Conan der Barbar

Before CGI allowed filmmakers to cheaply create any fantasy world they can think of fantasy films had to rely on real locations, practical effects, and deep imagination to bring those worlds to life before the camera rather than in post-production. It may not be bestowed with Oscars, but Conan The Barbarian is just as classy as Ben Hur and more brutal than Gladiator.

In an almost wordless set-up, a young Conan is orphaned by the androgynous warlord Thulsa Doom (James Earl Jones) and dragged off to some kind of weird labor camp where children are exploited and punished, kinda like a primitive version of Disneyland Paris. Years go by and Conan grows up into a huge, bloated and bulging muscle-bound killing machine.

At this point, he is used as a money-making tool by his captors, who set up death matches with other killing machines. Soon, he becomes the most honored fighter in the land, so his captors set him free as he can win no more tournaments. In the opening act alone we see him transition from innocent child, to orphan, slave, gladiator, warrior, adventurer, and thief.

He has a hard time surviving on his own until he finds a special sword, makes a new best friend in Subotai (Gerry Lopez) and finds a girlfriend in Valeria (Sandahl Bergman). Together, they live the high life of barbarians, mainly involving robbing, grunting, and clubbing people. All goes well until Conan makes it his personal quest to go after Thulsa Doom for revenge.

James Earl Jones appears threatening, even though he doesn't even look like the kind of guy who would say boo to a goose. Imagine Oprah Winfrey in Hells Angels biker gear and you'll have an accurate description of Thulsa Doom. He's not a totally formidable foe for Conan in the larger-than-life sense, but psychologically he's a scary dude.

Schwarzenegger does a great job. There really is only one person in the world who could play Conan, as sympathetic and brutal as he is, and Arnie definitely pulls it off, in this, his first major starring role. Of course, there is not much acting going on - he says only five words to Valeria in the whole movie - but it's all about physical presence, rather than thespianism. Most of the dialogue is unspoken. Conan was brought up to be a killing machine, but he learns humanity through feeling his own mortality.

Producer Dino De Laurentiis, a veteran movie-maker, brought a whole load of money to give Conan a massive scale. John Milius stages some h-u-g-e scenes, with excellent production values, and his cinematographer Duke Callaghan uses widescreen framing brilliantly. The gore and violence is on a par with Paul Verhoeven and is so frequent that after a while it becomes almost comical. Basil Poledouris, who wrote wonderful music for RoboCop and many others, creates a truly majestic score that is absolutely spellbinding.

As a tribute to Robert E. Howard's pulp hero, as a stand-alone movie, as an Arnie vehicle and cult picture, Conan is now almost a classic. Sure, there are faults, but you'll be too damn entertained to care.

It took a long time for Robert E Howard's wonderful creation to make it to the big screen,and the result is something of a mixture.Some of Conan is very impressive,with the atmosphere of Howard's writing perfectly captured on screen,but some of the film is badly misjudged,with daft moments,botched action,and an uneven performance from schwarzenneger.He looks the part but in some scenes comes across as a muscle bound buffoon.Something the literary hero definitely wasn't.The story is ok,apart from having Conan spend half his life chained to the wheel of pain!But it's a dissapointing script,considering greats Milius and Oliver Stone wrote it.There are some excellent sequences in the film though,that are beautifully photographed.The opening attack on conans village is impressive,and Conans encounter with a weird witch is pretty good.But best of all is the orgy sequence,where the action,sets,and music blend together perfectly.It's like a Frank Frazetta painting come to life!The climactic battle of the mounds is ok,but it's all over far to quickly.The film does look good with some gorgeous photography,and set design.Best of all though,is the music by Basil Poledouris.This is an absolutely stunning score,that really captures the savage world of Conan.I'll stick my neck out and say that it's the best film soundtrack ever composed!General Cromwell,over and out.

This is one of my top-ten favorite movies of all time. It's quite easy to dismiss this film based on its genre (barbarian slash-em-up) and the limited acting ability of the star (Schwarzenegger), but Conan is nothing short of a masterpiece.

Ok, the story is fairly standard, and the principal actors (Schwarzenegger, Sandahl Bergman & Gerry Lopez) are competent but not outstanding. There are a few brief but memorable performances from James Earl Jones and Max von Sydow that help lend weight to the film, but the real stars are Poledouris' score and the cinematography. I have never seen a more beautifully-shot film in my life. The costumes, props and art direction are all top-notch. They could take all of the dialog out of the movie, and just have the music and pictures and it would still be worth watching.

To fully appreciate Conan, though, you have to watch it and then watch another barbarian-type film from any era (Beastmaster, Krull, etc.) and the difference will be stunning.

Arnie in the lead role. James Earl Jones as the villain. Clear effort and care, that shows, in every department. Really, what more could you ask of this film? I have not read any of Howard's stories, so all I know about Conan is how many times the character has been done, and of course what this film told me. Be forewarned, there is some sexuality(not many places, but when it's there, it can be strong), a lot of violence, and a seemingly endless stream of death throughout this, and you should only watch this if you are prepared for(and able to tolerate) such. The plot is quite good, and I understand it does incorporate several elements and occurrences from the original stories by Howard(R.I.P.). The pacing is pretty much flawless, I was never bored. The action is well-done, intense and with great choreography. Acting is spot-on, more or less. Jones is a more intimidating presence elsewhere, but he's not bad at all. Schwarzenegger does rather well. Production values are of notably high quality for the entire feature. No expense seems spared. Vast sets and locations, detailed costumes and props, countless extras. Special effects are magnificent, and not just for the time it was made. Sound is reasonable, a lot of lines seem ADR'ed, but the music is masterful. Dialog varies, but most of it is marvelous, both writing and delivery. Cinematography and editing are top-notch. This builds atmosphere skillfully, and the amount of dialog and where it occurs is chosen with care. I would advise against reading the Trivia entries, or at least all of them, before the viewing, as they do give some things away. I recommend this to any fan of the genre, Arnie, and possibly Jones and/or Sydow, as well. 7/10

In an age of Xena-esque fantasy adventure films (al la the tepid Scorpion King) It is startling to go back and see just how good this movie still is. "Conan" is not for the faint of heart, and not just for gore - there are far more bloody movies out there - but for the uncompromising warrior-ethos John Milius infused into his vision. There is nothing PC about this fantasy world. When he is asked "what is best in life?" Conan paraphrases Genghis Khan: "Crush your enemies, see them driven before you, and hear the lamentations of their women!" We are not led to believe he is kidding. It is true that Arnold is no great actor, but it is also true he has always stuck with parts he can handle, and he does a fine job as Conan, but the real star here is the director. John Milius is one of the greats, totally unappreciated in his time, and his sweeping scope and epic, gritty battle sequences add a dimension lacking from almost every other S&S film. There is a grim aura of doom pervading the movie that fits the original Howard stories to a T, and I think Robert E Howard would have really liked this movie. James Earl Jones gives a killer performance as the evil Thulsa Doom, rivalling Darth Vader himself. A last point in this film's favor is the score. Basil Poledouris turned out his best score ever for this film: Brooding, powerful and operatic, it lends the film a grandeur Hercules could only dream of. I must have seen this film 40 times and I still never get tired of it.