Laawaris

Laawaris (1981) : Brief Review -

Amitabh Bachchan goes bonkers in Prakash Mehra's emotional rollercoaster that has come a long way amidst the mass cinema wave. Just imagine this is 1981; you enter the cinema hall to watch Laawaris with the mindset that Amitabh Bachchan is a big superstar and Prakash Mehra is one of the best directors in mainstream commercial cinema, and Manoj Kumar's Kranti has already taken the nation by storm, and you are seated for a mainstream Indian drama expecting all masala elements. You start with an evergreen song with evergreen lyrics, and Rakhee is dancing to it in a black saree. Amzad Khan, the Gabbar, is a bad light in the first 15 minutes and then is seen helpless throughout the film. Amitabh Bachchan enters in style, saying, "Yeh apna style hai." He is frustrated after knowing that he is an orphan, but he is speaking on behalf of every orphan who has been a victim of some rich people's sexual desires. Laawaris actually tries to speak a lot on this issue instead of trying to be a typical Indian masala flick. Bachchan can speak multiple languages in the film, and he also dons 5 fancy dress types in "Mere angne mein," including female ornaments and sarees, frocks, etc. In one action scene, he fights with 5-6 people who belong to different casts, and he speaks with them in their mother tongue. He takes Zeenat Aman to his hut and introduces himself as her childhood friend. The next they are in a hug, and "Kab Ke Bichde Hue" begins in Kishore Kumar and Asha Bhosle's voice. I was like, I want to freeze this moment. Believe me, a similar moment in today's films, and I'd use the fast forward button and skip the next 5-6 minutes to save my worthy time. I couldn't do that here despite having seen the same song and same scene multiple times on TV. That's magic. Mehra's commercial blockbuster refers to multiple serious issues and solutions that most 80s people wouldn't understand. They might, today, I guess.

RATING - 7/10*

By - #samthebestest.

Prakash Mehra and Amitabh Bachchan were a hit combo and made some of Amitabh's memorable hits like ZANJEER (1973), HERA PHERI (1976) and MUQADDAR KA SIKANDAR (1978)

In this film Amitabh is an orphan but the son of a very rich man (Amjad Khan) who dumped Amitabh's mother Raakhee A unique story well handled

Amitabh's emotions are well-handled during the film Amjad Khan is given a positive role for once after Gabbar Singh in SHOLAY (1975)

Amitabh makes the best of his role Zeenat Aman is good Shreeman Lagoo is funny Ranjeet is OK Suresh Oberoi does well in his mini role Amjad Khan excels

Amitabh stars as the "Lawaaris" Heera referred to in the title of the film. A boy, abandoned at birth, sent to be raised by a drunken bum. He grows to be a man who cares for others, while trying to find out his meaning in life. He encounters many obstacles in the way, such as a public beating. The songs are great. The movie has its share of action, but moreover has superb acting. I give it a 9 out of 10

It's one of best movie of Amitabh. His pain and anguish at being abandoned is depicted so well. He never came to terms with injustice meted to him. He longed for acceptance on the same time. This duality csn drive any viewer to tears. Masterpiece.

Years on after watching movie, I have yet to watch a movie which shows what an orphan feels.

This is a Bollywood film titled "The Orphan". Thus the plot is a given: our hero will follow a winding road toward the ultimate discovery of his true father, and along the way he will discover his true nature. Alienation will be undone by solidarity. The poor and downtrodden will have their champion. One love interest will meet her untimely demise, and another will have her man.

Our first glimpse of our hero as an adult is as a walking trope of machismo: coveralls open to the waist revealing a chest of dark black hair. One of our final glances reveals a side of the big B that I surely did not expect. The penultimate musical number features Amitabh in drag, with five costume changes, and he's damned good at it. The film is worth the watch for this sequence alone.