Deadline

This overlooked analysis of a man spiraling into madness is surprisingly brainy, and skillfully realized on meager rations.

A horror novelist's dark fantasy world collides with his personal reality, causing a landslide of hallucinatory dementia within both his family life and his his professional endeavors. A very ominous and disorienting Canadian-made nightmare oozing with abstract, disturbing imagery, DEADLINE also benefits from able performers and edgy directorial flourishes. These refinements, conjoint with a conceptually alluring premise, catapult this film above and beyond most horror menu side-orders. As an extra bonus, the legendary new-wave band ROUGH TRADE makes a welcome appearance, just as they were charting with the single HIGH SCHOOL CONFIDENTIAL.

7/10...definitely worthy of a rental, if not a purchase.

Between an unfaithful wife, children who will not leave him alone and a producer who keeps reminding him of impending deadlines, penning a new script proves challenging for an esteemed horror screenwriter in this Canadian oddity. The editing design takes a bit of getting to used to with the film every so often cutting away from the on-screen action to horror episodes ranging from a blood shower to a woman burned by her grandchildren to an evil goat. As the movie progresses though, it becomes clear that these cutaways are reflective of his thought process and how he is constantly haunted by the things that he has written about, especially at a university conference where students tell him off for "peddling degenerate stuff". This leads to some fascinating discussions as the writer claims that horror is "a way of identifying with things that we might otherwise never identify with". Intriguing as 'Deadline' might sound, it is not the easiest film to warm to, unusual editing aside. None of the characters are particularly sympathetic, especially not the arrogant lead actress in his most recent film and his selfish wife; he is not exactly a model parent either though, and it is at times hard to care what happens to him. The film is, however, quite encapsulating when focused on the horror ideas that haunt him, and what happens to his daughter late in the piece injects much food for thought.

Entertaining horror movie that offers gore, and a little hypocritical criticism of gore. Pretty well done.

A mass-market horror novelist who also adapts all his works for films is having trouble on the set of his latest film, as well as writing the next book or screenplay he's contractually obligated to do. His wife and three kids are neglected, and he is abusive to her when they are together.

When he lectures at the university he used to teach literature at, several of the students in the audience criticize his works. He's reminded of what he used to teach, and what he'd said to the director he works with when he first got into films: that once they were successful, they'd do something different. He thinks he's ready to write something different, but the director wants to stick with stuff he feels will sell.

Scenes from the above storyline are intercut with scenes from either the author's movies, or ideas he has for movies. Movies are also shown within the movie, as when part of one of his films is screened for the students, and he shows another at a party. They're pretty bloody for the most part!

The pressure of having to come up with a new work, trouble with his family, and a horrific event that happens within his family take him to the breaking point.

Horror movies that reference their own genre have been more prevalent lately, but it seems they come attached with a certain degree of mordant comedy, signifying that the directors probably aren't completely convinced of their own convictions. But that's not really a problem with this film. DEADLINE is a horror picture that begins like any typical slasher film would, but later becomes more laid back in an effort to reflect on itself from an idealistic point of view. The film chiefly appears to be another examination of the effects of graphic violence in cinema on its viewers, particularly child viewers. The narrative framework for all this is built upon the story of a horror movie screenwriter whose life begins to disintegrate when he begins writing for more violent and more lowbrow productions than he'd prefer. As to be expected, it eventually leads to a collapse of his sanity.

I liked the film for its first two-thirds because director Azzapardi was trying to do something different and even attempting a resonant observation or two along the way. But like so many of these self-referential type films, it paints itself into a corner in the end to where it doesn't really have an ending. It rather just trails off in the final minutes, not knowing how to tie its various story threads. Nonetheless, its worth a look since much of it does hold some promise, at least before the third act.

What a curious and weird Canadian production this turned out to be. About a horror screenwriter on a slow descent into depravity while trying to come up with his next screenplay, all this under pressure of his producer. There isn't much of a story present to carry the film, but other things manage to do this. First off, there are plenty of scenes portraying the kind of fiction our writer writes about. We're talking some graphic scenes of gore & bloodshed here, so be prepared for that. Then it seems this film tries to raise some issues about these topics. Like why write about such extremities? Like a producer that's only interested in having his screenwriter deliver what sells: sex & violence. Soon our writer can't get another coherent scene on paper anymore, and his mind starts deteriorating accordingly. His cynical wife isn't of much help. He starts having violent outbursts. His kids get scared. Then comes alcohol, drugs, women. Not sure what to think of this film, as it all seems so pointless in the end. But it was, uhm, an interesting watch.