Entity - Es gibt kein Entrinnen vor dem Unsichtbaren, das uns verfolgt
Originaltitel: The Entity
IMDb-BEWERTUNG
6,7/10
19.704
IHRE BEWERTUNG
Eine Frau wird von einem unsichtbaren Dämon gequält und sexuell belästigt.Eine Frau wird von einem unsichtbaren Dämon gequält und sexuell belästigt.Eine Frau wird von einem unsichtbaren Dämon gequält und sexuell belästigt.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
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"The Entity" is a well made horror film about a supernatural phenomenon tormenting a woman by sexually attacking her repeatedly. The thing that strikes me interesting about this movie is that it's supposedly based on fact! Barbara Hershey gives a very strong performance as Carla Moran, the woman who one night has her life turned upside down when she's raped by an unseen mass. And this invisible visitor has no intentions of leaving her alone! She seeks help first from a psychiatrist (played by Ron Silver) who she feels ain't helping her. Then she runs into a group of parapsychologists who think have a solution to get rid of this entity. "The Entity" is quite scary in certain spots helped occasionally by an eerie and overbearing music score. There are some scenes that are kind of laughable, but for me "The Entity" provided more scares than laughs. Hershey gives a terrific performance in an early film role that could have been demeaning but isn't. The nude scenes are either the use of a body double or a make-up puppet. And when you watch this scenes, you can see it can't be Hershey's body your looking at. "The Entity" has a few silly moments, but all-in-all it's an effective horror film.
*** (out of four)
*** (out of four)
Actually, "The Entity" isn't a haunted house movie as much as it is a haunted person movie since the ghost or "the entity" only follows the main character around. What makes this movie darker than say "Poltergeist" is that we hardly ever see the demon that causes all the trouble. We only see what it does and that's raping its poor victim without remorse.
A story such as this could easily have become campy, especially since it was made in 1981. Surprisingly, "The Entity" still holds up very well. The performances are convincing, the characters are believable and the special effects are reduced to a minimum. The whole script comes dangerously close to losing its balance when in the last third of the movie a team of parapsychologists turns up and has some "really rad ideas" on how to destroy The Entity. However, thankfully the movie doesn't go too much over the top.
The weak points of "The Entity" are that it's not too scary and too long, both for the sake of maintaining veracity since this is supposedly based on a true story. As a horror movie it could have used better pacing and some jump scenes. The score is minimalist in that it's only a thunderous beat that kicks in as soon as The Entity turns up. What worked well in "The Thing" is a bit too little here. The same can be said about the ending. An open ending can be a good thing, but there should at least come a satisfying climax before it and at the end the main character's situation should have changed for better or for worse. "The Entity" kind of just stops without the heroine achieving anything.
A remake by Hideo Nakata is in the works and it seems to be a good idea to hand the project to an Asian director as the rawness of the story would probably get lost in the hands of an American. Here's one original movie that can be bettered as much as it could be worsened. We'll see what happens.
A story such as this could easily have become campy, especially since it was made in 1981. Surprisingly, "The Entity" still holds up very well. The performances are convincing, the characters are believable and the special effects are reduced to a minimum. The whole script comes dangerously close to losing its balance when in the last third of the movie a team of parapsychologists turns up and has some "really rad ideas" on how to destroy The Entity. However, thankfully the movie doesn't go too much over the top.
The weak points of "The Entity" are that it's not too scary and too long, both for the sake of maintaining veracity since this is supposedly based on a true story. As a horror movie it could have used better pacing and some jump scenes. The score is minimalist in that it's only a thunderous beat that kicks in as soon as The Entity turns up. What worked well in "The Thing" is a bit too little here. The same can be said about the ending. An open ending can be a good thing, but there should at least come a satisfying climax before it and at the end the main character's situation should have changed for better or for worse. "The Entity" kind of just stops without the heroine achieving anything.
A remake by Hideo Nakata is in the works and it seems to be a good idea to hand the project to an Asian director as the rawness of the story would probably get lost in the hands of an American. Here's one original movie that can be bettered as much as it could be worsened. We'll see what happens.
'The Entity' is a disturbing account of what are supposed to be true events, obviously they are the usual dramatisation's and alterations to the plot to heighten the viewing experience, but it's still a damn good film.
Barbara Hershey gives the performance of her life as the frightened character of Carla, who grows and evolves as the film moves forward. She is adequately supported by the rest of the cast who all play likable characters, except for the doctor; he just becomes annoying and ultimately ends up looking very stupid.
Unfortunately the special effects have not withstood the test of time very well, they aren't laughably bad by any stretch of the imagination, but they really do look pretty tired now.
Overall 'The Entity' is an under-rated film that is actually one of the best horror movies of the 80's. It has great tension that starts right from the word 'action', it successfully grabs your attention and doesn't let you go and it's very graphic and disturbing in the way a horror movie should be.
8/10 brilliant supernatural Horror
Barbara Hershey gives the performance of her life as the frightened character of Carla, who grows and evolves as the film moves forward. She is adequately supported by the rest of the cast who all play likable characters, except for the doctor; he just becomes annoying and ultimately ends up looking very stupid.
Unfortunately the special effects have not withstood the test of time very well, they aren't laughably bad by any stretch of the imagination, but they really do look pretty tired now.
Overall 'The Entity' is an under-rated film that is actually one of the best horror movies of the 80's. It has great tension that starts right from the word 'action', it successfully grabs your attention and doesn't let you go and it's very graphic and disturbing in the way a horror movie should be.
8/10 brilliant supernatural Horror
Carla Moran is violently raped by a seemingly invisible force. She tried to tell the people around her about what has happened but finds only resistance as her family and friends don't believe her as she didn't see who assaulted her especially when she says that her house was locked up when it happened and the assailant seemingly vanished into thin air.
Frank De Felitta's bestselling book based on a true story (the case of Doris Bither) translates very well to the big screen with Barbara Hershey cast as Carla doing a phenomenal job in invoking the terror of a woman going through something very real but undertaken by someone or something very unreal. Apparently Bette Midler, Sally Field, Jane Fonda and Jill Clayburgh were all offered the role but declined.
Sidney J. Furie's film stands alone as a one-off film of a one-off case that most people will have thought of as too much of a tall story to be true.
Carla not being believed can also be seen as an allegory of something that far too many women (and men) go through when they find the courage and strength to report a rape or sexual assault- that their horror isn't over yet as they try to seek justice whilst being met with an unfeeling and cruel judicial system that views their account with scepticism and disbelief. If it actually makes it to a court of law they will be made to relive their trauma. Those opposing them will try to disprove and belittle the magnitude of what they've been through. Or they will try to convince a jury that it didn't happen at all.
The film all too harrowingly shows the full horror of what Carla goes through when she is raped and does a great job of showing the trail of very disturbing signs when the spirit or entity is approaching (objects shaking, a certain odour that permeates the surroundings Moran is in, a very sudden drop in temperature). Hershey's performance, just like the film in general, never slides into TV movie melodramatics or sensationalism.
There needs to be special mention to Charles Bernstein's insistent, pulsating and truly shocking score that is perfect for the movie and it's subject matter. There are also echoes of the music he would write three years later for a new film called A Nightmare on Elm Street.
Also the special effects for the scenes in which Moran is molested by the invisible force are very effective indeed. For one sequence a body cast of Hershey was made that was manipulated by currents of air to make it look like the invisible entity was touching her. It succeeds eerily well. Stan Winston supervised the practical effects.
The effects also come into their own when Carla meets professionals who actually believe her story and work in the field of parapsychology. But to tell you more about this would make me tiptoe into spoiler territory...
When the film opened it was met with protests from those who thought that such a film was exploiting such a serious topic as rape. Hershey actually defended this claim and voiced that herself and the filmmakers had actually worked hard not to make the film exploitative and to display the true horror of sexual assault and rape.
All in all a terrifying film that still feels underrated and excluded from serious writings regarding 80's horror.
Frank De Felitta's bestselling book based on a true story (the case of Doris Bither) translates very well to the big screen with Barbara Hershey cast as Carla doing a phenomenal job in invoking the terror of a woman going through something very real but undertaken by someone or something very unreal. Apparently Bette Midler, Sally Field, Jane Fonda and Jill Clayburgh were all offered the role but declined.
Sidney J. Furie's film stands alone as a one-off film of a one-off case that most people will have thought of as too much of a tall story to be true.
Carla not being believed can also be seen as an allegory of something that far too many women (and men) go through when they find the courage and strength to report a rape or sexual assault- that their horror isn't over yet as they try to seek justice whilst being met with an unfeeling and cruel judicial system that views their account with scepticism and disbelief. If it actually makes it to a court of law they will be made to relive their trauma. Those opposing them will try to disprove and belittle the magnitude of what they've been through. Or they will try to convince a jury that it didn't happen at all.
The film all too harrowingly shows the full horror of what Carla goes through when she is raped and does a great job of showing the trail of very disturbing signs when the spirit or entity is approaching (objects shaking, a certain odour that permeates the surroundings Moran is in, a very sudden drop in temperature). Hershey's performance, just like the film in general, never slides into TV movie melodramatics or sensationalism.
There needs to be special mention to Charles Bernstein's insistent, pulsating and truly shocking score that is perfect for the movie and it's subject matter. There are also echoes of the music he would write three years later for a new film called A Nightmare on Elm Street.
Also the special effects for the scenes in which Moran is molested by the invisible force are very effective indeed. For one sequence a body cast of Hershey was made that was manipulated by currents of air to make it look like the invisible entity was touching her. It succeeds eerily well. Stan Winston supervised the practical effects.
The effects also come into their own when Carla meets professionals who actually believe her story and work in the field of parapsychology. But to tell you more about this would make me tiptoe into spoiler territory...
When the film opened it was met with protests from those who thought that such a film was exploiting such a serious topic as rape. Hershey actually defended this claim and voiced that herself and the filmmakers had actually worked hard not to make the film exploitative and to display the true horror of sexual assault and rape.
All in all a terrifying film that still feels underrated and excluded from serious writings regarding 80's horror.
Hershey is doing some truly amazing/insane acting. I mean... just watch. I can't think of too many actors that COULD or even would be wiling to ATTEMPT to pull what she's doing off. They would feel too silly.
Again... just watch if you can get your hands on a copy of this. It's very difficult to find.
Again... just watch if you can get your hands on a copy of this. It's very difficult to find.
Wusstest du schon
- WissenswertesBarbara Hershey said, "I resent being put in the position of defending the film. We worked really hard not to make it exploitative. Rape is one of the ugliest, if not the ugliest thing, that can happen to someone. It's murder of a sort. I have no answer for those who are offended. They're right, but I don't think our intention was to exploit the subject, or the result. Truly, I don't. I think we did well with it." When Hershey was interviewed for the Scream Factory Blu-ray of The Entity in 2018, she had nothing but kind words to say about director Sidney J. Furie, even saying that going to work on it was fun and stress-free because he was at the helm, making her feel comfortable, safe, and protected at every turn. She also described it as one of the best creative experiences of her career.
- PatzerWhen Carla is first attacked by the demon, she is slapped rather hard in the face and her lip is bloodied. But in the subsequent scenes and the days following, there is no mark on her lip.
- Zitate
The Entity: Welcome home, cunt.
- VerbindungenEdited into Outer Space (1999)
- SoundtracksSaturday Nite's All Right For Fighting
Written by Elton John (uncredited) and Bernie Taupin (uncredited)
Performed by Elton John
Courtesy of This Record Co., Ltd.
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Details
Box Office
- Budget
- 9.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 13.277.558 $
- Eröffnungswochenende in den USA und in Kanada
- 3.685.654 $
- 6. Feb. 1983
- Weltweiter Bruttoertrag
- 13.277.558 $
- Laufzeit
- 2 Std. 5 Min.(125 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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