Peter and Paul

for a Christian, each religious movie is a challenge. not only for the common expectations font to a film but for essential fact than the story is part of him. so, the subject remains, always, extremely delicate. this case is a happy one. for respect of original story and precise-careful exploration of nuances, for credible image of Church birth, for a brilliant acting and wise music, for the feeling of a special film and for the courage to build a support for faith. it is not lesson, not speech. it is a fresco and a powerful touching definition of a religion basis. artistic values are only details of a thoroughly work , not easy, not comfortable. and that fact transforms it in an impressive result.

it is its great virtue. to present a story not only in convincing manner but in the grace of its nuances. story of a fight for faith, it is a remarkable portrait of the two apostles. for the science to explore vulnerabilities, searches and the need to serve the Truth. for the force of words and the trips in the heart of an empire. for the life of the first communities. for the courage to be more than a historical film. for the admirable portraits. and for the roots of the sacrifice. sure, nothing surprising. a great cast, smart script. and the images with the gift to be more than illustration of Christian first steps. a film of questions. useful for rediscover a battle who seems today almost a myth.

This movie is among the more engaging of the TV Biblical films, as well as holding true to scripture, with just a little 'creative license' for areas that are vague. However, when I heard Anthony Hopkins was playing Paul, I was quite leery, at best, yet he did a magnificent job - Magnificent! One of the mysteries of the Bible is the manner in which people spoke and communicated in various scenarios. Did the person express agitation or anger when he/she said this/that? Or were they always full of patience and grace? We must remember that these people were all human beings, just like us. Each movie and play we view that is an adaptation, it is the creators that create the mood and the mode of each scene and conversation. It is simply a guess at best as to how things were spoken or acted out, however, we do know that Paul was a man absolutely full of fire and passion, and had his share of a temper. I believe the execution of Paul's character in this film had greater accuracy then many others, due to this truth that many times is over-looked. And Anthony Hopkins was the man to nail it.

The film really brings us to a greater place of understanding the reality and nature of what took place back then. The cast is filled with actors/actresses that executed their roles just beautifully. Praise God there are players out there that desire to spread the word through their vocation, and to do so with such care.

My favorite Bible story, because it suits my generally humorous outlook, is when Peter is in prison (Acts 12).

James (well, one or the other) was executed and the nascent Church probably expected the same fate for Peter. So they pray for him. I don't know what they prayed but the best prayers are asking for God's will rather than for specifics based on our own selfishness.

An angel comes to Peter and unshackles him and opens doors for him and then, out in the street, the vanishes.

Peter goes to the house where they're praying for him and raps at the door. A servant named Rhoda goes to the door and asks who is there (after all, Herod Agrippa's poll numbers went up when he arrested Peter and executed James; it's possible someone's there to arrest them all). Peter identifies himself and rather than opening the door Rhoda, in her excitement, runs to the others, excitedly telling them Peter is there.

Their prayers interrupted they remind her Peter's in prison; though some of them suggest it's Peter's angel, whatever they mean by that. Though why an angel has to knock . . . ?

Visualize the scene: Peter's out in the street where Herod's cops can scoop him back up if he's spotted. A servant came who did not open the door. And the people who were praying for Peter are now, rather than going to see an answer to their prayers, debating angelology. And as Acts says, Peter continued to knock.

How does it end? No spoilers. You'll have to read it for yourself.

In "Peter and Paul" no angel is depicted (nor are Peter's shackles accurate). The people in the house aren't praying. Rhoda opens the door and slams it in Peter's face. Most of the tension and all of the humor is drained from scene. So is the angel, except obliquely. If one doesn't know the story one is left wondering why the prison door is open. Were Herod's guards that careless?

That's an ongoing problem with "Peter and Paul." The book of Acts is a cracking good story. Reducing it to Peter and Paul alone is a good idea, as the two had lots of tension between them. As Luke joins Paul in the book the disciples and other figures from the Gospel fritter away and it's all Paul and his companions.

The cast, though, is problematic. Robert Foxworth as Peter isn't terribly charismatic. Anthony Hopkins can be an acting powerhouses but he dials back his performance as Paul for the most part. Peter was (by tradition) a big, strong man while Paul was diminutive. Here, they're roughly the same height.

The big names are a mixed bag. Herbert Lom was an inspired choice for Barnabas as John Rhys-Davis was for Silas. Briefly-glimpsed Raymond Burr looks ridiculous as Herod Agrippa. Most of the guest stars are blink-and-you'll miss them.

One important point of contention in the early Church was whether gentiles had to become Jews to be Christian. That's aired in the series and Paul was on the nay side while Peter waffled. Voila, writers: tension. I'm not sure it's clear why that was so important people like Paul and Peter had arguments about it.

Some people think the Bible is a book of miracles. It isn't. It's mostly history with miracles centered on certain people. Thomas Jefferson wrote his own version of the Bible taking all the miracles out.

A few miracles are depicted (one being the question of how Paul and his colleagues survived all those stonings). The ones that are depicted are typically presented as ambiguous. Like the angel who freed Peter. But how does one depict an angel, anyway? Not as Roma Downey. Oh, well. I can't answer that one, either, but I don't write TV shows.

Sometimes not enough is said. At other times extra-Biblical reasons are given for things, like Mark's missionary defection, which caused the rift between Paul and Barnabas.

Nor do I see Paul, angry as he could get at times, as being so contentious as he begins to preach. It doesn't seem to be very winning. The best way to be a missionary is to build a bridge with one's newbies (as Paul did in Athens, though he didn't have a lot of success there; I was gratified the whole of Paul's text in Athens was given).

Overall, "Peter and Paul" is kind of dull and mostly humorless. In Church meetings the euphoria of new converts is lacking on people's faces (though to be fair when my conversion came I was depressed for a week before the euphoria of the Holy Spirit really settled in on me; the Spirit was willing but the flesh was weak). Only Silas seems to look happy at all. Very odd. Why follow a faith whose adherents are so dour? Meanwhile, the pagans seem to be having a high old time.

Still, it's good someone tried. It's just too bad the thrilling story of Acts comes off as a bit stodgy and, as in episodes like that of Peter in prison, leaving curious newcomers scratching their heads.

I'm disappointed this show as a whole isn't more fun. The book of Acts is a great ride. Sure, persecutions against those taking Christ's title (Christ-ians) continue with churchs and Christian schools being shot up in America and bombed abroad and we must take our past and present seriously. But that doesn't mean all the excitement should be drained from a great story or the euphoria of the Holy Spirit from our lives.

That's one character sorely lacking: someone once said the Acts of the Apostles should be called the Acts of the Holy Spirit. Christ is mentioned a lot but the Holy Spirit gets short shrift. Peter's one of the major figures in Acts and his name's on the series. Where's Pentecost?

I first saw this on TV and was overwhelmed. It's a decent account of the story of Paul's journeys as he spread the Good News (Gospel) of Jesus Christ from his conversion on the "road to Damascus" to his final imprisonment in Rome. If you've read the Acts of the Apostles, or the epistles of Paul, you won't be surprised except by the continuity of this well-written script. You may also learn how Paul's background as both a Jew and a citizen of Rome facilitated his founding of many churches.

Anthony Hopkins was overwhelming as the Apostle "Paul". There were minor distractions, most notably Eddie Albert of "Green Acres" and Raymond Burr of "Perry Mason" hired (no doubt) for there (TV) "star power". Robert Foxworth is primarily known as a TV-star who has a long career in "made for TV movies" and guest and starring roles in many popular dramatic series.

Afterwards, as I read the writings of Paul in the New Testament, I can still hear Hopkins' voice in my head ... his articulation, phrasing, pauses,and conviction resulting in highly effectual communication. Yes, he was and is that good, even to today's role as the Norse God, Odin. His masterful style remains strong.

I bought this on VHS and loved it. Years later, I bought it on DVD. It remains unavailable online. Why? I don't know. Sir Anthony Hopkins is a major movie star. This protégé of Lawrence Olivier went on to star in many major movie productions such as "The Elephant Man", "A Bridge Too Far", and "Magic". Previous to 1981, he had done many fine and honored "made for TV movies", such as "The Bunker" (Adolph Hitler) and "The Lindberg Kidnapping" (Bruno Hauptmann).

You can still buy this on DVD from Amazon. Unfortunately, that remains our only source for viewing this breathtaking Christian drama. Someday, I hope to see it available on VUDU, Amazon Prime, Netflix, Hulu or some other streaming outlet. Until then, I'm content to have a copy of the DVD.