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Rocknacht des Grauens

Originaltitel: New Year's Evil
  • 1980
  • 18
  • 1 Std. 25 Min.
IMDb-BEWERTUNG
4,9/10
4305
IHRE BEWERTUNG
Rocknacht des Grauens (1980)
Trailer for New Year's Evil
trailer wiedergeben1:44
2 Videos
44 Fotos
Slasher HorrorHorrorThriller

Während einer Silvesterfeier erhält ein Discjockey aus Los Angeles einen Anruf, in dem es heißt, dass in jeder Zeitzone zu Silvester jemand ermordet wird - und sie wird die Letzte sein.Während einer Silvesterfeier erhält ein Discjockey aus Los Angeles einen Anruf, in dem es heißt, dass in jeder Zeitzone zu Silvester jemand ermordet wird - und sie wird die Letzte sein.Während einer Silvesterfeier erhält ein Discjockey aus Los Angeles einen Anruf, in dem es heißt, dass in jeder Zeitzone zu Silvester jemand ermordet wird - und sie wird die Letzte sein.

  • Regie
    • Emmett Alston
  • Drehbuch
    • Leonard Neubauer
    • Emmett Alston
  • Hauptbesetzung
    • Roz Kelly
    • Kip Niven
    • Chris Wallace
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,9/10
    4305
    IHRE BEWERTUNG
    • Regie
      • Emmett Alston
    • Drehbuch
      • Leonard Neubauer
      • Emmett Alston
    • Hauptbesetzung
      • Roz Kelly
      • Kip Niven
      • Chris Wallace
    • 89Benutzerrezensionen
    • 103Kritische Rezensionen
    • 33Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos2

    New Year's Evil
    Trailer 1:44
    New Year's Evil
    New Year's Evil: Bloody Midnight Murder
    Clip 1:11
    New Year's Evil: Bloody Midnight Murder
    New Year's Evil: Bloody Midnight Murder
    Clip 1:11
    New Year's Evil: Bloody Midnight Murder

    Fotos44

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    Topbesetzung64

    Ändern
    Roz Kelly
    • Diane Sullivan
    Kip Niven
    Kip Niven
    • Richard Sullivan
    Chris Wallace
    Chris Wallace
    • Lt. Clayton
    Grant Cramer
    Grant Cramer
    • Derek Sullivan
    Louisa Moritz
    Louisa Moritz
    • Sally
    Jed Mills
    Jed Mills
    • Ernie
    Taaffe O'Connell
    Taaffe O'Connell
    • Jane
    • (as Taafe O'Connell)
    Jon Greene
    • Sgt. Greene
    Teri Copley
    • Teenage Girl
    Anita Crane
    Anita Crane
    • Lisa
    Jennie Franks
    • Nurse Robbie
    • (as Jennie Anderson)
    Alicia Dhanifu
    • Yvonne
    Wendy-Sue Rosloff
    • Make-up Girl
    • (as Wendysue Rosloff)
    John London
    • Floor Manager
    John Alderman
    John Alderman
    • Dr. Reed
    Michael Frost
    • Larry
    Jerry Chambers
    • Clerk
    Barry Gibberman
    • Hotel Guest
    • Regie
      • Emmett Alston
    • Drehbuch
      • Leonard Neubauer
      • Emmett Alston
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen89

    4,94.3K
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    Empfohlene Bewertungen

    Cujo108

    Tolerable slasher

    A rock show host dubbed Blaze gets threatening phone calls during her New Year's Eve gig. The caller informs her that he'll murder a different person each time the clock strikes midnight in one of the four continental U.S. timezones, and odds are that she'll be his final victim.

    One of the few slashers to have eluded me over the years, it was nice to finally scratch this off the list. It's far from a top-tier effort in the sub-genre, however. The killer, played by Kip Niven, isn't the least bit threatening. He only dons a mask towards the end of the film, so he doesn't have that to fall back on either. Also, too many scenes of dancing punk rockers and filth masquerading as music for my taste. Now, there are some quality stalk and slash sequences. Most notable is one victim's unpleasant surprise in a garbage dumpster. We also get a hefty helping of cheese, mainly from the killer himself and Blaze's dopey son. The bit with the former dealing with angry bikers at a drive-in is gold.

    Overall, I was entertained, but it's not exactly good. Not even close.
    5ofumalow

    Annoying killer, annoying target

    This Golan-Globus production is a bit slicker than most non-major-studio slashers of the era, and the polish helps it move along painlessly--except for the onscreen victims of course. Roz Kelly plays an obnoxiously self-absorbed radio celebrity hosting a New Year's Eve "New Wave" bash--we get a lot of generic rock music located somewhere between lesser 70s power pop and 80s lite metal. (The musicians in the presumably fictitious bands playing probably grew their hair out and tried to be "the next Poison" a few years later.) Before her hosting duties begin, she gets a call from an anonymous, vocally distorted man who insists she call him "Eeeeeeeevillllll" and says he's going to kill on the hour each other before midnight, at which point it will be her turn. Trouper that she is--or perhaps just too abrasive to care--our protagonist goes on with the show, while the killer gradually approaches the venue, killing people on the way.

    The story is pretty thin, such as it is. There's a late hint of something unsavory going on between the heroine's son and husband (it's unclear whether he's the boy's father), both of whom have cause to hate her guts, but the film doesn't have the nerve to really "go there." It aims mild satire at both the Hollywood and punk scenes, but those caricatures are too familiar to be effective. Roz Kelly was said to be a piece of work offscreen--she acknowledged she was known as "pushy," which is maybe what got her sacked from her most famous role on "Happy Days"--so this role seems tailored to her as a glam, flashy but unsympathetic entertainer who is oblivious to others (even at her own peril) and bosses everybody around. The villain's "scary voice" on phone calls is ridiculous, his dialogue worse, his motivation flimsy, but then you don't go into a movie like this one expecting much psychological depth.

    Despite the fair number of deaths, none of them are particularly memorable in deed or staging; the only good idea is a climactic scene in which someone is very unhappy to find themselves dangling from the bottom of an elevator as it rockets up and plunges down the shaft.

    In short, more watchable than some more poorly-produced slashers of the time, but just OK, with both a protagonist and antagonist that are a little too effectively annoying as personalities.
    phlflip

    Kip Niven Rules

    This film is one of my favorite slasher flicks.It,s not really gory but it has some great murders,especially Louisa Moritz,s death.It was hysterically funny.I have to say that what made this slasher flick better than most was the excellent performance of Kip Niven as Evil.He played the psycho part very low key, until midnight, and then he was frightening and threatening.The look in his eyes actually gave me an eerie feeling.He was a good looking guy on the outside but totally sick and evil on the inside.In a way Roz Kelly had it coming with her selfish,self centered attitude where she even neglects her own son.I thought a few of the murders were inventive and I would definitely recommend this movie for a late night when you just want to relax and be entertained.
    5gridoon

    For tolerant genre fans.

    Yet another entry in the "psychotic killer on the loose" genre. The premise of this one is somewhat original, but apart from that it has nothing else to distinguish it from dozens of similar films, so you're just sitting there waiting to see how it will tie everything up in the end. It does come up with an unexpected, out-of-left-field plot twist, but the "motivation" part is fumbled. Still, if you're tolerant of low-budget early-80s thrillers, you'll probably have an OK time. (**)
    7Toronto85

    New Year's Evil

    A madman vows to murder someone at the stroke of midnight in each time zone in 'New Year's Evil'. Roz Kelly plays a 'Blaze', a famous punk music icon who is hosting a New Years Eve bash at a large hotel. During her television broadcast that night, a callers phones in and says he will kill someone each time the clock strikes midnight around the world. So that means that every hour on the hour, someone is getting killed. This isn't a whodunit slasher film, we know the killer's identity from the start. The movie follows him around as he stalks various women in Los Angeles, making sure he records each murder on a tape recorder. He calls Blaze after each murder and plays the tape leaving her frightened. Eventually, he makes his way to where she is at the hotel leading to a bit of a disappointing ending.

    Call me crazy, but I really enjoyed this film. enjoyed it so much so, that it's become a tradition to watch it during the holiday season. I've always loved holiday horror, and 'New year's Evil' delivers. It is full of eighties cheese; the lights, the music, the hair - all of it. And the plot is actually interesting AND original! Having him murder at midnight in each time zone was smart, and it set 'New Year's Evil' a part from other forgettable slashers made at this time. The stalking scenes with the killer was done well too. He disguises himself before each murder, and makes his way around LA to different places (a bar, a drive in movie theatre) to collect his next victim. Some of the scenes with his next victims are pretty tense, and you feel for the women.

    Where 'New Year's Evil' fails is with the killer's motive. They give a lame explanation, and I think the whole movie would have been better with a different motive. There is also the sub-plot with Blaze's son, who is clearly deranged. It is never fully explained what is wrong with him. Oh and the ending was sort of disappointing too. But other than that, this is a holiday horror film that all horror fans MUST check out at least once!

    Happy New Year! :D

    7/10

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    Handlung

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    • Wissenswertes
      The drive-in theater seems to show Herschell Gordon Lewis' Blood Feast (1963), but it is not. The movie showing is actually La dama rossa uccide sette volte (1972) a.k.a. "La Dama Rossa Uccide Sette Volte." It was also distributed under the name "Blood Feast," which has caused some confusion.
    • Patzer
      At one point the killer hits a cop over the head and takes his uniform. Despite the cop being quite a bit heavier, the uniform fits perfectly.
    • Zitate

      Diane Sullivan: Blaze here. A crazy new year to you.

      Richard Sullivan: [In a distorted voice] Happy new year to you, Blaze.

      Diane Sullivan: Oooh! Some kind of voice you got there. You sound like the Phantom.

      Richard Sullivan: You could call me that.

      Diane Sullivan: So, you got a name, Phantom?

      Richard Sullivan: Call me Eee-vil.

      Diane Sullivan: Evil? E-villl Eye?

      Richard Sullivan: No! Just eee-vil!

      [Then he breathes hard]

      Diane Sullivan: Well listen Mr. Evil, do you have a vote for the top song of the year?

      Richard Sullivan: No. Just a new year's resolution.

      [pauses and breathes hard]

      Richard Sullivan: I'm going to commit murder at midnight. I'm going to kill someone you know. Someone close to you.

      Diane Sullivan: [Diane hangs up the phone and turns to her audience] Well! We're really off to an interesting start, aren't we? Crazy trips, must be a full moon!

    • Crazy Credits
      During the closing credits crawl the speed of the crawl visibly speeds up after the cast but then slows again toward the end for the soundtrack credits.
    • Verbindungen
      Featured in Sneak Previews: The Jazz Singer/Seems Like Old Times/A Change of Seasons/Resurrection (1980)
    • Soundtracks
      New Year's Evil
      Performed by Rock Band Shadow

      Lyrics by Roxanne Seeman

      Music by Eduardo del Barrio

      © Noa Noa Music & Wu Li Dance

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    FAQ15

    • How long is New Year's Evil?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 19. Dezember 1980 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Año nuevo satánico
    • Drehorte
      • Golden Arrow Liquor - 13231 Victory Blvd, Van Nuys, Los Angeles, Kalifornien, USA(interior and exterior liquor store scenes.)
    • Produktionsfirma
      • The Cannon Group
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      1 Stunde 25 Minuten
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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