Vier Jahreszeiten

Another film I never get tired of re-watching, THE FOUR SEASONS is an entertaining, albeit predictable comedy-drama about three affluent couples who vacation together, whose perfect circle of friendship is forever altered when one couple decides to divorce and the man tries to bring his new girlfriend into the circle. There is a lot of funny stuff that goes on here and a lot of unpleasant stuff as well, especially the way the circle treats the new girlfriend, but most of it rings true and the emotions expressed among these friends about losing the wife who was rejected for a younger woman, are quite real. My only problem with this film is that all the characters talk like Alan Alda. Yes, Alda wrote and directed the film, but he should have given the characters their own personalities, not his. Alda and Carol Burnett make a very believable long-married couple, Jack and Kate as do Jack Weston and Rita Moreno as Danny and Claudia. Len Cariou makes the most of an unpleasant role as Nick, the husband who divorces his wife (Sandy Dennis, in a lovely and heartbreaking performance)and tries to bring his new girlfriend (Bess Armstrong) into the circle. There is slapstick and sentiment and pathos and I have to admit to cheering the first time I saw the scene where Armstrong tells the group off for treating her like an outsider. It's not Chekhov, but it is a charming film with likable characters, realistic situations, beautiful scenery and a lovely musical score. If you hate Alan Alda, beware.

Another reviewer mentioned how this movie has changed for them since they first saw it - and not in a good way.

For me, "The Four Seasons" has only become more relevant.

I'm watching this on Encore as I write this. When I first saw this back in 1981, I was 16 and getting ready to entire my senior year in HS. I absolutely fell in love with this film but my perspective as a teenager had me seeing these people as my parents generation and wondering if when I reached their age I would have this kind of relationship with my adult friends. I also wondered if such people really existed. I laughed at the situations and the lines but without any real world experience.

Now 30 years later, I have a very different perspective on things. I not only see myself (or aspects of myself) in each of the various characters, I find that the dialogue and relationships as presented in the film ring very true. When you are friends with other people for a long time, you do know each other well enough to be able to criticize, annoy, care about, and cherish one another the way these people do.

I have also run into and had to deal with people that are essentially carbon copies of the people portrayed in the movie. I know Jack and Kate, Danny and Claudia, Nick, Ginny, and especially Anne. These people are real - not just characters written into a screenplay. They live in my town. Their fears, dreams, and neuroses are all familiar.

Alan Alda was able to capture authentic portrayals of people by an outstanding cast. And while all movies are a distillation of sorts of character types, the individuals in this film seem particularly authentic to me.

30 years later, I find this still to be a terrific movie. It is timeless in its message, and the emotions (humor, sympathy, anger) I experience come from a genuine understanding of and kinship with these people and their situations.

THE FOUR SEASONS (1981) *** Alan Alda, Carol Burnett, Rita Moreno, Jack Weston, Len Cariou, Sandy Dennis, Bess Armstrong. Alda, who wrote and directed, assembles a veteran cast of colorful couples spending their quarterly vacations together during one memorable year of change and confrontations of middle age craziness with deft and frequently funny aplomb. The choice to use Vivaldi's `Four Seasons' and the beautiful scenery only underscores the theme perfectly. Trivial note: the college-aged girls the group visit for parents' day are actually Alda's real-life daughters.

Ever since I watched her as a kid on The Electric Company and The Rockford Files, I have always loved Rita Moreno. She is one of the best actresses EVER! and most people don't even realize this. She is the only entertainer in history to have won the highest award in all four mediums of entertainment. She has won an Oscar for her movie work, an Emmy for her tv work, a Tony for her stage work and a Grammy for her singing. She is in the Guiness Book of World Records as a matter of fact. People do not realize that Alan Alda wrote many of the episodes of MASH (as they also don't realize Michael Landon wrote many episodes of Little House). He is both a great comic and a great comic writer who is wonderful and witty with words. He also directed this film and did an outstanding job. It is a beautiful film to look at with the lovely scenery and the change of seasons, symbolic of the conflicts the three couples are going through. Alda created six wonderful characters that you really care about and feel bad for and perhaps you see a little bit of yourself in them. Alda's character thinks that he is so in control, Jack Weston's character is a hammy, blustering hypochondriac (Alda says at one point that he is "the Muhammad Ali of mental illness"). Bess Armstrong was just getting her start in films at the time and she is really wonderful as Len Carou's ditzy girlfriend. Sandy Dennis's career had gotten off to an amazing start when she was in "Who's Afraid Of Virginia Woolf" but it never really took off the way it should have and she died so young of cancer. She gives a wonderful performance in this film. It is rather low key, but you feel this woman's pain as her husband leaves her for this bimbo. You really feel angry for her. Carol Burnett is a wonderful comic, but a fine actress as well (she was great in Annie), she gives a really sensitive performance especially in the scene where she tells Alda to s*&t or get off the pot! How touching Carol! Seriously Rita Moreno is my favorite in this film. I love Claudia, she is kind and sweet and affectionate and so very very ITALIAN! Rita Moreno should have gotten an Oscar for her performance. She even has a brief nude scene in the film. I don't mean to sound sexist but she looked fantastic! God bless you Rita!

Three couples--best friends--are seen on four trips together during the course of a year. Writer-director-star Alan Alda shows a surprisingly stylish eye for the beauty of the changing seasons, and as a writer he knows how to shake off the melodramatic doldrums and be funny, but his sense of style and pacing isn't helped by his need to be educational, to teach us all something about ourselves (this movie hints that maybe he's been in therapy too long). The film isn't whiny, but it has shapeless scenes that are overdrawn--and the longer they go, the more rambling they become. One couple separates and the man brings a new woman into the fold, but his ex-wife (the wonderful Sandy Dennis) is much more interesting and sympathetic than who we're left with. Two college-age daughters are introduced (played by Alda's real-life children), but they don't seem to be familiar with anyone at the table. The final act allows Alda's repressed character to finally react and blow off some steam, yet the responses he elicits (particularly from his wife, Carol Burnett) aren't believable--the characters all sound and act too much like each other for there to be nuances in their reactions. Burnett is tough to get a grip on here, and I don't know if it's the writing or just the tack she's taken here as an actress, but her rigid/passive/supporting-but-unhappy wifey doesn't showcase any particular feeling; Bess Armstrong, as the new friend, doesn't get a good strong scene until almost the end, and that's because Alda enjoys poking fun at her youthful idealism (even at the end, Armstrong is stuck with dippy dialogue like, "I'm going to take a run in the snow!"). The picture was a big hit, and it may spark conversations about friendships and our need to be around what is familiar--even if it nags at us--but Alda doesn't allow for solutions. He wants to create a mess, analyze the mess, and then throw up his hands and say "that's the way life is!" But this reality of his is plastic-coated, with TV-ready dialogue, and while he's an amiable filmmaker, he's never a self-satisfied one. **1/2 from ****