IMDb-BEWERTUNG
6,0/10
7594
IHRE BEWERTUNG
Fünf junge Leute wagen sich in die Hinterwälder von Oregon, um ein Grundstück zu beanspruchen, und werden von einem ungeschickten, Macheten schwingenden Psychopathen verfolgt.Fünf junge Leute wagen sich in die Hinterwälder von Oregon, um ein Grundstück zu beanspruchen, und werden von einem ungeschickten, Macheten schwingenden Psychopathen verfolgt.Fünf junge Leute wagen sich in die Hinterwälder von Oregon, um ein Grundstück zu beanspruchen, und werden von einem ungeschickten, Macheten schwingenden Psychopathen verfolgt.
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As a jaded fan of 80's horror, I'm shocked that this movie actually lived up to the hype. Most "hidden gems" leave me disappointed when finally seen, but this one actually delivered. The movie is relatively light on gore, but the stalking and killing scenes are surprisingly suspenseful because you actually care about most of these characters. The acting is probably the best your going to get from any slasher movie, and cliched/obnoxious character traits are mostly avoided. The directing and cinematography are also above the standard slasher, and make great use of the forest location and lighting.
I see many of the negative reviews of this movie are based on an old dvd viewing. The fact that I watched a new uncut blu-ray version in 2018, might give me a different perspective.
I see many of the negative reviews of this movie are based on an old dvd viewing. The fact that I watched a new uncut blu-ray version in 2018, might give me a different perspective.
The kids-in-the-woods genre isn't a hard one to rise to the top in, yet this film succeeds on its own. A genuinely well-made horror movie with several truly original, creepy images (the man coming out the waterfall!) and an excellent hand-to-hand combat finale. Shot on a genuine shoestring, this film betters by miles any of the studio-financed atrocities that came in the wake of the first Friday. I found the acting and dialogue convincing, at least for horror movie standards. And the photography is grainy and low-fi in an ominous way, without looking unprofessional. This is one of the best horror films of the 1980's, seriously underrated.
22 years or so before the original Wrong Turn film was this rather well acted yarn of campers being stalked by inbred killer hillbillies.
A 'cut' above other similar films of the time, thanks to the casting of able players giving it a more believable atmosphere which helps to make it much more gripping than it could have been. This film features possibly the niftiest resolution to a 'slasher' film in cinema history.
A 'cut' above other similar films of the time, thanks to the casting of able players giving it a more believable atmosphere which helps to make it much more gripping than it could have been. This film features possibly the niftiest resolution to a 'slasher' film in cinema history.
JBD has something that a lot of other horror films lack. I knew that the first time I saw it. It stands above many others. It's funny to think this when it's scenario here is nothing knew. The film even has better actors for this type of flick, none better than Gregg Henry, and it's great to see him play a good guy. The actress playing his girlfriend, looks like a female version of him. Are they related? Again, despite the warning of an old buzzard (horror icon, George Kennedy, who else) not to venture into these dangerous woods, of course they pay no heed. Henry and co proceed in their R.V. into this elevated terrain, below quite a drop, (kind of has you thinking of RV with Robin Williams). The killer family (cliched) are of course deformed, some of them giants, very much Wrong Turnish 1. As they trek out into the mountains, the movie takes it time to pick off it's victims (I like movies that work this way) they are picked off gradually. JBD, an unhurried frightener flick, maintains much suspense, throughout, which it never loses, some of it truly claustrophobic. This horror is one of those few, I've actually found truly and effectively scary. Some moments, truly jangle the senses. Violence is restrained here too. Although JBD with a lot of instances and happenings which are cliché'd, what it has great suspense, which a lot of other films lack this much in volume, it's story structured with a master disciplined touch. It has a less is more thing going for it. The unrelated ten minute opening too is one of grand suspense, in a movie that pushes all the right buttons. There is a warning, on the cover that the last ten minutes of the movie may be intense or disturbing. What an over exaggeration, you'll see what I'm talking about, when you see that image.
Very scary backwoods slasher is much better than others, such as "The Prey" and some of the later "Friday the 13th" sequels. The story has to do with five teenager campers running afoul of a pair of psychotic, machete-wielding hillbilly twins. One by one they are dispatched by the murderous giants (who giggle as they slaughter their prey). This has some great photography of the Oregon wilderness, a creepy musical score, and some of the best shocks ever put into a horror/slasher film. I really enjoy the scene where Daniel and Megan are menaced by one of the killers. A classic that deserves a video re-release. I actually stumbled across this one for four bucks at a resale shop in Northern Michigan.
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- WissenswertesDirector Jeff Lieberman cited "Beim Sterben ist jeder der Erste (1972)" as the film's primary influence.
- PatzerAt 50:19, When Daniel approaches the cemetery to take pictures a boom mic is visible for a few seconds in the top left of the screen before it is realized and then pulled out of the frame.
- Alternative VersionenInterglobal Video released a cut version with most of the explicit gore removed. The uncut version was released by Paragon Video.
- VerbindungenFeatured in Just Before Dawn: Lions, Tigers and Inbred Twins (2005)
- SoundtracksHeart Of Glass
Written by Debbie Harry and Chris Stein
Performed by Blondie
©(1979) Courtesy of Chrysalis Records, A Division of EMI
Under License from EMI-Capitol Music Special Markets
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