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IMDbPro

Die Hölle der lebenden Toten

Originaltitel: Virus
  • 1980
  • 18
  • 1 Std. 39 Min.
IMDb-BEWERTUNG
4,8/10
6359
IHRE BEWERTUNG
Víctor Israel and Margie Newton in Die Hölle der lebenden Toten (1980)
B-HorrorZombie-HorrorHorrorScience-FictionThriller

Eine harte Reporterin und ihr Kameramann-Freund schließen sich mit einer vierköpfigen Kommandoeinheit im Dschungel Neuguineas zusammen, die gegen fleischfressende Zombies kämpfen.Eine harte Reporterin und ihr Kameramann-Freund schließen sich mit einer vierköpfigen Kommandoeinheit im Dschungel Neuguineas zusammen, die gegen fleischfressende Zombies kämpfen.Eine harte Reporterin und ihr Kameramann-Freund schließen sich mit einer vierköpfigen Kommandoeinheit im Dschungel Neuguineas zusammen, die gegen fleischfressende Zombies kämpfen.

  • Regie
    • Bruno Mattei
    • Claudio Fragasso
  • Drehbuch
    • Claudio Fragasso
    • José María Cunillés
    • Rossella Drudi
  • Hauptbesetzung
    • Margie Newton
    • Franco Garofalo
    • Selan Karay
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,8/10
    6359
    IHRE BEWERTUNG
    • Regie
      • Bruno Mattei
      • Claudio Fragasso
    • Drehbuch
      • Claudio Fragasso
      • José María Cunillés
      • Rossella Drudi
    • Hauptbesetzung
      • Margie Newton
      • Franco Garofalo
      • Selan Karay
    • 171Benutzerrezensionen
    • 91Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 3:32
    Trailer

    Fotos146

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    Topbesetzung28

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    Margie Newton
    Margie Newton
    • Lia Rousseau
    • (as Margit Evelyn Newton)
    Franco Garofalo
    Franco Garofalo
    • Zantoro
    • (as Frank Garfield)
    Selan Karay
    • Vincent
    José Gras
    • Lt. Mike London
    • (as Robert O'Neil)
    Gabriel Renom
    • Max
    • (as Gaby Renom)
    Josep Lluís Fonoll
    • Osborne
    • (as Luis Fonoll)
    Pietro Fumelli
    • Man on TV
    • (as Piero Fumelli)
    Bruno Boni
    • Reporter
    Patrizia Costa
    • Woman in Bar
    Cesare Di Vito
    • TV Speaker
    Sergio Pislar
    • Technician Lawson
    Bernard Seray
    Bernard Seray
    • Prof. Barrett's Assistant
    Víctor Israel
    Víctor Israel
    • Zombie priest
    Pep Ballester
    • Josie's Husband
    • (as Pep Ballenster)
    Joaquín Blanco
    Joaquín Blanco
    • Professor Barrett
    Esther Mesina
    • Josie
    Óscar Daniel
    • Zombie child
    • (Nicht genannt)
    Claudio Fragasso
    Claudio Fragasso
    • SWAT Officer at Embassy Siege
    • (Nicht genannt)
    • Regie
      • Bruno Mattei
      • Claudio Fragasso
    • Drehbuch
      • Claudio Fragasso
      • José María Cunillés
      • Rossella Drudi
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen171

    4,86.3K
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    Empfohlene Bewertungen

    amazing_sincodek

    Hypnotic and surreal. I really enjoyed it, but not for the "right" reasons.

    When someone says a movie is so-bad-it's-good, they usually mean that it's unintentionally comedic. "Virus" is so inept that it is enjoyable in a way it was not intended to be, but it doesn't fit the traditional so-bad-it's-good classification. (Actually, there was one scene in Virus that I thought was really funny. It involves breasts--you'll know it when you see it.) Here's why I liked Virus: all the ridiculousness adds together to form a fascinating and impossibly cohesive whole. The final product is sort of like a surrealist meditation on human insignificance.

    The ridiculous, slow, editing; the idiotic behavior of the characters; and the meandering plot combine to make the movie like a sort of gentle nightmare. It's really like nothing else I've ever seen. There are these lazy, extended struggles with zombies where a bunch of guys just stand back and watch nervously. Most of the heroes are soldiers, and there's an officer, but they are all equally helpless and profoundly "alone." There's a laziness to everything that gives the film an appropriate sense of inevitability. The plot is ambiguous, like in a dream. You get a general sense of what's going on but it's also rather aimless, and only when the characters got to their "destination" did I realize that they had any objective at all. The simple beauty of the animal stock footage provides a startling contrast to the bleakness it surrounds.

    I don't mean you have to watch it like it's T. S. Eliot and analyze everything you see for meaning. It is, of course, a meaningless mess of incompetence. But if you sit back and just soak it all in, you will find it hypnotic, bleak, and beautiful.
    7dung_rat

    Violence, comedy, and gore...

    'Zombie Creeping Flesh' (as it was originally entitled here in the UK) was one in an entire glut of zombie flicks to follow the success of Romero's endeavours into the (zombie) horror genre.

    In it's entirety 'Creeping Flesh' is a decidedly 'weak' film. The acting is crass, macho and hilarious at times. And the fact that the film must consist of at least (I assume) 30% stock-footage gives the impression that director Bruno Mattei really wasn't that enthusiastic about making the film whatsoever - either that or he was severely lacking the funding that it so desperately needed.

    Having said that, the film is an entertaining enough affair; in the sense that the comedy and violence is enough to keep most horror fans interested, if not glued to the screen. The idea that zombies, and cannibalism, are a sort of metaphor for Third World hunger is a somewhat unusual idea for a zombie film and I guess this is a sort of reflection surrounding the anxieties in the era in which it was made.

    I personally don't believe that this film is as bad as some people have made out. It is, by no means, on par with any of Romero's or Fulci's work yet I don't feel it deserves to be totally written-off. 'Creeping Flesh' is certainly a lot more fulfilling than 'Zombie Holocaust', for example, and a great deal more 'gung-ho'. It just fails though because it is alarmingly 'corny' and very derivate of so much that stood before it. The fact that a fair portion of the soundtrack was originally used in 'Dawn of The Dead' just goes to prove this. If you thrive on gore, zombies, cannibalism, and insane violence then try and check this film out: just don't get your hopes up too high.
    7nvillesanti

    Memorable in so many ways… really!

    When I first saw HoTLD, I was about 7 years old when my sister's boyfriend rented it on VHS, oh those good old days of the VCR era. So after watching it on a Friday night, I have to admit that it scared the living hell out of me. There was something about it that terrified me, maybe the grainy look or the ominous music or the gory zombie scenes, but whatever it was I couldn't sleep for days. Back in 1997 I found a copy on the now late Suncoast video store and without thinking it twice, I bought it. Has it ever happened to you that when you're a kid and you see a movie and you like it to the bone then you see the same movie as an adult and it's a total disappointment? Well, this is one of those cases, heck I even returned the movie. So I Haven't seen it since then until just a few weeks ago a friend of mine gave me his collection of cheap zombie flicks from the 80s and there it was "Hell of the Living Dead."

    The story takes place somewhere in New Guinea where a research facility called "Hope" is developing some type of chemical that accidentally leaks out thanks to an infected rat turning most of the scientist into flesh eating zombies and the others into their happy meals. Meanwhile, somewhere else, a team of trigger happy commandos are sent to stop a group of environmental terrorist that have taken hostage an American Embassy, I think it was the American Embassy, and are demanding that all the Hope facilities be shutdown. The team storms the embassy eliminating the entire terrorists without much effort but not before the leader of the group says his last prophetic words about them being devoured or something like that. Then that same team of commandos is sent to New Guinea where they meet a group of reporters investigating, God knows what. There they find that the world has been overrun by zombies as they make their way to the Hope facility to find the answer of this Virus.

    What makes this movie so memorable is not the story or the F/X nor the acting, but the amount of material they ripped-off from the much superior Romero's Dawn of the Dead. Director Bruno Mattei, who credited himself as Vincent Dawn, shamelessly used the same type of uniforms used by the SWAT team in DoTD for the team of commandos in HoTLD, and even the same gas masks. But if that wasn't enough, he used the exact same music composed by Goblin for DoTD without their permission. Also Mattei used a lot of old wildlife and news stock footage that didn't fit the scenes or the story. The script is incoherent at worst and the zombie scenes are totally illogical to idiotic. There's even a guy who dresses up in a tutu and starts dancing while a horde of zombies storms the room, but most idiotic is when the ultra slow zombies approach their victims, they just stand there screaming. Although I have to say, the beginning is gory and entertaining, but after the embassy scene, the movie pretty much goes downhill from there.

    Okay, I'm not going to lie. It was a guilty pleasure to watch this retro junk again after so long and even with all its atrocities, it deserves some level of merit and it does delivers some horror value, well at least when it was released back in the 80s. Interesting note is that this movie has many different titles such as Virus, Night of the Zombies, Zombie Creeping Flesh and of course, the ultra generic title Hell of the Living Dead. So, if you haven't seen HoTLD and you don't mind the trashy story, the DoTD rip-off or the lame stock footage then you should check it out, at least for the gore.
    7VideoMonkey

    mix and match zombie flick for those who like zombie flicks

    OK... So your gonna make a Zombie Flick... Well first you need Zombie music to set the mood, get Goblin from Dawn of the Dead. In fact, use the same music. And while we are ripping of Dawn of the Dead, let's have a SWAT team.

    Now.. set it in a remote location with some natives like Fulci's ZOMBIE

    OK... so CANNIBAL HOLOCAUST is a pretty famous flick and Cannibals and Zombies both eat people, so let's get some Cannibal Footage to through in and some pretty wild life stuff too... we can rip that off of that Shockumentary 'Death Faces' which features all the New Guinea cannibal tribes.

    Now we have to stir in a large amount of gratuitous gore and go heavy on the eye violence...

    Now sprinkle lightly with nudity...

    And there ya have it...one gory zombie epic sure to please any die hard zombie gore fan. (but probably no one else will like it)
    5Goldencobra

    Not Bad

    I've seen quite a few zombie movies over the years and I have to say that the european ones are the best. The gore effects in these movies are very realistic and provide quite a few scares and Night of the Zombies is no exception.The gore effects and storyline are good and is what I expected from this type of movie, but what I didn't expect was the overlong use of stock footage from a National Geographic special which was not only unnecessary but very annoying and the dubbing could also have been handled better, but overall not a bad movie storywise. Just remember to keep the VCR remote close so you can fast forward the stock footage.

    MY RATTING 7/10

    Handlung

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    • Wissenswertes
      Stock footage from the film Gesichter des Sterbens (1974) was used for the native scenes.
    • Patzer
      Some of the animals featured in the stock footage aren't indigenous to New Guinea.
    • Zitate

      Technician #1: She may not know much about chemistry, but in bed, her reactions are terrific.

      Technician #2: I'm not surprised with that cute little ass.

      Technician #1: I'm a tit man, myself.

    • Alternative Versionen
      Vestron Home Video's release, around 1985, of the picture, under the title Night Of The Zombies, was the same print used by Creature Features for home video tape in 1996. Creature Features added a brief card to the tail end of the closing credits for its copyright. This exact same print, even including the Creature Features copyright card, was used by Cydonia Pictures for its Night Of The Zombies DVD release in 2002. The same year, Anchor Bay Entertainment, released a cleaned up DVD under the title Hell Of The Living Dead. All of these Night Of The Zombies versions are identical, save for the inserted Creature Features copyright card. The film print is the infamous one known for being too dark, due to numerous copies being made, and, thus nearly impossible to tell a lot of what is going on in the film.
    • Verbindungen
      Edited from La vallée (1972)

    Top-Auswahl

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    FAQ17

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    Details

    Ändern
    • Erscheinungsdatum
      • 27. November 1981 (Westdeutschland)
    • Herkunftsländer
      • Italien
      • Spanien
    • Offizieller Standort
      • Virus (1980)
    • Sprachen
      • Italienisch
      • Spanisch
    • Auch bekannt als
      • Virus, el infierno de los muertos vientes
    • Drehorte
      • TERSA Incineration Plant, Sant Adrià de Besòs, Barcelona, Spanien(Hope Center #1)
    • Produktionsfirmen
      • Beatrice Film
      • Films Dara
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 39 Min.(99 min)
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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