Horror am Mill Creek

Terrifying and unsettling movie plenty of thrills , chills , lush outdoors and passable acting. In the opening scene, a young couple loses control of their motorbike and fall to the ground when they hit a fallen tree laying on the track through a forest where they are riding. The guy, Jim, is badly hurt, and the girl, Lori, runs to find some help. She runs back to Jimmy where she finds him hanging upside down from a tree, terrified she runs back to a cabin . Then a group of rangers go camping on unfamiliar forest grounds. All's well until the group members start getting killed by a cunning killer in the woods. But there's some sinister in the woods. They suddenly become desperate when occurs a chain of nightmarish events . He has found you. Screaming won't help anymore. It's too late...Can anyone survive?. Without knowing they have awakened an unknown force. If you go down to the woods today you're sure of... The final terror. Daryl Hannah and Rachel Ward - Trapped In A Web Of Madness And Terror!. Don't See It Alone. A ghoulish tale of murder and the macabre from the creator of Alien. Without knowing they have awakened an unknown force. Can anyone survive?. He Has Found You. Without knowing they have awakened an unknown force!.If you go down to the woods today you're sure of...

The film displays thrills , chills , cardboard horror , tension and lots of blood and gory scenes for nauseating execution. The concept of the movie is plain and simple, the typical series murderer who proceeds an astonishing massacre. Scary and eerie with abundant gore, including nice make-up and adequate special effects. As always, a series killer makes an authentic slaughter with gruesome and bloody assassinations using some forest traps and other murderous instruments . After successes as John Carpenter's Halloween and Sean S. Cunningham's Friday the 13th expanded a lot of rip-offs or imitations and one of the best ones resulted to be this ¨The burning (1981)¨, following this ¨Final terror¨. The Final Terror is notable for the presence of some soon-to-be stars appearing some familiar and young faces as who subsequently to be continued decent cinematic careers: Daryl Hannah, Rachel Ward, Joe Pantoliano, Lewis Smith, Adrian Zmed, John Friedrich, Mark Metcalf . To minimize costs, the production wasn't insured and the actors did their own stunts , for instance, some actors actually climbed the hills risked landscapes in order to save costs . Apart from a couple of minutes of mayhem at the beginning and end, the nearest of the film gets to dealing with the deranged slasher plot is to have it told, midway, as a camp-fire spook story. Undermining genre expectations, director Davis reveals an affectionate respect for the woods and likes his roles enough not to line them up as Slaher Victims. Surprisingly, the women aren't on board to be decorative nude figures , nor simple rape victims. ¨Deliverance¨ is the inspiration, but finally this film rafted down a different stream.

The motion picture was professionally directed by Andrew Davis, but nothing special, he's a filmmaker with a reputation for directing intelligent thrillers. Director Davis provides this film with great plot strength since he himself is an expert in physics and engineering. He has made good and boxoffice films, such as ¨Above the law¨, ¨The final terror¨ , ¨Chain reaction¨ , ¨Collateral damage¨ , ¨The Package¨ and Davis went on to direct 1992's top grossing picture, ¨Under siege¨ (1992), for Warner Brothers, a classic action film teaming Steven Seagal with Tommy Lee Jones. Being his greatest hit ¨The fugitive¨, this film received seven Academy Award nominations including Best Picture and earned Tommy Lee Jones a Best Supporting Actor award. Andrew Davis frequently casts 'Ron Dean', Chelcie Ross, Joseph F. Kosala, Joe Pantoliano and his father 'Nathan Davis' . He often directs in his city : Chicago. Rating The Final Terror(1983): 5.5/10. Passable and acceptable but inferior than other Andrew Davis films.

THE FINAL TERROR is an average horror movie. There were a couple of startling moments (the scene when the couple gets hacked or the sudden ending) but the bulk of the movie is really dull. The atmosphere is almost worthwhile. Almost. You see, the film is not gruesome enough or sweat-inducing enough to push the atmosphere into the dread-filled nightmare that a story like this needs in order to be memorable. We see a lot of moments where the people just hang around the campfire and bitch about this and that. And when the group goes to the the dilapidated house, all dressed up like Rambo, what little edge the film had disappeared instantly with that unintentionally funny bit. The idea of the young men and women taking a pro-active stance against the killer, in one united group, is original for a horror movie of this type but it's badly done here.

The big problem with the movie is that it doesn't know what it wants to be. Something tells me the director didn't want to do just another horror movie. But every aspect of the movie is so weak that FINAL TERROR cannot overcome its horror trappings. The characters are almost nonexistent. Rachel Ward and the black girl have accents but where never told where they come from or how did they ever land in such a remote area. Because of this, and the fact that some actors are really miscast, there's very little credibility to the whole proceedings. It feels like the film was put together very quickly and with very little thought behind it.

The script is very weak. No characterization. No idea what to do with the dull bunch. No immediate sense of dread. We have no clue what's out there until the very end. And to make things even more annoying, the action often takes place at night and there are several moments when it's difficult to see what's going on. These dark scenes reminded me of HUMONGOUS. But unlike the underrated Canadian movie, FINAL TERROR's pitch black moments weren't deliberate. They were badly shot moments (made more confusing with the bad editing) which muddled up what little action there was in the story. The cinematography was excellent when there was light or the action took place during the day but the night time scenes, or even those scenes that took place in and around the cabin, were too dark for my taste.

The film gets interesting at the very end, but like many have pointed out already, the end is very sudden and abrupt. Too abrupt. The brief glimpse of the killer made me realize how dull and boring the young folks were. When a piece of walking rug with a knife is more interesting than the main characters of the movie, you know there's something wrong with the film.

But FINAL TERROR wasn't the worst film I've ever seen. Compared to DON'T GO IN THE WOODS, FINAL TERROR looks like a work of genius. It's just that there's very little going for it except for some beautiful scenery, one good murder scene, a creepy, under-used killer and a somewhat memorable (but sudden) ending.

At one point after the group of forest rangers escapes the night bus attack, Rachel Ward exclaims "I can't see a thing". Ditto for the viewing audience, because even the daytime scenes are so poorly lit that you will have little sense of what is taking place on screen. It's pretty difficult to scare people, when you can't see what is supposed to be scary. Technically "The Final Terror" is a disaster, and it's really a shame, because hunted in the woods films are one of my favorite genres. After seeing (or rather not seeing) "The Final Terror", I will stick with "Hunter's Blood", which is a great film of this type. Other than a strong opening and a surprisingly good conclusion, there is very little entertainment value here. Don't let the name actors get you excited either, because Rachel Ward and Darryl Hannah are just faces in the crowd, with zero character development. My advice, skip it. - MERK

(**1/2 out of *****)

Produced by Samuel Arkoff, this is one of those low-budget (albeit tolerably directed) jobs with several different titles ("The Campsite Murders" and "Forest Primeval" to name a couple) and two or three different release dates between 1980 and 1985 (I split the difference and went with ‘83, although the original release date is most likely ‘81, for those who care.) It's of interest mainly for featuring Darryl Hannah and Rachel Ward (not to mention Joe Pantoliano, from "Memento" and "The Sopranos") in early roles. The gals play the girlfriends of forest rangers out on a work detail in the woods who run across an unseen, homicidal maniac. There's a refreshingly low body count, but, given the number of potential victims who have little else to do but run around and whine, maybe the cast should have been reduced by two or three actors. Other than a couple of minor shocks here and there, there's also a lack of action and suspense. Come to think of it -- no gratuitous nudity, no excessive violence -- who exactly was this movie made for? The last third, with the survivors paddling down river in a big raft, starts to resemble a tame "Deliverance" (as well as other forest/slasher movies too numerous to name). There are pretty good killer-in-the-woods flicks ("Just Before Dawn") and there are really bad killer-in-the-woods flicks ("Berserker"), and this one sits somewhere just south of the border. Davis went on to direct big-budget action movies (including "Under Siege" and Harrison Ford's "The Fugitive").

HIGHLIGHT: I'm being generous to go with a highlight for this one, but I kinda liked the part where the killer was hit with a giant, swinging log studded with sharp spikes. It reminded me of a Road Runner cartoon.

The inspirational for this sub-standard, low-budget woodland slasher/survival horror is obvious ('Friday the 13th'and 'Deliverance'), but even then it took the hackneyed clichés and kind of added its own messy slab to the well-worn formula. Was it for the better? I don't know? What fell by the wayside was the overall pacing due to there being too little to the transparent story and simply having the characters going through the motions. Too much dead air with a small body count and not enough thrills. When they were inserted, it was feeble. Other then a decent opening (with that smoking theme song) and thunderously outlandish closing, in between was a lot of repetitively aimless parading. It's easy through those parts because of the beautifully authentic setting that was fluidly photographed. Although the nocturnal scenes are poorly lit. Director Andrew Davis (who would go onto to be a pivotal action deliverer with titles like 'The Package' (1989), 'Under Siege (1992) and 'The Fugitive' (1993) and many more) does a quite passive, if workman-like job without the setting the world alight. There's true grit, but the attacks are telegraphed and rushed leaving it struggling to sustain any sort of momentum in its attempts of suspense. Atmosphere on the other hand, breathes some starkness and the environment moodily blends well with Susan Justin's eerily unhinged music score and penetrating forest sounds. The cast is more interesting to look at on paper, than actually watching their performances. Really the material doesn't allow much room for growth and makes them all unappealingly disposable. Too many I guess. Daryl Hannah, Adrian Zmed and Rachel Ward are fine. Joe Pantoliano in a short role makes the most in an over-exaggeratedly on-edge turn and Lewis Smith's unpredictable character kept one amused. It has its moments, but fails to really come out of first-gear.