Just Before Dawn

Liebermans' entry in the original slasher craze is definitely more well made and intelligent than some. In fact, in making it he wasn't so much inspired by "Friday the 13th" as he was "Deliverance". He and his crew make this a powerfully atmospheric outing, utilizing the real Oregon woods to great effect, and turn it into a fun survival-of-the-fittest yarn, even developing the two main characters in interesting ways.

Five young adults venture into the Oregonian mountains to do some camping and check out the local land that one of them has supposedly inherited. Before long they begin to be victimized by a stealthy, heavyset psychopath.

Slasher movie fanatics who watch this sort of thing for gore and/or nudity will be quite disappointed with Liebermans' film, as it's clear he has a different agenda going on. That's not to say, of course, that the women aren't attractive, or that there isn't some effective nastiness to be enjoyed. But what the director really wants to convey is the need to have a respect for nature - because it CAN kick your ass if you're not prepared. He begins with an intense opening set piece and generates some truly unnerving suspense; this is the kind of film that can have a viewer literally on the edge of their seat. It's also stylishly done; take note of one scene transition in particular. Brad Fiedel, who a few years later gained his fame with his theme for "The Terminator", supplies a music score that is chilling in its subtlety. (The whistling is a really nice touch.)

The better than usual cast features some very familiar actors: Gregg Henry, Ralph Seymour, Jamie Rose, Mike Kellin, Chris Lemmon (Jacks' son), and George Kennedy as the veteran forest ranger who's aware that the area is fraught with danger. The gorgeous Deborah Benson, who really should have been able to enjoy a much more visible career, is a standout as the female lead who starts out as a rather tentative character, starts to cut loose, and ultimately finds her inner strength. John Hunsaker is extremely creepy as the killer.

There's one well executed plot twist along the way, and at the end an innovative and memorable way of dispatching our villain. The pacing is deliberate, the camera-work and cinematography excellent, and the scenery beautiful, in what has to be one of the more unheralded horror films of its time. It comes highly recommended.

Eight out of 10.

The mountainous woods, young happy campers, a warning by a park ranger and a lurking figure. The ingredients are there for a horror delight, and director/co-writer Jeff Lieberman does an adequate job at achieving it. It's formulaic woodland horror, but for most part the execution is at the top the game and the story (which is quite basic in a trimmed sense) is effectively told in certain realism. Maybe a little more exposition wouldn't have gone astray, but Lieberman's craftsmanship makes up for the material's flaws and typical details with rising tension, moody visuals and a smothering atmosphere created by Brad Fiedel's very ominously lingering score. Whenever that very creepy whistling was cued in, it painted a truly unnerving sense that settled in with the beautiful backdrop. Cinematographers Dean M. and Joel King do a striking job too. There's plenty of style abound, even with its minimal scope and the build-up is slow grinding. At times the pacing can become a stop-and-go affair. It's not particularly violent, but there's still a mean-streak evident even if some of it happens of screen. The latter chase scenes and escalating fear is well done, as it has the darkness coming alive with itS burly killer/s and you get actor George Kennedy riding his white horse in a slight, but wonderful turn. There's a likable bunch of performances; Deborah Benson makes for a strong, dashing heroine. Gregg Henry, Chris Lemmon Ralph Seymour, Jamie Rose, Mike Kellin and Katie Powell round off a modest cast of believable deliveries. The final climax is rather twisted, but the ending is one of those types that leave you thinking… "Is that it?"

A well-etched backwoods slasher item, which probably plays it a little too safe to truly set it apart from the norm.

JBD has something that a lot of other horror films lack. I knew that the first time I saw it. It stands above many others. It's funny to think this when it's scenario here is nothing knew. The film even has better actors for this type of flick, none better than Gregg Henry, and it's great to see him play a good guy. The actress playing his girlfriend, looks like a female version of him. Are they related? Again, despite the warning of an old buzzard (horror icon, George Kennedy, who else) not to venture into these dangerous woods, of course they pay no heed. Henry and co proceed in their R.V. into this elevated terrain, below quite a drop, (kind of has you thinking of RV with Robin Williams). The killer family (cliched) are of course deformed, some of them giants, very much Wrong Turnish 1. As they trek out into the mountains, the movie takes it time to pick off it's victims (I like movies that work this way) they are picked off gradually. JBD, an unhurried frightener flick, maintains much suspense, throughout, which it never loses, some of it truly claustrophobic. This horror is one of those few, I've actually found truly and effectively scary. Some moments, truly jangle the senses. Violence is restrained here too. Although JBD with a lot of instances and happenings which are cliché'd, what it has great suspense, which a lot of other films lack this much in volume, it's story structured with a master disciplined touch. It has a less is more thing going for it. The unrelated ten minute opening too is one of grand suspense, in a movie that pushes all the right buttons. There is a warning, on the cover that the last ten minutes of the movie may be intense or disturbing. What an over exaggeration, you'll see what I'm talking about, when you see that image.

Just Before Dawn is a gem of a slasher flick, unfortunately not too many of you guys can see it because it was released in the wake of Friday the 13th and considered one of it's rip-offs. The only version I've seen of JBD is on Paragon VHS, supposedly it is available on a compilation DVD, but I've never seen it. Anyways I digress... More like the Hills Have Eyes than Friday the 13th, this film stands on its own due to it's atmospheric look and style and it's commitment to building it's characters. The film is effectively creepy throughout, never wholly revealing the killer to you, instead masking the killer or killers, through shadows and camera work. The film score is quite haunting and unlike other slasher films it doesn't spike up every time someone moves, it just builds along with the suspense and flows with the story. The film was recently re-made, loosely, as Wrong Turn. If you can find Just Before Dawn I highly recommend watching it, with the lights out.

Very scary backwoods slasher is much better than others, such as "The Prey" and some of the later "Friday the 13th" sequels. The story has to do with five teenager campers running afoul of a pair of psychotic, machete-wielding hillbilly twins. One by one they are dispatched by the murderous giants (who giggle as they slaughter their prey). This has some great photography of the Oregon wilderness, a creepy musical score, and some of the best shocks ever put into a horror/slasher film. I really enjoy the scene where Daniel and Megan are menaced by one of the killers. A classic that deserves a video re-release. I actually stumbled across this one for four bucks at a resale shop in Northern Michigan.