X-Ray - Der erste Mord geschah am Valentinstag

This film is one of the most underrated slasher films of the early 80's. It has okay camera work, good acting, fluid direction, recycled plot, etc. Barbi Benton plays Susan Jeremy. She enters a city hospital to get the results of a recent physical. From the moment she enters the hospital, she is approached by weird doctors, old and strange patients, and is forced to undergo one of the most exploitive examinations in movie history (THE DOCTOR TAKES HER BLOOD PRESSURE AFTER PLACING HER HAIR JUST SO YOU HAVE A GOOD LOOK AT BARBI'S NIPPLES). Soon you learn that there is a crazed killer after Susan and he's out for revenge. Though exploitive in some areas, the film has its fair share of good, solid film making. The script is pretty weak and so is the ending but the direction makes up for it. The camera work is okay but just not as fluid as HALLOWEEN II's (which has a similar plot). All in all > 7/10

Wow! Where to begin?

Hospital Massacre seems like one of those movies that an alien from a different planet would make about humans. So many characters behave in such ridiculously bizarre ways that no one seems like a real person. It's probably best to turn off your mind before going into this one and just rolling with it.

The story itself might make zero sense, but it seems as if it's just a coat hanger to hang a series of gory, imaginative death scenes on and those scenes are certainly memorable. It's never terribly gory (in fact, it tends to cut away before it shows too much most of the time), but the scenes themselves are unlike anything you've ever seen. Watch a nurse turn a corner and come face to face with the killer at the end of the hall who's walking towards her with a sheet stretched out in front of him. Like most of the film, it's hard to tell if this is dreamlike and creepy or incredibly hilarious.

Much like the same year's Halloween II, there are only a handful of patients in this entire hospital and the people in charge must be trying to save money on electricity, because there are so many dark corners and hallways everywhere.

Barbi Benton isn't half bad in her meager role which just consists of her looking scared, angry, or hysterical. At least when she isn't being subjected to hysterically gratuitous nude examination scenes.

I'm not sure what Hospital Massacre was intending to be, but it sure turned out fun.

Made by Canon around the time that Golan and Globus looked as though they might just be able to break into the big leagues, X-ray/ Hospital Massacre hits above expectations.

Intended and made as an American slasher to cash in on the video market of the time, this actually plays a lot like the Italian Gialli being produced around the same time, which I for one consider a great plus point!

The use of light and shadow to introduce interesting visuals and atmosphere to innocuous places such as staircases fits more with the low budget films of Italy rather than America, as does the use of a dissonant score that would almost act as a Greek chorus if either budget or imagination hadn't led to the repetition of a number of cues.

Although the kill rate is high enough to qualify as a slasher, each murder is directed towards an (admittedly crazy) goal, with nobody except the victim even believing that they are happening, which again I would say takes us closer to giallo territory than your standard slasher.

Add that to a motive of revenge for a childhood slight and a prioritization of feeling over logic in the action and you've got almost all the elements there.

Replace the latex gloves with black leather and it would only be the synchronization of the sound that differentiates it from a giallo of the same period, would recommend to anyone that has a fondness for Italian films of the period.

Hospital Massacre (1982)

** 1/2 (out of 4)

Incredibly strange, over-the-top and at times downright crazy slasher about a young woman who sees her best friend murdered after they laugh at a boy who left her a Valentine's Day card. Flash-forward nineteen years and the now woman (Barbi Benton) is at the hospital for a check up when a madman begins killing everyone trying to get to her. HOSPITAL MASSACRE, also known as X-RAY and several other titles, is a pretty poor movie that has so many unintentionally laughable moments that you really can't help but have fun with it. Director Boaz Davidson has said that he didn't know too much about the genre and had never made a slasher so he was pretty much just throwing everything in that he could. This includes all sorts of silly "jump" sequences, which are just downright silly at times and even worse is how everything gets drawn out to the point where you just get tired of watching it. There are simply way too many sequences where scenes keep on going and going when they should have been much shorter. A bit more editing probably would have made the film much more entertaining. There are some things here that are good and this includes the gore. The film contains a pretty large amount of blood especially for a film of this era when most were being cut up by the MPAA. Another memorable thing is the "performance" as the killer because it's just so crazy and over-the-top that you can't help but laugh at times. Still, the weirdness of the character certainly makes you remember him. Benton is decent in the role and manages to show off her Playmate breasts during a rather awkward examination sequence. The rest of the performances are certainly below par but they add to some of the laughs. HOSPITAL MASSACRE is mainly going to appeal to those who enjoy those bad slashers of the decade. You have to leave it to Cannon as they really did deliver a pretty wild little film.

"Hospital Massacre" is a pretty low aiming shot in the mid 1980's slasher stakes, and it has so many crappy moments in it that you should have a good laugh while watching it. Basically, glamour model Barbi Benton plays Susan Jeremy, a woman who pops into hospital for some routine test results only to find that she can't get out again. This is because a maniac with a serious grudge against her is blocking all escape routes and won't stop until he gets what he wants!

Now let me say that the film isn't all bad, but what really doesn't work is the hilarious implausibility of the "situation" that Susan finds herself in. As soon as the killer knows she is in the hospital, he plants some bogus test results in her file, and from this point onwards all the other hospital staff treat Susan like a dangerous and/or mentally deranged powder keg who must be detained at all costs. Thus we see a perfectly normal woman forced into straps and restraints, slammed into locked wards, subjected to humiliating examinations and, of course, in between all that she's being pursued by a masked killer. Now the film makes quite good use of the hospital location for some good murders, but this supposed inescapability I just did not swallow. Anyway, for even more fun, let me list a few of the really outrageous goofs this film thinks it can get away with. Susan actually leaves her boyfriend in the car waiting while she pops into the hospital for "a few minutes". Amazingly, several hours go by and darkness falls before he even comes to look for her! Next watch out for a side-splitting scene when Susan hides behind a portable screen on wheels just inches away from the killer. Watch as she drops a lighter on the floor and retrieves it with her foot while the killer stares right at the screen without out seeing anything. The screen even has about 12" of space below it where Susan's legs can clearly be seen. Oh sorry she also pulls the material aside to peer through the screen at him, and he doesn't see that either. Next watch for the notorious examination scene where Susan is stripped naked and felt up all over by a doctor in a supposedly sinister fashion. NO WAY would this ever be tolerated or handled in such a sleazy manner in a real hospital. Plus, save your breath for the scene in which a fleeing Susan bursts into a room full of patients in traction, who all spring to life and writhe their tethered, bandaged bodies around like it's a scene from some kind of purgatory. Why? I don't know. There's no reason at all for this shot, expect to put something bizarre to look at into the running time.

I'll say this though, Barbi Benton is not bad in the role of Susan. She screams well enough and is attractive to look at throughout. Shame that the script gives her so many stupid, dumb things to do and never once is there a moment when she decides to just leave the building (it's not a prison, fer crying out loud).

Luckily the murders are pretty good fun and the general looniness of the whole thing definitely makes it fun. Just forget logic and you'll enjoy it.