Ein ehemaliger Sommerlagerverwalter lauert in einem Sommerlager im Hinterland von New York, das darauf aus ist, die Jugendlichen zu töten, die für seine Entstellung verantwortlich sind.Ein ehemaliger Sommerlagerverwalter lauert in einem Sommerlager im Hinterland von New York, das darauf aus ist, die Jugendlichen zu töten, die für seine Entstellung verantwortlich sind.Ein ehemaliger Sommerlagerverwalter lauert in einem Sommerlager im Hinterland von New York, das darauf aus ist, die Jugendlichen zu töten, die für seine Entstellung verantwortlich sind.
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The storyline: a janitor at a summer camp is the victim of a fiery prank and returns years later to exact revenge on teens at a summer camp across the lake from his old stomping grounds. OK, not so original...in fact, you might say that it reminds you of FRIDAY THE 13TH, right? Duh, by now, you should know that this is an F13 rip-off. But here's the great part: this movie is not only gorier than F13, it is better acted, better paced, and has better characters. Three of them are played by future stars Jason Alexander, Holly Hunter (with no lines! Ha!), and Fisher Stevens! Alexander even has hair, but he plays the typical fat guy jokester. He doesn't get butchered, though.
Tom Savini supposedly turned down F13 PART 2 to do the special effects for this film. It's pretty good that he did this since the effects are part of the appeal of THE BURNING. The highlight of the film: the dispatching of an entire group of kids on a raft using giant shears! Truly amazing!
THE BURNING was severely cut by the MPAA and international censors as well. It has yet to turn up legally uncut in the US (other than a brief uncut video release) and it is aching for a DVD release by Anchor Bay! Until then, try to find a copy at your mom-and-pop store. You will not be disappointed!
The caretaker of a summer camp is burned alive and left deformed after a prank goes wrong. Years later, he's released from the hospital and returns to the area where the accident occurred. A new group of campers have arrived for the summer and he has horrific plans for them. Hedge clippers in hand, the caretaker begins his reign of terror on the counselors and attendees.
"The Burning" has the raunchy toilet humor of "Meatballs" mixed with everything you came to expect from slasher films like "Friday the 13th" and "Sleepaway Camp." You have nice girls making bad decisions by hooking up with bad guys. Unfortunately, the killer sees all and punishes them for their perverse deeds.
I always thought the killer in "Friday the 13th, Part V: A New Beginning" was the first to utilize hedge clippers. I was very wrong, as you can see in "The Burning." It's obvious the psycho in "A New Beginning" took inspiration from the crazy caretaker.
It's unbelievable how many big names are attached to "The Burning." Harvey Weinstein created and co-wrote the story. Bob Weinstein co-wrote the screenplay. Special Make-up Artist Tom Savini returns to camp for a second time after his classic work on "Friday the 13th." His handiwork keeps the blood flowing efficiently.
Brian Backer plays a character more annoying than the one he did in "Fast Times at Ridgemont High." Jason Alexander (yes, George Costanza) portrays a sporty and popular high schooler. He has a full head of hair and doesn't wear glasses. Holly Hunter can be seen briefly as a camper. She looks like she was maybe 13 years old.
"The Burning" is another one of those cult classics many people forget about in the shadow of "Friday the 13th." If you're a fan of 1980s slasher movies, it's a must-own.
Aspect ratio: 1.85:1
Sound format: Mono
An abusive caretaker at a lonely summer camp is disfigured by fire during a prank which goes horribly wrong. Five years later, he returns to the area to take revenge against one of his former persecutors (now a camp counsellor) and the kids in his charge.
Makeup artist Tom Savini rejected an opportunity to work on "Friday the 13th Part 2" (1981) in order to create effects for Tony Maylam's THE BURNING, yet another in the assembly line of low-budget horror movies which emerged in the wake of HALLOWEEN (1978). Savini warned the film's producers - including a fledgling Harvey Weinstein! - that the script for THE BURNING shared uncomfortable similarities with the "Friday" sequel, though fans may have been too dazzled by the gruesome set-pieces to either notice or care. In truth, THE BURNING shares only a handful of superficial details with "Friday 2", including a late night campfire episode in which the villain is dismissed as an urban legend, culminating in a false 'scare' which today's audiences will probably see coming a mile off. Despite a couple of groan-inducing incidentals ("Oh, I forgot my vitamins - I'll have to go back to my cabin through the dark, creepy woods!"), the narrative develops organically from one scene to the next, and characters react believably to the escalating situation. Unfortunately, the climax - set mostly within an abandoned mineshaft - is staged and executed with little flair or suspense, and amounts to something of a major disappointment.
Of course, the main point of interest - besides seeing some familiar faces in early roles, including Jason Alexander (TV's "Seinfeld"), Fisher Stevens (SHORT CIRCUIT) and an unrecognisable Holly Hunter - is Savini's horrific makeup effects: Victims are slashed, stabbed, punctured and poked in graphic detail, and blood flows copiously from some horribly convincing wounds. Indeed, the film reaches a crescendo of horror during a notorious sequence involving an 'abandoned' canoe (I'll say no more), one of the most vicious set-pieces of the 1980's 'slasher' cycle. Briskly paced, and scored with a series of electronic doodles by no less than Rick Wakeman (!), THE BURNING may seem awfully simplistic to modern viewers, but it delivers the gory goods in no uncertain terms. The movie was censored for an R-rating, but the uncut version has since been released on home video.
Prank leaves camp caretaker horribly disfigured and ready for some harsh vengeance. Enter a band of teenagers and a sharp pair of garden shears...
While admittedly The Burning isn't the most well-written horror movie of the period, it's definitely one that delivers great atmosphere and suspense. Even better for genre fans, it boasts the spectacular gore FX from master makeup artist Tom Savini. The FX in this film are highly bloody, especially during the infamous 'raft' scene. This, along with a spirited cast, nice wilderness locations, and a tension-filled electronic music score makes this film a pretty well done slasher flick. Oh, also there's a good bit of nudity which helps to make it even more of a guilty pleasure for slasher fans.
Cast-wise the movie holds its own too. Brian Matthews makes for an OK leading man, but it's really the supporting cast that highlights here. Young Jason Alexander and Fisher Stevens both make their film debuts here (along with a passing Holly Hunter) and prove to be likable goofs. Also good is Larry Joshua as the beefy camp bully.
So slasher fans, The Burning is one flick that's not to be missed. Be sure to find an uncut version of it though.
*** out of ****
Wusstest du schon
- WissenswertesThe concept of the film (originally scripted as "The Cropsy Maniac") is based on a campfire story told at summer camps in and around New Jersey and upstate New York. The story is still in circulation and is also the basis for the documentary Cropsey (2009), though this film is not referenced in the documentary.
- PatzerWhen Cropsy is set on fire at the beginning of the film, it is possible to see his crash helmet.
- Zitate
[last lines]
Camp Counselor: They never found his body, but they say his spirit lives in the forest. This forest. A maniac, a thing no longer human. They say he lives on whatever he can catch. Eats them raw, alive maybe. And every year he picks on a summer camp and seeks his revenge for the terrible things those kids did to him. Every year he kills. Right now he's out there. Watching. Waiting. So don't look; he'll see you. Don't breathe; he'll hear you. Don't move; you're dead!
- Alternative VersionenThe version of the film shown on the MonstersHD channel (August 2006) is completely uncut. However the added bonus for this version is that they showed the film in its proper widescreen format. The film has never been issued in a widescreen format at all (short of its theatrical run) previously to this.
Top-Auswahl
Details
Box Office
- Budget
- 1.500.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 315 $