Der Einzelgänger

Frank (James Caan) is a professional thief, who enjoys doing high profile jobs. He also owns an restaurant and sales cars for a living. He's tired of his other life as a thief. He hopes to settle down by having a wife, a family and a house. When he's been contacted by a mysterious business man (Robert Prosky). Which this man is the local crime boss of Chicago, who wants him to do a big score for him by robbing Diamonds. Once he succeed from his job, which Frank was hoping to be last job. But the mob boss turns on his back and treating his life by working for him until he dies. If Frank doesn't work for his boss, he will kill his wife (Tuesday Weld), his best friend (James Belushi) and destroy his entire life.

Written and Directed by Michael Mann (Ali, Heat, The Keep) made an stylish character drama is that extremely well directed and acted by the cast. Caan's performances makes this fascinating film works. It's certainly one of his best roles to date. The supporting cast are excellent as well, including Willie Nelson in a small role. This film was a box office disappointment, when it was first released. Now it's a cult classic... largely because of Mann's visual style, the performance, excellent cinematography by Donald E. Thorin (Midnight Run, Mischief, Tango & Cash) and Tangerine Dream's electronic score (Firestarter, Risky Business, Socerer). Look for some familiar faces as extras and bit-parts. Based on a novel by "The Home Invaders" by Frank Hohimer. Big time Hollywood Producer:Jerry Bruckheimer (Beverly Hills Cop, Black Hawk Down, The Rock) is one of the producers of this picture. This is a underrated movie worth seeing. (****/*****).

I've always been impressed by Micheal Mann's films. Starting with The Insider, I was intrigued by his camera-work and the use of music to compliment a scene.

With Thief, his directorial debut, he shows what movie fans will be in store for over the 30 years. Of course some of the techniques to steal are dated, but I loved the glossy, yet gritty atmosphere of the film. Tuesday Weld, was also quite good as Caan's love interest. It has an amazing ending as well.

The film is Waaaaaaay ahead of its time. And I was genuinely impressed with James Caans performance. This film is an underrated gem and should be viewed by Mann fans who liked Heat and Collateral.

8/10

Thief(1981) contains the best performance of James Caan as a professional thief in a rare leading role. He is complex and three deminsional as the protagonist, Frank. Thief(1981) is similar in many ideas to the Dustin Hoffman film, Straight Time(1977). One of the best directorial debut as Michael Mann gives a realistic portrayal of the hardships in being a professional thief. The movie does a good job in showing the corruption that Frank has to go against.

Its much better than Heat(1995) because it focuses on one person instead of trying to interweave in confusing detail the lives of two people who are opposite in job but the same in spirit. Willie Nelson is terrific in the small of of Frank's mentor, Okla. Robert Prosky is impressive as the father like crime boss, Leo. The heist scenes are the highlight of the film. Thief(1981) has to be one of the best movies to come out during the 1980s and is definitely the director's top film.

Frank (James Caan) runs a car lot, and also cracks safes. He likes Jessie (Tuesday Weld) at the diner who doesn't know what he does. His friend Okla (Willie Nelson) is dying in prison. A gangster Leo (Robert Prosky) wants to hire him to do scores. Jessie has a past with a dead drug dealer in Columbia and she likes the straight life now. He has a picture of his perfect straight life if he could get enough money together. So he decides to do a couple of big jobs taking along his partner Barry (James Belushi).

This is an early Michael Mann theatrical movie. It already has his crime realism style. James Caan is in solid form in one of his best performance. It has the intensity, and detailed crime drama. The production is not slick yet and has a gritty quality to it. The use of advisers really pay off for this movie.

This is one of the few Michael Mann films I can stand to watch. Caan is at his absolute peak here, with his intensity just blazing off the screen. The supporting cast is excellent, the edits are perfect, everything just clicks.

As has been noted by other reviewers, the technical aspects of this film are right on the money. All the locations are really there (or were at one time) and the settings didn't have to be faked up. Yes, Chicago and surrounding Chicagoland is really like this, folks.

I try to watch this thing every few years. Should buy a DVD, I guess, and insert it into my permanent circular film buffer.

Highly, highly recommended.