Mister Burgess' Tour

As someone who used to spend hours driving around the backstreets of North London in an attempt to avoid the horrific congestion, this film immediately appealed. Throw in my interest in what London was like back in the late 70s and you have the basic premise for my version of TV heaven! On paper the film ticked all the right boxes, and having just watched "The Knowledge" the actual movie itself certainly lived up to, if not exceeded, my high expectations.

Visually, I was surprised how different London looked back then (I lived in Islington in the 90s, long after gentrification had transformed the area). It truly came across as grimy, tatty and down-at-heel. London may still have bad housing estates, but the general feel of the place is much cleaner, brighter and pleasant nowadays (based on what this movie shows rather than my own memories).

As for the story and the acting, well top marks obviously go to Nigel Hawthorne as The Vampire. Absolutely brilliant! He acts deliberately unpredictably, alternating between total straight-faced severity and surreal mindgames in order to unnerve the Knowledge Boys as he puts them through test after test.

All in all this was an excellent, thoroughly enjoyable trip back into a very specific time and place that I find endlessly fascinating. But even if you're not especially interested in London circa 1979, you'll still enjoy following the witty dialogue and likable characters of "The Knowledge".

I must have seen this on the television when it was first broadcast some decades ago. I thought it was brilliant then, and as I remember so much of it now I may have been right. While I have lived in and around London I cannot call myself a Londoner and do not know it at all well - who does other than taxi drivers? Once the viewer understands the premise; that here is a group of men trying to learn the seemingly unlearn-able and rise to the status of demigods, then the rest is sheer joy. The characters are well contrasted, their family relationships are equally diverse, and so differently affected by the events of the film. Don't think this is a documentary - it is pure drama, and The Knowledge is one of the characters. I have never seen anything like this film, before or since. Watch it!

I first saw "The Knowledge" during a Thames Television marathon on one of the local independent stations in Los Angeles back when it was new. I enjoyed it very much along with danger UXB.

That a movie I saw once over twenty year ago should stick so well in my memory is a testament to it's originality and the quality of the performances by the cast.

I looked for a DVD copy here in the U.S.A. And found none. I finally gambled and bought a UK DVD off Ebay and was delighted to find that it has no Region Code. So those of us that would like to see this little gem can get a copy.

The saga of a group of no-hopers trying to do The Knowledge to become London black cab drivers is witty, poignant and hilarious. I did the trip from Manor House Station to Gibson Square when I visited London a few years after this came out, just because. Never mind if you're not a Londoner or even English - I'm not, and that didn't hurt my understanding or enjoyment of the play at all.

I was surprised to see so few comments on what I think is an excellent play, by the very talented Jack Rosenthal.

Non British, and even non-Londoners are unlikely to find much of interest, but anyone who knows the capital well will find this an enjoyable little film.

It concerns a group of Londoners who are all on the same 'knowledge' course, the gruelling test set by the Metropolitan Police which all cabbies must take before they get their coveted 'green badge' or taxi driving licence.

The test involves learning every street and public building within six miles of central London - a massive feat of memory that only 30 per cent of applicants manage to pass. The students must spend every waking hour cycling or motorbiking around London so that they know the city back to front.

It is this challenge that provides the dramatic tension and much of the humour of the play, as the test begins to take over every aspect of the students' lives, and leads their wives and girlfriends to despair.

The tour de force is by the late Nigel Hawthorne, who plays 'Dracula', the extremely strict test examiner, who behaves rudely and oddly to try to simulate the difficulties the drivers will experience when in their taxis.

Mr Rosenthal's light touch on the big issues of life is much missed in our present era of earnest, heavy handed drama, and the film is also a delightful period piece showing a London which in many respects has not changed to this day, but in other respects could almost be in the nineteenth century.