Kennwort: Salamander

one of films of my childhood. maybe, the most fascinating, because all was new, strange, bizarre, cruel out of words and... confuse. after decades, the perspective was different. but not profound different. because , after its end, the questions are about a bizarre,silly ,full of clichés, superficial, confuse film, guided by good intentions, with an impressive cast, a not so bad story , excellent premises but who remains only one of commercial films from the many others , predictable, with few good scenes, but nothing more. and this seems be its only sin.

A political thriller involving secret plans to re-create a fascist government in Italy. This film is chocked full of stars like Christopher Lee, Anthony Quinn, Eli Wallach and the whole parade is led by Franco Nero who does a top notch job as high ranking officer investigating the murders involved in trying to obtain these documents.

They had some cash to spend on this film as you can see how elaborately furnished the interior shots are and most everything else.

The film mostly has Nero obtaining facts from interview to interview and there is a few chase scenes but its not a tense thriller just really interesting. The actors were amazing. If you get a chance give it a watch.

it was one of favorite films of my childhood. today, it is only a promise. large, noble, interesting but prisoner of good intentions. the impressive torture scene, Franco Nero as Prince Charming, presence of Claudia Cardinale are little sparkles of a work without axis. sure, a thriller not must be a masterpiece but in this case it is a lost seed of fantastic tree. because story is fragile and almost boring. because central impression is to be at a great lunch without forks and knifes. and the script may be only improvisation . sure, it may be a cruel verdict. but after years, only gloomy memories about a nice film saves this movie.is it enough ? may be. in a little measure.

How did it go so wrong? How can a film with such an impressive cast (Franco Nero, Christopher Lee, Eli Wallach, Sybil Danning, Claudia Cardinale, Martin Balsam, Paul Smith - the torturer in "Midnight Express" - as, you guessed it, a torturer, etc.) and such colorful location filming around Italy (Rome, Milan, Venice, etc.) be such a bore? Probably because the story is slow-moving and unengaging, and has no real climax. Another obstacle for the viewer is the difficulty to buy people like Lee and Balsam as Italians. Nero is always likable, and Danning is stunning (even if she's in completely "unrevealing" mode here), but these two are barely enough to keep you focused on what was excellently described by another reviewer as "a political thriller without thrills". (*1/2)

Peter Zinner won an Oscar for editing THE DEER HUNTER (1978); for his only directorial effort, he chose this adaptation of the Morris West best-seller which was shown on local TV back in the day (actually, that is how I first heard of it). He did manage to assemble an impressive all-star cast: Franco Nero plays the hero carabiniere in a throwback to some of the political thrillers he had made in his native country – such as DAY OF THE OWL (1968), in which he co-starred with Claudia Cardinale, and CONFESSIONS OF A POLICE CAPTAIN (1971), also featuring Martin Balsam; both actors also appear here, the latter as Nero's closest collaborator who eventually falls in the line of duty. Anthony Quinn is the titular figure (a wealthy industrialist and ex-legendary WWII partisan), Sybil Danning the mistress of a dead army officer (whose apparent suicide sets events in motion) but also serving as Nero's unconvincing love interest, Eli Wallach the General leading a proposed coup d'etat, Christopher Lee as Nero's superior (actually a prince[!] who is unsurprisingly inextricably related with the Government takeover plot – interestingly, his on-screen wife was played by Lee's own real-life spouse in an infrequent appearance), Cleavon Little as a Black American ex-colleague of Nero's (whom the latter calls upon when he is in a fix) and Paul Smith (as a sadistic "surgeon"). There are, however, also a number of Euro-Cult regulars: John Steiner in the role of Wallach's aide as well as lover of his neglected wife Cardinale, Renzo Palmer, Marino Mase' – unenviably playing a corpse! – and Nello Pazzafini. While tolerable as entertainment (though there is less action than I had anticipated) and featuring a decent score by the great Ennio Morricone, the film is ultimately too superficial and uneven to make a ripple in the circles it professes to denounce; nevertheless, the clever climax is surprisingly (but effectively) handled in the style of the "Thin Man" movies! Besides, one particular scene nearly turns this into a camp classic i.e. when the hero, caught and about to be tortured by Smith, attacks the latter clad only in a harness along his waist (which gives unwarranted prominence to Nero's groin while leaving his buttocks completely exposed!) but ends up slammed against the wall hanging upside-down instead!!