Eine schöne Bescherung

I saw this movie in the 1980s on German TV (in English). Fortunately, I taped it, because I never saw it again -- until 2006 on the MGM cable channel (and now I recorded it on DVD!). In the meantime, I wrote a thesis that dealt, among other things, with integration and denial issues (compare it to Woody Allen's "Zelig", for example!), and I found more quotable poignant and funny lines in this movie than in any other. On top of it, it has all those minor jokes that you probably won't catch the first time around and that make a comedy great. This movie is extremely funny, well written and has great actors, who should really be proud of it. The only thing that surprises me is that with all those big names attached the movie is so frequently overlooked and almost forgotten. If you haven't seen it and get a chance to, by all means, watch it and spread the word. By the way: I won't claim I saw Denzel's potential back then, but when I look back at this movie now, in hindsight, you can detect an Oscar winner in the making. Why didn't I give ten points? Well, I have to admit that the movie tapers off a bit at the end. If it had started more slowly, it would be OK, but the first half is just one funny line after another, and it just doesn't keep up its pace. And maybe the end is too unrealistic -- but then again, what do you expect from comedy? For me, it still works because it has a lot to say, and it does so in a brilliant way.

One part "Fire Sale" ( White family adopting Black child ), one part "Guess Who's Coming to Dinner?" ( the culture clash surprise ), one part "Life Stinks" ( the reality of life on the streets ), and you pretty much have "Carbon Copy". The movie can stand on it's own however, because George Segal and Denzel Washington compliment each other nicely as mismatched Father and Son. There are a number of laugh out loud moments, and some social lessons too. If you go in not expecting too much in the way of logic, you will not be disappointed. I think George Segal is very underrated as a comedy actor. Just take a look at "Where's Poppa?" if you disagree. - MERK

This was the first time I had seen Denzel Washington and our family really enjoyed the movie. We are a Black family, so the White dad buying into the stereotypes about Black people struck us as quite amusing and he deserved his comeuppance for his sorry thinking. The movie was funny and also touching. True, there was a lack of depth in some of the acting, but not all movies that are made contain a great amount of depth. For the most part, if you want to watch a movie that won't assault your eyes or ears, yet entertain you with some true and humorous depiction of slices of life, this is a good one to check out. I've been a Denzel fan ever since I saw "Carbon Copy" and it is a part of my "favorites" collection.

Talk about an undiscovered gem. I never knew this film existed. Denzel Washington's first film role. You could see the potential for greatness even then. Yes, I know that is easy to say now, but I really mean it. Even in this small role, he was great.

My personal connection to this film aside, it really hit home the problem in this country. The divide is so great that only the election of Obama will begin to heal it. We still have the separate communities displayed here, and we still have the separate attitudes. George Segal really did a good job in displaying the angst of the two worlds that divide us.

Most of the credit has to go to Oscar-winner Stanley Shapiro, for writing and producing this film. He used humor very creatively to spotlight a real problem that has plagued us for many many years.

Before watching this, I feared I was in for some cringy, eye rolling moments. Not as many racial slurs as I'd thought, plus two great actors (Denzel Washington and George Segal) starring in this. I was thrilled that I was about to witness Denzel's film debut, and I'd hoped it wasn't as offensive as I'd imagined. I mean, for young Denzel to be in such a film? I had expected something... better.

There were a few poignant moments between father and son. At the heart of this 80s film, it became more of a son trying to connect with the father he never knew, and they made some discoveries. In the end though, it's all about what the white person learns about other people. I understand who this film is aimed at, which is common. Still, it was better than I realized. It looked for something redeeming and the moments at the prison had Denzel's Roger give a good moment. It was good that George's. Walter gained insight too: loved that. I won't get into the awful supporting characters (I've met too many people in real life like that), but overall, I'd challenge people to find some worthy moments in this. At least it's not "Soul Man"!