Die verrückten Nachbarn

Leonerd Maltin's crazy. This movie was before it's time and had me puking. It's been on cable every day for the last few months and I've watched it every time. The ideas behind this movie are awesome. Watch this movie just for the swamp and the tow truck driver. May be Dan Ackroyd's best performance.

not a mainstream comedy by any means This movie fails on nearly every front but has 2 things going for it, the cast, its an almost forgotten piece of Ackroyd and Belushi in their prime, secondly its off kilter pace and atmosphere, these alone are enough to give it a place in my collection.

If your not into either of the above then give this a wide berth as its sure to disappoint. apparently the film had a difficult gestation and this seems plausible as its very inconsistent and aimless at times, shifting gear unexpectedly. an eclectic and patchy dark comedy it should suit die hard fans who want to see more of A&B

In the times I have seen this movie(too many to count). I always find more to it.I enjoy this lost classic from the late great John Belushi more than so many over produced conventional movies and more than almost all of the SNL cast made movies.Belushi and Acroyd,a duo who didn't do enough together.

See this movie!

A plot synopsis here would be something of a waste of time, as one or more already appear on this site, but I felt some comments might attract another viewer to this unique film. The movie was very poorly received upon its release, by critics and audience alike. Many fans of Belushi and Aykroyd did not take to their reversal of what was typically their typecasts: here Belushi plays the straight man against Aykroyd's lunatic, which is what I beleive makes the movie so incredibly funny.

On another note: when watching this film, give some attention to the soundtrack, brilliantly done by Bill Conti. The soundtrack, which would probably not work with any other movie, fits Neighbors perfectly. Using the Wagnerian technique of leitmotives, Conti assigns themes to each character: Earl is portrayed by some "shlub" music on bass trombone, Vic gets an eerie theremin melody, Ramona's appearances are always underscored by a sultry saxophone, and native american drums accompany Earl's wife Enid. The way the music underlines the drama is hard to describe without sounding like it cheaply "mickey-mouses" the actions onscreen, so I will forgo an in-depth analysis.

Suffice to say: great movie, brilliant soundtrack.

The people at Columbia must have thought this was a surefire winner when they saw the inital idea for this film; with a simple but potentially funny premise and two capable and talented stars, how could it miss?

Unfortunately it does and by a long way. The blame for this shouldn't be at Belushi and Aykroyd's feet as they do what they can with their limited roles; the blame should be with an unfunny and illogical script and very uninspired direction. As a result, there are only a couple of amusing moments in the film.

Two things underline what is wrong with this film. Firstly, the film's music score is atrocious (some earlier reviews disagree on this); it's so heavy-handed and obvious that it almost single-handedly ruins the comedy potential of the film's opening scenes. The film may have been better off without a music score at all.

Secondly, the character of Enid Keese is so poorly constructed that she negates to a large extent the laughs created by the three other main characters in the film; her character simply makes no sense. For example, when her daughter comes back and announces that she has been kicked out of school, while Earl is understandably upset by this Enid hardly seems bothered by it at all.