Füge eine Handlung in deiner Sprache hinzuA woman in an unhappy marriage finds sexual fulfillment in her relationship with a ghostly, speechless presence who, obviously, doesn't quite say who he is.A woman in an unhappy marriage finds sexual fulfillment in her relationship with a ghostly, speechless presence who, obviously, doesn't quite say who he is.A woman in an unhappy marriage finds sexual fulfillment in her relationship with a ghostly, speechless presence who, obviously, doesn't quite say who he is.
Richard Allen
- Demonic Character
- (as Rick Alan)
Empfohlene Bewertungen
I saw this at a drive-in (shock!), but it was called "Fury of the Succubus". Its only real redeeming value, to me, is nostalgic: it's among the last of the drive-in second features ever put into wide release. From the late 40s, until they were effectively replaced by the direct to video market in the early 80s, countless of these gems at once horrified and amused the teenage clientèle after the families had pulled out of the lot to get the kiddies to bed. This was also the perfect example of the movies you stayed to NOT watch when you were there on a date. If not for "films" like this, a lot of us guys would have graduated high school as virgins!
It's funny how they just gloss over how verbally abusive and aggressive the main character's husband is, as though his abusiveness and neglect aren't what's negatively affecting the relationship. This is a couple that I don't want things to work out for because it's established early on that he "gets" that way whenever he's focused on his work, meaning he'll keep ignoring her, getting angry when she gently tries to get his attention, and calling her curse words. THEN he gets angry when she rightfully separates herself and wants to focus on painting, slamming what she's working on to the floor. He also rejects her sexual advances, but when he comes home and hears her in the throes of passion "alone," he gets jealous. Like, wow, he can be neglectful, abusive, but she'd better not dare respond to it, even passively. He's AWFUL! But the movie treats it like SHE'S the problem! I just kept thinking it's not good for her daughter to grow up seeing that her mother endured that treatment as normal because it often does affect a child's adult choices.
Also, they start the story out already in the house, focusing on the nonsensical family drama and just making vague references to the house being evil or whatever. It's an awful setup. I think they were more focused on getting the wife's kit off and having her in bed, fake moaning with a distressed look on her face. The other characters are used weirdly, with the husband of the main character's best friend coming across as a creep, as he keeps making lustful comments about the main character and burying the attractiveness of his own pretty wife right to her face. The daughter is used in what should be a significant way, but the execution is so poor that she still comes across as a loose end.
Conclusion: Poorly written and paced, bland, unlikable characters, plays like a TV movie with nudity; 1 star.
S/N: Also, the misogynistic comments about her breasts in these reviews are far worse than the movie!
Also, they start the story out already in the house, focusing on the nonsensical family drama and just making vague references to the house being evil or whatever. It's an awful setup. I think they were more focused on getting the wife's kit off and having her in bed, fake moaning with a distressed look on her face. The other characters are used weirdly, with the husband of the main character's best friend coming across as a creep, as he keeps making lustful comments about the main character and burying the attractiveness of his own pretty wife right to her face. The daughter is used in what should be a significant way, but the execution is so poor that she still comes across as a loose end.
Conclusion: Poorly written and paced, bland, unlikable characters, plays like a TV movie with nudity; 1 star.
S/N: Also, the misogynistic comments about her breasts in these reviews are far worse than the movie!
Plenty O'Toole... I mean Lana Wood, younger, bustier sister of the late Natalie Wood, plays a woman in an unhappy marriage who starts having a perverse love affair with a tall, dark, handsome stranger who happens to be a minion of hell. Well, at first the Hell-bound minion rapes her, but she later decides she likes it and they start getting it on regularly. After that, some occasionally stylish touches show up in this low budget sexploitation horror film.
Film is really nothing more than excuse to show Lana's breasts (probably to distract from the sight of her horribly big hair).
What's really disturbing is that this might have actually been based on a true story.
Another Bond girl, Britt Eckland, also appears.
Film is really nothing more than excuse to show Lana's breasts (probably to distract from the sight of her horribly big hair).
What's really disturbing is that this might have actually been based on a true story.
Another Bond girl, Britt Eckland, also appears.
Greetings And Salutations, and welcome to my review of Dark Eyes; before launching into my critique, here's a breakdown of my ratings:
Story - 0.75 Direction - 0.75 Pace - 0.50 Acting - 1.00 Enjoyment - 0.75
TOTAL - 3.75 out of 10
Oh dear me, this film doesn't have a lot going for it so I'll try to keep it short - if not sweet.
Evidently, being lonely and depressed opens you up to occult experiences. That means at least half the world's population must have had a demonic visitation. Mine must be way overdue, and if dear ol' Luci's reading this, please make mine blonde and shapely, cheers you ol' devil you.
The story is the first problem with the film. It starts as your run-of-the-mill sexual haunting, which The Entity accomplished much better. Though, by the end, it's transformed into a twisted love story. Unfortunately, the writers didn't have the skill to complete the conversion believably or smoothly. In all honesty, the story is as jagged as a werewolf's fangs. Every element from the dysfunctional family and their separate emotions to their over-sharing friends to the demonic love needed better explanation and structure. Due to it being a mess, it becomes implausible, which makes it tedious.
Regrettably, the direction is as sloppy. The director opts for a point and shoot approach with a single meandering tempo. So added to the tedium of the tale comes the lethargy of the filmmaking. The special effects are not special enough - only the decapitation is notable, and it's not that great either. Though, the worst is the double exposure. I'm still not sure what the globular shape represented - but what is important is that I didn't and still don't care.
I felt sorry for Britt Ekland and Don Galloway: Their talent is wasted in the film. At least Galloway gave his all, and I hope he had fun doing it - he is, by and far, the best of the bunch. Ekland's name was top of the bill to get the bums on seats. I think she realised this because her performance wasn't the best. As for the leads, well, they were so wooden the writers should have changed the family name to the Redwoods.
If you've not guessed it yet, I do not recommend Dark Eyes, or any other names it hides under, for your viewing pleasure. I don't know you, and I'm not giving you a reason to hunt me down, so steer well clear of this piccy.
Please feel free to visit my Absolute Horror list to see where I ranked Dark Eyes, or better yet, to find something more enjoyable to watch.
Take Care & Stay Well.
Story - 0.75 Direction - 0.75 Pace - 0.50 Acting - 1.00 Enjoyment - 0.75
TOTAL - 3.75 out of 10
Oh dear me, this film doesn't have a lot going for it so I'll try to keep it short - if not sweet.
Evidently, being lonely and depressed opens you up to occult experiences. That means at least half the world's population must have had a demonic visitation. Mine must be way overdue, and if dear ol' Luci's reading this, please make mine blonde and shapely, cheers you ol' devil you.
The story is the first problem with the film. It starts as your run-of-the-mill sexual haunting, which The Entity accomplished much better. Though, by the end, it's transformed into a twisted love story. Unfortunately, the writers didn't have the skill to complete the conversion believably or smoothly. In all honesty, the story is as jagged as a werewolf's fangs. Every element from the dysfunctional family and their separate emotions to their over-sharing friends to the demonic love needed better explanation and structure. Due to it being a mess, it becomes implausible, which makes it tedious.
Regrettably, the direction is as sloppy. The director opts for a point and shoot approach with a single meandering tempo. So added to the tedium of the tale comes the lethargy of the filmmaking. The special effects are not special enough - only the decapitation is notable, and it's not that great either. Though, the worst is the double exposure. I'm still not sure what the globular shape represented - but what is important is that I didn't and still don't care.
I felt sorry for Britt Ekland and Don Galloway: Their talent is wasted in the film. At least Galloway gave his all, and I hope he had fun doing it - he is, by and far, the best of the bunch. Ekland's name was top of the bill to get the bums on seats. I think she realised this because her performance wasn't the best. As for the leads, well, they were so wooden the writers should have changed the family name to the Redwoods.
If you've not guessed it yet, I do not recommend Dark Eyes, or any other names it hides under, for your viewing pleasure. I don't know you, and I'm not giving you a reason to hunt me down, so steer well clear of this piccy.
Please feel free to visit my Absolute Horror list to see where I ranked Dark Eyes, or better yet, to find something more enjoyable to watch.
Take Care & Stay Well.
The movie is not a classic horror film by any means. I saw it when I was about 11 or 12 years old and one part that really did scare me is when the main character played by Lana Wood (yes that is Natalie Wood's sister) is running on the beach at night from this creepy looking guy with a weird outfit and even weirder looking mask. She constantly dreams about him and he eventually catches up to her and rips off her clothes and has his way with her. It's been several years since I saw it.
Wusstest du schon
- WissenswertesShot 1978, not released until 1982.
- PatzerAt about the 1hr 16 minute mark, the head that is hooked onto the wall explodes and a fountain of blood comes out. A white tube like item is seen as the camera briefly pans down, which is most likely the tube feeding the prop the fake blood. A later shot of the head does not seem to have the white tube coming out of it.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Demon Rage?Powered by Alexa
Details
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen