout suit jacket. This was due to scenes that were not used in the film, as this scene also shows Elvis going in the front door; then the next scene shows him coming through Graceland from the back entrance, passing the front door from the inside before heading upstairs. This can be explained by noting Elvis's last hours. He came home, played racquetball in the racquetball building before entering Graceland from the rear entrance and then retreating to his room. This also explains the different clothes that the Ginger Alden character wears.
- Zitate
Pauline Nicholson: [Elvis and Ginger prepare to go upstairs to his bedroom, passing the kitchen doorway, where Pauline is seated at the table] Mr. P, can I get you some sandwiches?
Elvis at 42: [waves] That'd be fine, Pauline.
- Crazy CreditsCertain sequences in this film were recreated.
- Alternative VersionenHome video and some cable TV versions run 143 minutes and contain additional material not in theatrical release, such as censored footage from Elvis' 1968 comeback special, and an additional number from his final concert. It does, however, delete "Are You Lonesome Tonight".
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Details
Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.028.612 $
- Eröffnungswochenende in den USA und in Kanada
- 429.146 $
- 12. Apr. 1981
- Weltweiter Bruttoertrag
- 2.028.612 $
- Laufzeit1 Stunde 41 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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