Der Führerbunker

This is the true story of the infamous Nazi dictator with his historic downfall. The story of Hitler's last days in an underground bunker gives insight to his madness. Here in the midst of his lackeys the dictator played out the final act of his life . It's well played by Anthony Hopkins who won an Emmy prize for his excellent acting. Atmospheric cinematography and gloomy musical score by Brad Fievel. This television movie is finely written by prestigious scriptwriter John Gay and stunningly directed by George Schaeffer. Other adaptation about this historical character are : ¨Hitler(1962)¨ by Stuart Heisler with Richard Basehart, ¨Hitler : The last days(1973)¨ by Ennio De Concini with Alec Guinness and the best is ¨The Downfall¨ by Oliver Hischbiegel with Bruno Ganz.

The picture is correctly based on real events, adding more details , the deeds happened of the following manner : ¨Fuehererbunker¨(Leader's Bunker)is the subterranean headquarter below the Chancellery and its garden in Berlin where Hitler (Anthony Hopkins) spent his last days, from April 20 to 30, 1945. It was constructed during WW2 some 50 feet below the ground. It could be reached through the New Chancellery by descending a stairway from the butler's pantry. There were two levels, On the upper level was a dining passage separating six rooms on each side. At the end of the central passage a curved stair led down to Hitler's own deeper bunker. This area had seventeen rooms , all small, cramped , and uncomfortable : Hitler's suite of three rooms, a map room used for conferences, the dressing room and bedroom of Eva Braun(Susan Blakely), the bedroom of Dr Paul Joseph Goebbles(Cliff Gorman) and wife(Piper Laurie),the rooms of Dr Ludwig, lavatories and bathrooms, an emergency telephone exchange, a drawing room, guardroom, cloakroom and a dog bunker for Hitler's Alsatian bitch named Blondi, with her four puppies. Hitler spent hours before giant war maps, shifting colored pins about to locate units that no longer existed. By this time he was in a state of extreme nervous exhaustion : although only fifty-six, he moved as if he were prematurely senile. His health grew even worse the ministrations of his doctors(Frank Gatliff, Morris Perry). With the exception of Goebbles and Martin Bormann(Michael Londsdale), his secretaries and several others, his lieutenants began to desert him. He denounced Herrmann Goering(David King)for trying to usurp his leadership and Heimrich Himmler (Michael Sheard) for seeking to negotiate with the count Bernadotte and Allied. Albert Speer (Richard Jordan) his minister of Armaments and War Production , refused to carry out his orders for a scorched-earth policy. At last acknowledge defeat, the Fuehrer decided to leave the world in a gesture of Wagnerian self-immolation. In the early hours of April 29, 1945, he married Eva and immediately afterward dictated his last will and political testament, in which he justified his life and work. The next day he retreated into his suite and shot himself while Eva took poison to end her life. In accordance with his instructions, the bodies were dumped into a trough in the Chencellery garden,doused with gasoline and burned. From April 22 to May 1, 1945 , the following were present in the Bunker: Gen Keitel(John Paul), Gen. Hans Guderian(Brain Villa) , Col.Von Below(Julian fellows), Gen. Alfred Jodl(Steedman) , Major Gen. Rattenhuber(David Swift), Lieutenant Genen Fegelein (Terrence Hardiman), Dr. Ludwig Stumpfegger , among others.

A tour de force performance by Hopkins manages to propel this sometimes slow-moving docudrama. The supporting performances, especially by Piper Laurie and Richard Jordan, also drive this intensely psychological take on the last days of the Third Reich. One criticism though: is a German accent really that difficult for professional actors to mimic?

What a cast. And what a splendid job they all do in this description of Hitler's last days in the fortified bunker far beneath the Chancellery as World War II was closing in all around the Führer and the remains of his staff. And not one of the actors tries to fake a German accent.

Anthony Hopkins gives the finest portrayal of a living dead man that I've seen. There have been numerous other version, documentary and fictionalized, and some are fine productions but they don't achieve parity. Alec Guiness, for instance, gave us a Hitler who was annoyed by the disintegration of his armies and his plans, an exasperated leader who acts as if the automobile he's just bought is a lemon and not covered by a warantee. Luther Adler showed us a bitter madman. But Hopkins is modulated, quiet, quietly disturbed, his right hand trembling after the attempt on his life the year before. Hopkins' Hitler can no longer raise his injured right arm high enough to give the full salute. It's a stunningly precise and believable portrait. Suspicious, but not a raging paranoid. And under stress he lets loose a startling hiss. It's not surprising that Hopkins does such a good job in the role. He was my co-star in the superior "Road to Wellville" and I gave him a few pointers that helped him over the rough spots. He seemed put out when I charged him ten cents for the tutoring.

The central conflict here is between Hopkins and Albert Speer, his Minister of Arms and War Production. Speer was a brilliant architect and industrialist, a relatively young handsome officer played here by Richard Jordan. Hitler was fond of Speer, considering both of them -- the architect and the erstwhile painter -- to be artists. But now Hitler has issued orders that all of Germany be destroyed before the Allies get to Berlin. Speer objects. Hitler is adamant. Speer develops a plan to introduce poison gas into the vent that supplies air to the underground bunker, which will kill everyone inside, including Hitler. But after the last assassination attempt, Hitler has become double wary and self protective. The plan is dropped and Speer remarks that he'll not try another because "I think I only had one in me." Speer decides instead to agree to the destruction of Germany but will prevent it by bureaucratic stalling and by wrapping the process in red tape.

There are scenes between Hopkins and Jordan that are truly touching. Speer was perhaps Hitler's favorite among his staff. "My good architect; my GENIUS architect." Now Speer is telling him frankly that the war is lost. Well, nobody else is telling der Fürher that the war is lost. They know better, because the penalty for acting on that belief is death. But Hopkins BEGS Jordan for some sign of faith. Okay, Jordan believes the war is lost. But does he have faith in ME? Does he at least have HOPE? "Even THAT would satisfy me." Jordan is desolate and Hopkins is near tears as he implores his friend to give some positive response. It's like watching the tragic breakup of a love affair or a marriage. It seems impossible but Hopkins brings humanity to the most inhumane human being of his century. I can imagine the outcries against a portrait of Hitler that isn't a stereotype.

To make matters worse, we see him flirting with Susan Blakely as his mistress, Eva Braun. But if the viewer needs the usual clichés, they're available in occasional dissolves followed by flashbacks to better times, when Hitler and Speer first met, before Germany became a sewer, before the death factories began to churn out their product. But history is inexorable. As Berlin is encircled, desperate attempts are made to get out, to avoid the vengeful Russians by surrendering to Eisenhower in the west. The atmosphere in the littered and unguarded bunker itself follows secretary Traudl Junge's description -- the men on the remaining staff dance and carouse with the women and drink themselves into a stupor. It was a big party. The party atmosphere was enhanced by the mockery of a marriage between Hitler and Eva Braun. "Do you swear that you are of pure Aryan descent and free of hereditary diseases?" It's impossible not to be moved as the end approaches and Josef Goebbels invites his staff to a farewell party. The camera lingers on the faces of his children, some barely old enough to sing the heroic song, and all of whom he and his wife Magda will shortly kill by cyanide poisoning.

There have been a number of films about Hitler's last days, both feature films and documentaries. This is one of the best. Let's hope it's also the last. Who wants to watch a long, slow suicide?

As a military historian, I've probably seen every film depicting Hitler and the last days of the Third Reich there is. Some stand out. "Inside the Third Reich" with Derek Jacobi, and "Hitler: The Last Ten Days," with Alec Guinness, to name a few. But as slow and downright melodramatic as this film is, I think that Anthony Hopkins' Hitler is right on the money, A superb acting job with a difficult role. He brings the image of an old man, difficult, palsied, volatile, confused, distant and changeable as a chameleon on an acid trip to life for the screen. It's not hard to play the classic Hitler with fits of rages and dour looks, but there is a lot more to it, and Hopkins pulls it off magnificently. He literally ages before your eyes and the gray pallor of the Bunker's stone walls seems to seep into his skin with every scene. Jordan as Speer is believable, and the somber, dirgelike music pulls out the hopelessness of the last gasp of the Nazi rat pack's future. Accurately done, but Hopkins is the real star here. But as one other user commented, is it really so hard for a Brit or an American to manage a German accent? Do all civilized Germans sound as if they had been raised in coventry? Ach du Lieber!

What went on in the last days of the Third Reich in Adolf Hitler's bunker? This tv film dares to answer that question. It is a first class work that should be shown more often. Anthony Hopkins is one of our acting icons like Olivier. He brings the same chilling conviction to the role of Adolf Hitler that he brought to Hannibal Lecter in Silence Of The Lambs. He portrays Hitler as a drug addicted shell of a man who was once invincible and he captures him at the end when all was lost. The most frightning scene in the film is where he explodes in rage at Albert Speer when he tells him that the war is lost. Hopkins captures all of the rage and madness that was Adolf Hitler, a demon in human form. It is at this point that I wanted to tip my hat to another fine thespian, Susan Blakely, she plays Eva Braun. She gives a wonderful performance as well. She is a first class actress who has never given a bad performance in anything that she has done and who has never been given the credit due her. They talk in this film about how Albert Speer tried to assassinate Hitler in the final days of the Third Reich. This is a blatant whitewash. Speer was lucky to escape with his life at the Nuremburg trial, he got off with twenty years. People called him "the Nazi who said he was sorry". That is all BS!!!!Speer willingly served Hitler for years! He knew of the concentration camps and approved of it. He was in on it from the very beginning and the son of a bitch should have ended his life with a hangman's noose around his neck! There was a writer who wrote a book about Speer called Albert Speer The Whole Story and I highly recommend it.