Horror am Mill Creek

It's easy to make the mistake of dismissing The Final Terror as just another instantly forgettable, derivative backwoods slasher: the characters are your usual array of one-dimensional psycho-fodder; the setting is the standard 'spooky woods located miles from civilisation'; there's the corny campfire legend that sets up the back story for the killer; and the film features several cribs from other similarly themed horror movies (most obviously John Boorman's Deliverance).

However, I think this film is a more important addition to the genre than it is given credit for: not only did it give director Andrew Davis (of The Fugitive fame) and several future Hollywood stars (Daryl Hannah, Rachel Ward, Joe Pantoliano, and...errr... Adrian Zmed?!?) a step up in their careers, but—and you can call me mad if you like—I am also convinced that The Final Terror was a big influence on the excellent Arnold Schwarzeneggar sci-fi/action movie Predator!

As Lloyd Grossman used to say in Through The Keyhole, 'Let's take a look at the evidence...'

The group of friends stranded in the wilderness; the strange creature who hunts them one-by-one; the pivotal moment where the hunter finally becomes the hunted; and the final showdown in which the killer is lured into a booby-trap made from a huge tree trunk. Let's face it.... all that's missing is a mini-gun!!!

Anyway, regardless of whether you subscribe to my Predator theory or not, The Final Terror is still a reasonably enjoyable way to pass the time, with some effective jump scares, a fair amount of atmosphere, and some lovely cinematography. I'd liked to have seen a bit more gore, some nudity from the ladies (this is a slasher, after all!), and Adrian Zmed get slaughtered (I still remember T. J. Hooker), but I suppose you can't have everything!

6.5 out of 10, rounded up to 7 for IMDb.

Terrifying and unsettling movie plenty of thrills , chills , lush outdoors and passable acting. In the opening scene, a young couple loses control of their motorbike and fall to the ground when they hit a fallen tree laying on the track through a forest where they are riding. The guy, Jim, is badly hurt, and the girl, Lori, runs to find some help. She runs back to Jimmy where she finds him hanging upside down from a tree, terrified she runs back to a cabin . Then a group of rangers go camping on unfamiliar forest grounds. All's well until the group members start getting killed by a cunning killer in the woods. But there's some sinister in the woods. They suddenly become desperate when occurs a chain of nightmarish events . He has found you. Screaming won't help anymore. It's too late...Can anyone survive?. Without knowing they have awakened an unknown force. If you go down to the woods today you're sure of... The final terror. Daryl Hannah and Rachel Ward - Trapped In A Web Of Madness And Terror!. Don't See It Alone. A ghoulish tale of murder and the macabre from the creator of Alien. Without knowing they have awakened an unknown force. Can anyone survive?. He Has Found You. Without knowing they have awakened an unknown force!.If you go down to the woods today you're sure of...

The film displays thrills , chills , cardboard horror , tension and lots of blood and gory scenes for nauseating execution. The concept of the movie is plain and simple, the typical series murderer who proceeds an astonishing massacre. Scary and eerie with abundant gore, including nice make-up and adequate special effects. As always, a series killer makes an authentic slaughter with gruesome and bloody assassinations using some forest traps and other murderous instruments . After successes as John Carpenter's Halloween and Sean S. Cunningham's Friday the 13th expanded a lot of rip-offs or imitations and one of the best ones resulted to be this ¨The burning (1981)¨, following this ¨Final terror¨. The Final Terror is notable for the presence of some soon-to-be stars appearing some familiar and young faces as who subsequently to be continued decent cinematic careers: Daryl Hannah, Rachel Ward, Joe Pantoliano, Lewis Smith, Adrian Zmed, John Friedrich, Mark Metcalf . To minimize costs, the production wasn't insured and the actors did their own stunts , for instance, some actors actually climbed the hills risked landscapes in order to save costs . Apart from a couple of minutes of mayhem at the beginning and end, the nearest of the film gets to dealing with the deranged slasher plot is to have it told, midway, as a camp-fire spook story. Undermining genre expectations, director Davis reveals an affectionate respect for the woods and likes his roles enough not to line them up as Slaher Victims. Surprisingly, the women aren't on board to be decorative nude figures , nor simple rape victims. ¨Deliverance¨ is the inspiration, but finally this film rafted down a different stream.

The motion picture was professionally directed by Andrew Davis, but nothing special, he's a filmmaker with a reputation for directing intelligent thrillers. Director Davis provides this film with great plot strength since he himself is an expert in physics and engineering. He has made good and boxoffice films, such as ¨Above the law¨, ¨The final terror¨ , ¨Chain reaction¨ , ¨Collateral damage¨ , ¨The Package¨ and Davis went on to direct 1992's top grossing picture, ¨Under siege¨ (1992), for Warner Brothers, a classic action film teaming Steven Seagal with Tommy Lee Jones. Being his greatest hit ¨The fugitive¨, this film received seven Academy Award nominations including Best Picture and earned Tommy Lee Jones a Best Supporting Actor award. Andrew Davis frequently casts 'Ron Dean', Chelcie Ross, Joseph F. Kosala, Joe Pantoliano and his father 'Nathan Davis' . He often directs in his city : Chicago. Rating The Final Terror(1983): 5.5/10. Passable and acceptable but inferior than other Andrew Davis films.

2020, found this movie on Tubi, along with Grizzly, The Crazies (Code name Trixie), Without Warning (retitled The Warning) and Madman. I remember watching this. Scared me when I was a teen. 80's was the era of great slashers. One scene freaked me out. Surprised me to learn Joe Pantolino (Goonies, The Matrix, Sopranos and Bad Boys trilogy) stared in it. As well as Daryl Hannah (Kill Bill 1 & 2, Splash, Roxanne and Blade Runner) Very rare to find a movie that uses natural lighting instead of artificial lighting to capture details. Makes the scenes scarier. Watching the film as I'm watching this. Check it out.

The inspirational for this sub-standard, low-budget woodland slasher/survival horror is obvious ('Friday the 13th'and 'Deliverance'), but even then it took the hackneyed clichés and kind of added its own messy slab to the well-worn formula. Was it for the better? I don't know? What fell by the wayside was the overall pacing due to there being too little to the transparent story and simply having the characters going through the motions. Too much dead air with a small body count and not enough thrills. When they were inserted, it was feeble. Other then a decent opening (with that smoking theme song) and thunderously outlandish closing, in between was a lot of repetitively aimless parading. It's easy through those parts because of the beautifully authentic setting that was fluidly photographed. Although the nocturnal scenes are poorly lit. Director Andrew Davis (who would go onto to be a pivotal action deliverer with titles like 'The Package' (1989), 'Under Siege (1992) and 'The Fugitive' (1993) and many more) does a quite passive, if workman-like job without the setting the world alight. There's true grit, but the attacks are telegraphed and rushed leaving it struggling to sustain any sort of momentum in its attempts of suspense. Atmosphere on the other hand, breathes some starkness and the environment moodily blends well with Susan Justin's eerily unhinged music score and penetrating forest sounds. The cast is more interesting to look at on paper, than actually watching their performances. Really the material doesn't allow much room for growth and makes them all unappealingly disposable. Too many I guess. Daryl Hannah, Adrian Zmed and Rachel Ward are fine. Joe Pantoliano in a short role makes the most in an over-exaggeratedly on-edge turn and Lewis Smith's unpredictable character kept one amused. It has its moments, but fails to really come out of first-gear.

THE FINAL TERROR is an average horror movie. There were a couple of startling moments (the scene when the couple gets hacked or the sudden ending) but the bulk of the movie is really dull. The atmosphere is almost worthwhile. Almost. You see, the film is not gruesome enough or sweat-inducing enough to push the atmosphere into the dread-filled nightmare that a story like this needs in order to be memorable. We see a lot of moments where the people just hang around the campfire and bitch about this and that. And when the group goes to the the dilapidated house, all dressed up like Rambo, what little edge the film had disappeared instantly with that unintentionally funny bit. The idea of the young men and women taking a pro-active stance against the killer, in one united group, is original for a horror movie of this type but it's badly done here.

The big problem with the movie is that it doesn't know what it wants to be. Something tells me the director didn't want to do just another horror movie. But every aspect of the movie is so weak that FINAL TERROR cannot overcome its horror trappings. The characters are almost nonexistent. Rachel Ward and the black girl have accents but where never told where they come from or how did they ever land in such a remote area. Because of this, and the fact that some actors are really miscast, there's very little credibility to the whole proceedings. It feels like the film was put together very quickly and with very little thought behind it.

The script is very weak. No characterization. No idea what to do with the dull bunch. No immediate sense of dread. We have no clue what's out there until the very end. And to make things even more annoying, the action often takes place at night and there are several moments when it's difficult to see what's going on. These dark scenes reminded me of HUMONGOUS. But unlike the underrated Canadian movie, FINAL TERROR's pitch black moments weren't deliberate. They were badly shot moments (made more confusing with the bad editing) which muddled up what little action there was in the story. The cinematography was excellent when there was light or the action took place during the day but the night time scenes, or even those scenes that took place in and around the cabin, were too dark for my taste.

The film gets interesting at the very end, but like many have pointed out already, the end is very sudden and abrupt. Too abrupt. The brief glimpse of the killer made me realize how dull and boring the young folks were. When a piece of walking rug with a knife is more interesting than the main characters of the movie, you know there's something wrong with the film.

But FINAL TERROR wasn't the worst film I've ever seen. Compared to DON'T GO IN THE WOODS, FINAL TERROR looks like a work of genius. It's just that there's very little going for it except for some beautiful scenery, one good murder scene, a creepy, under-used killer and a somewhat memorable (but sudden) ending.