Insel der Verdammten

Directed by Anglo Australian filmmaker Brian Tenchard-Smith (most notably known for the Australian film that introduced Nicole Kidman to the world, BMX bandits, a kid/family movie, mainly remembered for the zeitgeist trend of the bicycle craze in the title), this post-Mad Max dystopian future movie tells the 'story' of a camp for retraining the 'deviates' of society, so that they may conform to the institutionalised norm as a whole. It begins with three people being taken in the back of a van to the camp of 'Re-Education and behaviour modification'. The camp looks much like the Nazi concentration camps of such films as SS Experiment Camp, or Ilsa: She-Wolf of the SS. The film begins as all of the usual 'nazisploitation' movies do, with a pinch of titillation and humiliation. This is not however a nazisploitation movie, as it appears to have a more communist edge; as the motto goes (in a quite comical sequence where 'chief' guard Rimmer picks out the smallest woman, and mock-punches to her face, whilst forcing her to recite it), "I am a deviate, lowest form on earth..."

The main 'heroes' of the piece, are Paul (Steve Railsback), and Chris (Olivia Hussey - also known for such genre films as It, and Black Christmas). These also constitute the ubiquitous love interest within the plot. Whilst the inhabitants of the camp are humiliated and ritually abused in almost gladiatorial fashions, the main plot stems from the concept highlighted by the films title (although this was altered both for the UK video market - Camp Blood Thatcher; and the US market, Escape 2000), where there are five prisoners who are set 'free' from the camp so that seemingly elite persons from society can game hunt them with no consequences. All this leads to utterly predictable outcomes, resulting in an attempted overthrown of the 'authorities'!

The film exploits the concept of game hunting with elements of gore (again ubiquitous of the times of production), but doesn't really explore the societal elements that the protagonists are trying to subvert. We know nothing of the 'societies' structural elements that may instigate any kind of revolution or revolt. What exactly are the protagonists subverting? What are the policies, or dogmas of this 'society'? We only see the camp, and are not given any knowledge of the non-diagetic world beyond this.

The rich hunt the imprisoned. That is about as political as this movie gets. OK, so all movies don't necessarily need to have a message, granted. But if you are going to make a film set in a dystopian future, the world needs to be constructed so that we may understand why this future exists. To add insult to injury - despite the finale having a touch of gore - it almost seems like an episode of The A-Team, only people actually get shot. I almost forgot to say; a certain 'thing' accompanies one of the rich on the game hunt that he "found in a freakshow", which is essentially a badly dressed wolf-man. It's as if someone turned up on set in the wrong costume, and the director thought "well, we'll make it work!"

If you love bad filmmaking, with no social commentary, and no element of surprise or suspense, then you may well love this. But, it is, and will always be a bore!

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Set in a totalitarian future society, this film has a bleak but quite vividly drawn vision of the world...for its first 20 minutes or so; then it turns into a straight action-chase adventure. The uncut 90-minute version is extremely gory, but some of the effects are rather lame. Nevertheless, it's a fast-paced, trashily entertaining film, and the actors are adequate for the little they're asked to do. (**)

Known everywhere in the world except the U.S. as TURKEY SHOOT (there it was accorded the dumb aka of ESCAPE 2000) this is trash Oz film-making at its best! You gotta see this flick! A truck-load of 'anti-establishment' personnel are sent to this insane privately run "conditioning camp" set up and operated by a futuristic corporation for the amusement and dubious scientific study by its patrons. Railsback is quite obviously a non-conformist and gives the authorities what-for in no uncertain terms. He is marked for extermination.

Yet another derivative of THE MOST DANGEROUS GAME, the voyeuristic bad guys like nothing better than a "hunt" of escapees, re-hashed yet again in the 90's with Jean-Claude Van Dumb as HARD TARGET! You might even like to reflect on similarities (in concept ONLY) with THE RUNNING MAN. If then you like grotesque violence, lesbian advances, excessive torture, guys with a hard-on for girl prisoners, yellow jump suits and girls shot through the breast, this is the film for you.

Incredibly, it was an enormous hit JUST in London at the midnight show in a theater in Leicester Square during the summer of 1982. They were queueing round the block for the privilege of watching Lynda Stoner and Olivia Hussey try to make it through the night. Damned if I didn't queue as well!

Despite watching Turkey Shoot (Escape 2000) whilst I was drunk i can admit that all Australians should be proud of this film. If the world can remember Australia for one thing it should be TURKEY SHOOT, brilliant acting from Steve Railsback and Olivia Hussey and a fantastic storyline about the future and how humans are used for sport in an insane game. I am suprised and frankly yes shocked this film did not win at least one award, for shame.

Citizens labelled "deviant" are sent to a prison camp, where the motto is "Freedom is obedience, obedience is work, work is life." The regime is brutal and the only chance of release is by taking part in a "turkey shoot" in which inmates are the prey and the camp governor plus a few cronies are the hunters. The camp scenes reminded me of the many Naziploitation flicks such as Ilsa movies that were churned out in the 1970's, the hunt part has obvious comparisons with "The Most Dangerous Game" (1932). Turkey Shoot is considered to be an Ozploitation movie. In the UK the movie was originally released heavily cut under its original title but in 2003 Vipco released it uncut on DVD as Blood Camp Thatcher. This movie contains a lot of violence. On one hand a male guard savagely beating a female inmate was quite nasty but on the flipside some of the gore is quite laughable. A man has both of his hands cut off but the shape of them is clearly visible through his sleeves. One of the weapons used against the "turkeys" is a half-man half-wolf freak, played by wrestler Steve Rackman. This is one of those movies in which certain characters appear immune from machine gun fire, it is all very trashy but fun too. Amongst the international cast is Olivia Hussey, she starred in the horror classic "Black Christmas" (1974) and it sounds like they pinched a scary musical chord from that movie, only it sounds completely out of place here. Turkey Shoot is no classic but like one character says it "beats the hell out of network television". It sure does!