Dschungel der Apokalypse

I saw How Sleep The Brave on video in about 1982. It had already gained a reputation between my group of video watching school friends as being pretty nasty so it had to be seen. After watching it I was pretty shocked mainly by the excessive use of foul language (as a kid you love swearing but this film set new limits) and the realistic combat footage. I have the original UK VHS release and watched it a few years back and do you know what........I still didn't notice that it wasn't shot in Vietnam! It was only after reading the previous reviews on here that I realised it was shot in Berkshire. (Maybe I watch too many low budget films and am now immune to such subtleties as Berkshire trying to portray Vietnbam). So, with a new interest, I dug out the tape and watched it again last night and yes, some shots (i.e. the base camp) are blatantly non tropical but, as much of the action is shot in close up, you don't notice this as you're more interested in whether the point man is about go 'deep 6' and not the foliage they're walking through. This was a VERY low budget film and if you ignore the forest backgrounds the action is still pretty intense. Also, the sun was out which never happens in th e UK hence I was so easily confused :) As already mentioned the acting is atrocious but I'm sure not every GI was Tom Hanks Acting Academy Trained. As with all low budget / no budget films you often need to look past the technical inadequacies to enjoy the movie. I would compare this film to Last House on the Left, which is now rightly commended as being a classic. However, to the casual viewer all they would see is an old, no budget movie with poor acting and general scenes of ultra distastefulness. To anyone now not in their mid thirties you must remember that this film was released on video at a time when simply watching the next video in the Video Library (remember them??) was a special treat. There were literally thousands of low budget films available and HSTB does not warrant being slated as one of the worst (Trust me - I'v seen loads worse). A commendable attempt, using low budget trickery, to relay the closeness and ultimate waste of the Vietnam War. In this day and age maybe someone should go to Weymouth Beach and remake HSTB on Digital Video but updated for the current Gulf crisis? I'm sure in 20 years time some wise ass would say 'this film is terrible because the sand wasn't the correct colour' - MISSING THE POINT!

{how sleep the brave};although cheaply made this film is great ,i enjoyed watching it many time and is nice to see a film without all the effects you get these days.also as for acting it may be poor but not as poor as the stars making millions for scrips that are no more than 8 words long at a time and 3 to 4 camera angles a second that just make you dizzy,the film has lots of funny and sad parts and you can relate to how the men must of felt in the war and what it was like to loose close friends,the plot outlines on a platoon of soldiers being sent out to find a village that is hiding VC soldiers and there weapons, the Americans whom for some only have 8 days till they go home are not happy being sent on this mission but are doing it for there captain who has save there lives in the past ,lots of gore and blood if you like that sort of thing and plenty of fire power,finally not the greatest film i agree but well worth a watch if you can still find it,

Filmed in England with English actors I believe, this film manages to convey the confusion and grim reality of jungle warfare and is well worth tracking down.

Captain Hansen insists on his platoon heading into the jungle every day to take on the VC, even though most days the platoon ends up carrying body bags back to the camp. He's had word that a VC village holds a large arms cache and doubles up the effort in finding the weapons. That's all good for him though, as he gets to sit back in camp, smoking cigars.

It's up to Lt. Johnson and his men to take on the task, but his soldiers are either battle fatigued or fresh meat sent to replace the dead G.Is. What ensues is a running battle through the jungle which takes up most of the film as the remainder of the platoon find themselves up against an entire battalion of VC. And it's grim, depressing stuff.

How Sleep the Brave is also extremely violent. Stomachs are blown out, people are graphically blown up or stabbed and one poor guy gets an arrow through his neck. I didn't have a problem with the acting at all, and although the budget shows, I think the film was pretty close to depicting war in the jungle. Put it this way: I enjoyed this a lot more than I enjoyed the Deer Hunter.

It looked like my copy (by the defunct 23rd Century label) was widescreen too - a bit washed out, but good enough. Recommended.

How Sleep the Brave is one of the more peculiar offerings from jack-of-all-genres Lindsay Shonteff and his late producer-wife Elizabeth Gray (or 'Lyndon James Swift' and 'Elizabeth Laurie' as they're billed here). Once earmarked as a competent gun for hire filmmaker capable of delivering black and white chillers like Devil Doll and second feature sex films like Permissive, Shonteff's latter day projects tend to be out of time James Bond spoofs, a genre most other filmmakers put to bed at the end of the Sixties. By the early Nineties Shonteff was this genre's one and only practitioner.

A cheapjack Vietnam War epic produced at a time when such a subject spelled poison at the box office, How Sleep the Brave is another demonstration of Shonteff's stunning indifference to trends or public taste. The end result was by and large a financial failure for the director and remains seen by only the few. Gavcrimson encountered a tape of the film at the bottom of a bargain bin under the nonsense re-title 'The Forgotten Parallel'. In a typical tightwad move the (quite literally) bottom of the barrel video distributor had heavily edited the film to fit on a bog standard one hour tape. Despite Shonteff's stated serious intentions which include ending the film with a quote from the commander of the Viet Cong Forces in Vietnam puzzlingly over the suicidal heroism demonstrated by American troops, How Sleep the Brave is bereft of much intelligence and is distinguished from your run of the mill euro-war movie only by its poverty row status. The film was shot in the UK, or more specifically with Berkshire locations posing as Vietnam, an audacious touch that only ultra low-budget practitioners like Shonteff or Mancunian action man Cliff Twemlow would have dared to pull off. A bunch of nobody actors play an inexperienced platoon trapped behind enemy lines and surrounded by the Viet Cong. From a tent in the middle of a field their hot-headed, cigar chomping boss makes a futile attempt to save them by sending out a helicopter. Most of the film alternates between the men bitching to each other about Vietnamese prostitutes and being polished off at the hands of 'Charlie'. You can tell when anything tragic is about to occur because Shonteff insists on scoring every casualty to a 'Greensleeves' type instrumental number. Shonteff also uses his Permissive technique of cryptically flashing forward to the horrors to come, and earns his chops as a low budget man by convincingly passing off leafy English locations as anything but. Unfortunately the latter piece of deception dictates much of How Sleep the Brave be shot in tight close-ups which combined with the sameness of the film's woodland settings makes this a visually repetitious experience. Kitted up in rented soldiers uniforms the Brit actors manage to maintain convincing American accents, but their performances aren't helped by abysmal dialogue like 'I should be at home selling grass, man', as well as a script seemly written by someone in the throws of Tourette's syndrome. The characters all remain clichéd gung-ho action men with little attempt made to get under their skin, nor is there any effort to shed light on the motivations of the Viet Cong. The film invests the Chinese actors with as much personality as extras in a badly dubbed kung-fu film. In the end How Sleep the Brave is about as insightful as a Vietnam recreation by a bunch of paintball enthusiasts, which is sadly what the film often resembles. The fact that it pre-dates 80's Hollywood fixation for Vietnam alongside having Berkshire double as a war zone gives the film a passing curiosity value.. but not enough to warrant tracking it down.

This is a very emotional movie, one that has stayed with me for decades. I saw this movie in my late teens back in the 80s and it just blew me away. It seemed like it didn't take that much money to make this movie, but what they did with that budget was quite extraordinary. I've watched a lot of Vietnam war movies and none as come quite close to this one for realism, except full metal jacket of course. A true war classic.