Rette deine Haut, Killer

This is not a real review, it should be taken more as a collection of impressions on the film.

Very simple film but at the same time very beautiful and intriguing. Classic detective story with the usual conspiracy stuff to pull the threads of this story which would like to be very convoluted but is quite simple even if with some small plot holes which make some passages complex to understand or even real forcing done just to make everything proceed otherwise it would have been almost impossible to continue. So all in all the film is very nice, it's a shame about the small plot holes but you can get over it by looking at the film as a whole.

I do enjoy a good Alain Delon thriller, unfortunately this is not a good Alain Delon thriller. It would be slightly better without the accompanying music - a couple of songs that are just annoying. Like bad Tom Waits.

The plot is ludicrous, the acting perfunctory. There is predictable romance and nudity as you'd expect from a 1981 flic movie.

Disappointed really.

In Paris, the ex-cop Choucas (Alain Delon) is a private detective that works with a mysterious partner, Tarpon, and the secretary Charlotte (Anne Parillaud). He is presently working in an embezzlement case of an employee of the pharmacist Jude (Pierre Belot). When the middle-aged Isabelle Pigot (Annick Alane) hires him to investigate the disappearance of her blind twenty year-old daughter Marthe Pigot (Ariele Semenoff) that worked at the Drillard Foundation for blinds, the Police Inspector Coccioli (Daniel Ceccaldi) seeks Choucas out and asks him to drop the case. But Choucas proceeds with the investigation and schedules an encounter with Isabelle in a square, but she is murdered with a shot on the forehead. Chouca continues to investigate and soon the dirty Chief Inspector Madrier (Jacques Pisias) tries to kill Chouca, but he is only wounded and kills the inspector in self-defense. Then two criminals abduct Chouca but he succeeds to escape. He meets his secret partner, the retired Chief of Police Haymann (Michel Auclair), and Charlotte and they disclose a case of narcotics. Further, Choucas learns that he has been manipulated by Coccioli and other Chiefs of Police.

"Pour la peau d'un flic" is a violent, funny and complex story of murder and manipulation in the debut of Alain Delon as director. He follows the genre of Jean-Pierre Melville, and the movie has violence, murder, rape, torture but with humor. Anne Parillaud shines in the role of the cynical and funny cinephile Charlotte. My vote is seven.

Title (Brazil): "Na Pele de um Tira" ("In the Skin of a Cop")

Despite some extreme violence (shootings at close range, rape of one of the main characters), there is a surprising amount of humor in this picture. I wonder if this was Delon's way of moving away from the sometimes humorless approach taken in his films with J-P Melville. It also features a nice performance by a very young Anne Parillaud.

Sometimes we need to get reminded that even cheaply produced movies can be great fun. Alain Delon's Director Debut here comes as a thirteen in a dozen French "policier" flick. The difference is that the actors are obviously having great fun on the set while the movie is presented with a well mixed variety of Violence, fun and some smart lines.

Alain Delon is cool on camera and even behind the camera. A smart fun but further unmemorable film. Alain continued to direct his next to films as well (although only credited for le battant).

Pour la peau d'un flic is an inseparable part of my Delon movie collection.