The Decline of Western Civilization

When it comes to films on the L.A. hardcore scene of the late 70s/early 80s this is as good as it gets! It's very rare that cameras are around during the genesis of a music movement, and I will be forever grateful that Ms Sheeris was there to capture the beginnings of the LA hardcore scene that was growing out of the ideals and influences of the dying New York & London punk scenes. I was living on the East Coast at the time this film came out, and back then the only way to see some of these bands, without going to L.A., was to see this film. It was a rare event when one of these bands would pile into a van and head east on a tour, so to fulfill our love for the L.A. hardcore scene my friends and I would go see this film every few weeks. This is a great document of that time in music history. For people who liked this era of punk/hardcore music, here's a few other very similar documentary films you might want to check out...

THE BLANK GENERATION - (70s New York punk - Johnny Thunders, Richard Hell, Ramones, Television, Patti Smith, etc...)

THE PUNK ROCK MOVIE - (70s British punk - Sex Pistols, The Clash, X-Ray Spex, Eater, etc...)

PUNK IN LONDON - (70s British punk - The Clash, The Adverts, The Lurkers, Subway Sect, etc...)

D.O.A. - (70s American & British punk - Dead Boys, Generation X, Sham 69, Iggy Pop, etc... *contains a priceless interview with Sid & Nancy*)

UK/DK - (80s British hardcore - The Addicts, The Exploited, The Business, UK Subs, etc...)

Before she made Wayne's World, Ms Spheeris documented the LA Punk scene with the kind of dead pan perspective that makes this the all time classic commercial punk rock documentary. Of course Target Video's concert footage of the Dead Kennedys or the Mutants live at a home for the insane are much better, but unless you live near Leather Tongue Video in San Francisco, you probably won't find those, so this one will have to do.

Best Irony: Members of a famous X-Punk band tattooing each other on a dirty couch while apparently under the influence of some processed opiate are talking about how pot makes hippies so pathetically passive that someone would come in and kick the shit out of them and all they'd say is "Bummer maaan." And then going on to a completely deadpan unemotional account of finding a dead guy in the back yard.

Definitely the best insight into the whole era. Sure The Great Rock and Roll Swindle is fun, but this one shows the whole scene unflinchingly from a neutral angle. The camera is on and everyone becomes an actor on their own stage.

Here is a great movie. Now, first of all, I would like to say that I was born in the early 1980s. I really never knew, up-close and personal, what true punk rock was. Watching this film was like a history lesson of sorts. The music was great, good vintage rock n' roll from bands like Black Flag, Circle Jerks, X, etc. It seemed to me that with this film, Penelope Spheeris was trying to show people that these weren't all just stupid kids who were out to do drugs and kill people. Some of these punks really had some philosophies that they were working at behind their music. This seems most evident in the interview with Black Flag. I understand myself how a lot of people might view these bands' philosophies as under-developed and simple, but one must take into account that these were some pretty young people. Nowadays, as young as I still am, I find it refreshing to run into someone my age who understands in any way philosophical thinking. In this movie, the young people may seem a little half-baked in their philosophies, but you might keep in mind that most kids don't even get that far. I've met many full-grown adults who have not progressed as far with deep thought contexts as some of the punk musicians in "Decline". Another thing I loved about this movie was how funny it got at times. Some of these kids were total idiots, while the story about the dead painter was devilishly humorous. Fear's performance at the end topped it all. Even if punk is dead, it was once very alive. All flaws aside, "The Decline of Western Civilization" was made for people who can tell the difference between some suburban wimp with a mohawk and the truly intelligent individuals who were genuinely upset and picked up music instruments as weapons against the forces of the corporate.

Kind of a guilty indulgence nowadays, this used to be required watching when i was in high school. It really is a great illumination of the burgeoning punk scene in LA in 1980. As the bands play, Spheeris prints the lyrics in subtitles, which is of course necessary if one really wants to know what the guy is screaming into the microphone. But also it turns the camera's POV into that of tourist, passing through this alien world. The band interviews reveal an honest approach to the music that really doesn't exist anymore. Then again, it's not as easy to come by $16/month former-church closets like Chavez of Black Flag does. How many unheard of bands do you know that aren't trying like the dickens to get a record deal? These guys just didn't care. And who can't love the commentary of the little French dude who used to be the "singer" for Catholic Discipline (of which Phranc was a member). His gritty voice delivers one of the best soliloquies ever captured on film: "I have excellent news for the world ... there's no such thing as New Wave." Whew! What a relief!

Raw, Real, and absolutely riveting, Director Penelope Spheeris' THE DECLINE OF WESTERN CIVILIZATION captures a time and place -early 1980s Los Angeles- in a way that makes those who were there nostalgic, and those who weren't, envious. Or shocked. An incredible documentary, taking us along to watch the legends of the hardcore scene.

Black Flag, Germs, Catholic Discipline, X, Circle Jerks, Alice Bag Band, Fear, all perform in the tight, low-rent venues that made them all such legends. This is music fueled by boredom, anger, frustration, and fiery youth. All presented in its natural environment. The interviews with the bands are just as good as the live performances.

Also, the section where we get to hear from the fans is very enlightening.

If anyone ever asks you about the 1980s LA music that mattered, just show them this film...