Die Haut

My father was in this film as the "Veterinarian" and therefore I was able to be on the set for a couple of the scene's being filmed. This was a great experience and being up close to the filming, the director and the cast was really a fantastic opportunity and then to see the film when it was released in an Italian movie theater as a finished product was a real treat.

Over the years I have had contact with a few of the American's that were cast for "La Pele" (most of them as extra's). Many of the American's were from the NATO base in Naples, Italy and were friends with or knew my father.

This may not have been the greatest war film ever made but the experience that I had was great and will always be remembered.

Mike Cohen / mikesc99@hotmail.com

This movie is based on the true memoirs of the main character (Curzio Malaparte) during his time when he acted as diplomatic liaison between the Allied forces and the Italian in the newly occupied Italy. The book is a collection of short stories depicting the collapse of the Italian society under Allied occupation. There is no story line between those short stories. The movie puts them in chronological order, but the reigning chaos and lack of moral message (the message is exactly the lack of morality) can confuse the spectator.

This is a very original war movie, in that the main theme is the not the war front. The Allied are not viewed from their own perspective, which is one of true liberators. Instead, the movie shows the Italian people courting the Allies as liberators in order to escape from starvation. The Allies themselves are caught in a trap where they know the Italian hospitality isn't sincere, but are unable to understand why. They don't realize that before them, the Germans were courted as liberators too, and that in this context of food shortage and general poverty, the only way the Italians have to secure their survival is to play that game.

Malaparte (played by Marcello Mastroiani) acts then as a translator, helping the Americans as a guide would help a tourist, by explaining in each situation why people are acting in this seemingly dishonorable way.

La Pelle (The Skin) would make more sense if compared to Malaparte's twin book on the occupied Europe (Kaputt, or Broken to Pieces). In the latter, he portrays the Nazi way of oppressing through violence. In La Pelle, he shows how the Americans achieve a similar result through economic means, while refusing any responsibility. In Kaputt, Jewish women are made prostitutes by the German Army to escape death by the bullet; in La Pelle, Italian women become prostitutes for the American Army to escape death by starvation.

In 1943, in Naples, Germans have just left the city when the Americans arrive, commanded by Gen. Mark Clark (Burt Lancaster), having the Italian Captain Curzio Malaparte (Marcello Mastroianni) as the liaison. The population is starving, with women and children prostituting themselves for food. Principessa Consuelo Caracciolo (Claudia Cardinale) is a noble Italian friend of Malaparte, and seems to be very adapted to all situations. Private Jimmy Wren (Ken Marshall) is the support of Captain Malaparte, and falls in love with a local girl. Honorific Colonel Deborah Wyatt (Alexandra King), an arrogant pilot and wife of an American Senator, comes to Naples to be promoted and get votes for her husband and the American president. Malaparte is assigned to show her the situation of the city. This movie is very strange, bizarre and violent. But although paradoxical, it is also fascinating. It shows a defeated people, needing to sell sons and daughters to survive. The last scene, when a tank passes over a local and Jimmy comes to apologize to Malaparte is fantastic. It shows the relation between winners and losers in a war. The cast has Burt Lancaster, Marcello Mastroianni and Claudia Cardinale, among others good actors and actresses. I like very much the work of Liliana Caviani, but this film certainly is not indicated for all audiences. My vote is seven.

Title (Brazil): `A Pele' (`The Skin')

As a member of the US Air Force stationed in Naples during the movie I had the opportunity to appear in the film. I think I had 26 appearances in the film, all as a non-speaking extra. I got to know some of the actors, Ken Marshall was a really decent guy, Burt Lancaster (had a photo with him) always took 2 or 3 takes to get it right, Marcello Mastroiani was amazing, he spoke his lines like he was telling a story over dinner, just flawless! Claudia Cardinale was really nice the couple times we talked. It was really an adventure doing the film, there were many hours of just sitting around waiting for something to happen. Months later when the film was released they had two showings at the NATO base. It was a sell out both times and all you could here was everyone (along with me) saying things like: "Hey there I am, That was me, Look look, there I am again"! Someday I would like to see it again so I could hear what it was about. One last thing, the most memorable part of the film for me was when the American tanks (Korean war vintage) went through the town and the Italians all came out and cheered. That scene had to be done twice and then spliced together. Once the director yelled (in Italian) "cut", Bert stood up in his jeep, with his hands on his hips, looked at a now silent cast and proclaimed in his strong voice "In my 35 years of movie making, this is the most f***ed up fiasco I have ever been involved in"! Maybe that made it in the directors cut!

This movie tells an historic story, and begins with a somewhat arty slant. But it gradually becomes a dadaist study in human depravity and thinly veiled injustice in terrible times. Though set in WWII, it is not a war movie. It probes deeply and uncomfortably into moral issues rarely discussed in war movies. For this reason it is extremely compelling.

The plot line is not direct, and the characters often confusing, but that is it's goal to be a moving piece of cinematic art. The film develops into a Felliniesque dream where logic and a pleasant, easy, normal straightforward narrative dissolve into a a gaudy abstract symbolism that will require a second viewing to figure out. This film is on the level of Bergman, Fellini, Godard etc. It is a challenging, heartfelt film, not suitable for date night. The direction, camera, acting, editing, sets, wardrobe, casting, are excellent.

I watched this in 2020-- 12 years after it was released on the Criterion Channel. Never had heard of it, but the description sounded interesting. Interesting, the language is Italian with English subtitles, even though many of the characters are American (including Burt Lancaster) who was ironically typecast as the dithering, bullying American general (referring to Buck Turgidson in DR STRANGELOVE).

I couldn't find any professional reviews of this film, or any box office history, so, because of its ambivalent anti-war/anti-Americanism it may never have played theatrically in the US. The Criterion Channel may be the only place you'll find it. But if you love cinema, you'll love this film.