Zum Teufel mit Max

Horror veteran Jimmy Sangster got himself attached to the Disney company by way of his story concerning a crooked apartment manager in Los Angeles who is hit by a car and goes to Hell. To save himself from eternal damnation, he must return to Earth and find three unsullied innocents who will sign away their souls in exchange for their life's wish to be granted. Sangster shares credit for the plot with screenwriter Mary Rodgers of "Freaky Friday", who apparently added the accoutrements of a single mom and her son looking for a husband and father to love, a teenage nerd who wants to be a motocross champion and a nervous songbird who wants to be a star. Disney, who had not yet developed the Touchstone subsidiary for more grown-up product, was attempting to change their image a bit here, but the swear words and a scary scene down in Hades just seem out of place in a movie about an old softie (Elliott Gould) charming everyone with his rumpled panache. Bill Cosby is cast as Satan, who dresses up for different occasions even though nobody but Gould can see him, and Susan Anspach is the daycare worker burned by broken romances. Both are good, but it's Gould movie and he carries it to a treacly but satisfying finish. **1/2 from ****

The really significant part of this movie has nothing to do with the players, but the producers. This is the FIRST ever PG movie released by Disney - after almost 35 years a G-only releases.

I saw this movie as a kid. It had a catchy song - slightly memorable plot and ... well not much else. Not horrible or good. OK.

Sadly, as Disney movies go - you'll notice on the DVD cover - no mention of Disney. Professionals admit their mistakes, are humble in their successes and remain proud about the rest. Walt Disney would have. Eisner doesn't.

With the past several years and all the bad publicity that has come out about Bill Cosby the fact that he could be cast as an emissary of Satan himself seems less ironic these days. The other half of the title of The Devil And Max Devlin is played by Elliott Gould who is destined for the lower depths after falling into a manhole unless he agrees to get three innocents to pledge their souls.

Where to find innocent souls in 1981 is the question, but in his new guise as a manager/promoter he finds promising singer Julie Budd, a BMX racer David Knell and a little kid Adam Rich with a real pretty mom in Susan Anspach.

I have to tell you that I was a bit uneasy in the scenes involving Gould and Rich. It was like he was stalking as a pedophile would. How Disney Studios were comfortable with that God only knows.

The Devil And Max Devlin has some interesting moments, a few laughs but not quite the hit it could have been. I would have not used the whole business with Adam Rich if I were producing the film

This is a film I watched as a kid and I viewed several times. It's cute and it was a popular comedy movie back in the day. The movie has a few moments of being hilarious for an old Disney film.

The movie is OK - I don't think it's the type of movie a person would want to watch several times but it is, however, a movie that is good the first time you view it so I do recommend it for those that want a silly comedy without a bunch of questionable language in it.

If you liked the "Oh God" movies with George Burns then you will most likely enjoy "The Devil and Max Devlin".

6/10

I'd recommend 'The Devil and Max Devlin'.

Of course it is slightly hampered by the fact it's a Disney film, but I feel it manages to leave a mark in what it does tackle in regards to the premise. I felt attached to the dilemma that Max (Elliott Gould) faces, despite it being a fairly predictable situation.

Gould is good in the lead role. He is joined by, um, Bill Cosby, who suitably plays a character from the less appealing afterlife. Julie Budd (Stella) is the best of the rest, especially when it comes to the music; she's got a great voice.

Disney's best film up until this point of the 1980s, which they begin poorly. Happy with this one though, I like it.