Opfer um Mitternacht

A new student from the East Coast (Mary Beth McDonough) enrolls in Ocean High in SoCal where she immediately meets a potential beau (Patrick Cassidy), which means becoming the rival of his dubious ex, who just so happens to take the black arts seriously (Melissa Sue Anderson). Cathryn Damon plays the mother of the latter while Marion Ross is on hand as a wise mentor.

Although "Midnight Offerings" (1981) was originally released to TV, it's a formidable witchcraft-oriented horror featuring several iconic television stars from the 70s and the younger brother of Shaun Cassidy. It's basically a mixture of "Carrie" (1976), "Summer of Fear" (1978) and the forthcoming "Christine" (1983).

It works well because the story draws you into the drama of the romantic triangle and everything culminates with a hellish, but fitting, climax. King D no doubt ripped-off the set for the occultic rituals for his diabolic photo ops.

The film runs around 1 hour, 30 minutes, and was shot in Los Angeles.

GRADE: B.

I fell in love with "Midnight Offerings" when it aired August 6, 1996 on MonsterVision on TNT. The movie makes sense if you watch it more than once, it also has a few good lines. For example:

"Tell the police? They'll Put me in a basket-weaving class for sure."

"The police have better things to worry about than your extra-curricular activities dear."

Melissa Sue Anderson is great as a bitch-witch and it totally shows. This one was never released on VHS although, I have a copy with no commercials. Here is a quick review: Robin Prentiss (Mary Beth McDonough; The Waltons) is new to Ocean High School. She makes a boyfriend her first day. But that boyfriend belongs to Vivian Sotherland (Melissa Sue Anderson; Little House On The Prairie), who is a Hectite witch.She tries to kill Robin, because she knows Robin is a witch too. Can Robin save herself or be destroyed by Vivian?

If you ever have a chance, check out this movie. I gave it a 10!

It's the Waltons vs. Little House On The Devil Worshipping Prairie. In other words... fun.

The ravishing, outgoing & confident Vivian rules the school. She's pretty, popular and dating the school stud. It's all about her and she aims to keep it that way. Did I mention that she can morph into a crow or a cat and she has a shrine to Satan set up in her bedroom? Enter Robin Prentiss: New girl in town. She's mousey, she's shy, and Vivian's boyfriend takes an immediate liking to her. You know what that means...Meow! Black cat-fight!

If you've seen "The Craft" then you've seen this. There are numerous similiarities, right down to the physical resemblances of the lead actresses. You know the drill: Good witch vs. Big Bad Bitch Witch. Good witch seeks out mentoring from old, dried-up, brittle witch (played here by Marion Ross, "Mrs. C." from Happy Days). They engage in supernatural combat by magically hurling household appliances at each other (the battle in the high-school shop class is priceless and lame, but mostly fun. Think: Attack of the killer paint-sprayer!)

Melissa Sue Anderson is a pure diva riot as Vivian, biggest witch in town, and she plays it to the hilt. Three cheers to Melissa Sue for a truly memorable screen villianess who's not afraid to apply her eye makeup with a butter-knife. Mary McDonough is less fun to watch, and her performance is perhaps a whisker above the realm of bad acting...but hey, the good girls in these kinds of movies are never that interesting to watch anyways.

Look for Vanna White and Dana Kimmel ("Friday The 13th Part 3") in sub-minor roles and pearl-clutching 80's mall fashions.

So bad it's good, accept the offer and have a laugh. Rent it. Then cast a cleansing spell on yourself to help you forget that you did.

Melissa Sue Anderson is surprisingly menacing as a California high school senior whose peers and teachers have a way of falling ill around her--or dying! Seems Anderson practices witchcraft and worships the Devil (or is that redundant?); she has plans to use her powers to get everything she wants, but another student (Mary Beth McDonough as the good girl) may stand in her way. TV thriller featuring television stars out of their usual element (Anderson on leave from "Little House on the Prairie" and McDonough temporarily leaving Walton's Mountain behind). Director Rod Holcomb mounts the story well, and he handles Anderson's continual slow-burn without an overlay of the expected camp, but Juanita Bartlett's teleplay runs out of ideas too soon, leaving the third act riddled with "Bewitched"-like special effects. Bartlett confuses telekinesis with witchcraft, turning her lead characters in Carrie-wannabes.

I saw this when it first came out, probably because I had a big crush on Mary McDonough (that hasn't changed). I was amazed how many of the lines I remembered, particularly in the classic kitchen confrontation between Vivien and her mother (a superb Cathryn Damon). Seeing it again, I was startled 40 minutes into it to realize that there were virtually no special effects at all. Everything was done by suggestion, and by showing Vivien's malice and its effects on others. It took itself completely seriously -- no effort to be hip, no constant pop culture references, no embarrassment at being a witch movie -- and that is the ONLY way to do a good scary movie. A lot of people have mentioned Melissa Sue Anderson's portrayal of Vivien, and she was great, but I think some people miss how perfect Mary McDonough was as Robin. Her beauty has a kind of introspective, far-away quality that perfectly suits the shy new girl in school, who is nonetheless hiding a troubling secret. Now I just have to find Stranger in Our House (Lee Purcell and Linda Blair) and wait for the first installment of Friday the 13th the Series (Robey, John Le May, Chris Wiggins) to come out and I'm set!