Beatlemania

I was actually in this movie! Yay! My ONLY appearance in a movie was unfortunately in this turkey. And yes Christina Applegate was sitting two rows down from me...although no one had any idea who she was at that time, other than a cute little kid. My wife and I had seen Beatlemainia, the stage show, several times and went to the DC pavilion that night to see it again...AND be in the movie. It cost $6 for admission and everyone was sorted to different parts of the theater as they came in. It seemed to be an effort to get the more attractive of the those wanting to be in the movie in the front seats. We got picked to sit only 3 rows from the front, so you can see us several times throughout the film. The rest was essentially boring crap. "Everybody laugh"..."everybody scream and cheer"..."OK, be quiet for a while"... Kinda neat to see how they make a movie and actually be "directed". But other than that, anyone could tell this was NOT going to be a classic. It seemed VERY silly then and it still does. I mean why put something like an impersonation up on the screen when the camera will tell you instantly that it isn't the original? Anyway the music was good and for a treat the director let the group do part of their real show after the filming. Fun night...silly film. See it! See ME!...hahahaha

My review was written after a July 1981 screening at Radio City Music Hall.

Edie and Ely Landau's filmization of the Broadway production "Beatlemania" is a low-budget, mildly diverting recall of the Beatles as a performing group and the '60s era in which they thrived. Pic lends itself to hoopla which should bring out the audience that liked the Winter Garden stage show, but beyond this it faces a tough sell as youthful fans have not supported performance films of late, preferring to attend live concerts.

Bookended by disclaimers which disassociate the film from the actual Beatles, picture is divided into eight segments, chronologically running through 30 Lennon-McCartney songs. Footage is divided between a film of a stage performance at the Long Beach Convention Center and lots of stock footage (simulating the use of back projections during the stage offering of protest marches, Vietnam war and personages of the '60s.

A small amount of live action (a dance number, comedy orchestra conductor, slow-motion tumblers), is also inserted to get away from just showing the Beatles imitators constantly. A headline crawl superimposed at the top of the screen alternates serious and silly topical events of the '60s.

Though the stock footage is an interesting recall of serious issues (and some fads) of the '60s, its juxtaposition with the music is often heavy-handed. Elaine May and Mike Nichols speak at a Selma-to-Montgomery, Alabama civil rights march, cuing shots of police violence against marchers while the lovely ballad "If I Fell" plays, an unfortunate choice.

Highlights of the pic are: "Got to Get You into My Life", played beautifully by the quartet with no cutaways or dissolves to distracting non-concert visuals, and "Magical Mystery Tour" played agaisnt hypnotic animated patterns. Absence of special visual effects hurts most of the psychedelic era material. "Lucy in the Sky with Diamonds" features Marvel Comics characters in still photos which cry out to be animated but are not.

The four carbons play Beatles music very well, with Mitch Weissman (encoring from the Broadway show) as Paul McCartney and David Leon as John Lennon looking amazingly like the real personages and simulating their stage personalities effectively. Ralph Castelli's version of Ringo Starr is okay while Tom Teeley does not resemble George Harrison physically until acquiring facial hair later in the film and he is given no song solos in the picture (unlike the stage show give gave the Harrison lookalike a couple of spots). Deafening crowd reactions are included on the Dolby stereo soundtrack in an attempt to generate "live' excitement.

The death of John Lennon is never referred to in the picture, since his fate and that of the other Beatles is irrelevant to the enterprise, No visual image of the actual Beatles is shown during the film and even Castelli's drum set bears the logo "Beatlemania" rather than "Beatles".

Since plenty of Beales footage exists on film, including the documentary "Let It Be", it is uncertain whether picture fans will want to see an imitation rather than the real thing. Tech credits are okay.

At a then phenomenal 1,000+ performances (mostly at the Winter Garden Theatre with five final months at the Lunt-Fontanne and another two at the Palace - it moved to make way for the also filmed ZOOT SUIT and successful revivals of PETER PAN with Sandy Duncan and OKLAHOMA! respectively) from May 26, 1977 to October 17, 1979, BEATLEMANIA was the fore-runner of a number of so-called "jukebox musicals" and remains, to date, the most successful of the stage shows seeking to translate the Beatles' musical canon to the stage.

Conceived and co-produced by famed Broadway lighting designer Jules Fisher (who got another Tony nomination for lighting the show), BEATLEMANIA (some felt cynically, but undeniably successfully) offered four Beatles look-alikes doing a multi-media concert that covered each of the periods of the Beatles careers with artful projections putting the music in the context of the time the music was introduced.

For the film (recorded during the post-Broadway tour in slightly reduced form - the two hour show was cut down, according to the 1981 U.S.A. Home Video VHS and Beta video release, to a mere 95 minutes - though that may have included the previews of something called "DAZZLE DANCING", BUDDY HACKETT LIVE AND UNCENSORED and THE MARTIAN CHRONICLES which were also on the tape), Fisher's atmospheric stage projections took center stage (moved from the areas around the band and on a sheer screen in front of it during scene and costume changes to fill the movie screen - too often for maximum effect) and almost threaten to overwhelm the generally effective concert.

One of the genius things about the show as produced was that it acknowledged that the stars performing were merely Beatles imitators, so while undeniably talented, they were basically replaceable and the cast filmed (Mitch Weissman, Ralph Castelli, David Leon and Tom Teeley) was not the cast which opened the show at the Winter Garden (Randy Clark, P.M. Howard, Reed Kailing and Bobby Taylor). Few noticed. The Internet Broadway Database, ibdb, which usually tracks cast replacements carefully, did not track the shifting musicians on this effort, so it's hard to tell if any of the film cast actually played in BEATLEMANIA during the Broadway run.

At least the basic physical production, costumes and staging remained the same and the film - even in its abbreviated form - gives us an excellent document of what a supremely successful (if hybrid) Broadway revue looked and sounded like in the late 1970's.

The film was not (and is not) as successful on screen as it was in the theatre - neither, truth be told, was the Woodstock experience in its very successful film - but it remains very enjoyable for what it is. Movie-movie fans may not find much to attract them here, but Beatles fans and even those who merely want a piece of nostalgia for the music of their youth (if that youth was in the 1960's) will find much to enjoy in this concert film.

It's a long way from BEATLEMANIA to a multi-band documentary like WOODSTOCK or the current Tony winning Broadway smash JERSEY BOYS (based on the careers of Frankie Vallie and the Four Seasons), but all three trade on the same desire to relive a popular live band experience - with bands that made their mark and left. We should be very glad that at least BEATLEMANIA and WOODSTOCK were preserved for posterity to enjoy for what they are.

Not the film I was expecting, sure. I'm been hypothesizing about watching this film for years. If you'll love Beatle songs, and 4 actors, unknowns, who sound just like em', with varying of look of familiarity to George, Paul, Ringo and John, this film will go down well. Though it's far from a masterpiece, we go back in that time machine, and relive the 60's again. with Beatle songs, fitting scenes of old footage, 2 clips involving a bit of blood. The subtle mischievous comedy angle here, has televised messages of incidents, events, moving across the top of the screen, where a little bit of old 60's footage, is playfully funny. Some war footage, conjures up moments in Dear America. With all this said, this movie amazingly works, and we sometimes forget, we're not actually listening to The Beatles. The music does fill our hearts with warmth and amazing feeling. If you're a dedicated Beatle lover, you can't let this past. The music and the concert footage, will fill your memory, in the days after. I tried to spot a 10 year old Kelly Bundy a couple of times, and I'm pretty sure, I caught her in one short shot.

Four lookalikes perform the songs of the Beatles. And here are the 30 songs they perform, in order:

I want to hold your hand, She loves you, Please please me, Help!, Day tripper, If I fell, Can't buy me love, Yesterday, Eleanor Rigby, We can work it out, Nowhere Man, A day in the life, Strawberry Fields forever, Penny Lane, Magical mystery tour, Lucy in the Sky with Diamonds, Michelle, Get back, The fool on the hill, Lady Madonna, Got to get you into my life, Come together, With a little help from my friends, All you need is love, Revolution, Helter skelter, Hey Jude, The long and winding road, Let it be, The End.

A good selection then, although I would have preferred a few more lesser well known ones. I understand the film was a cut down version of the play so maybe some got left on the cutting room floor. I guess it's a reasonable split between John and Paul songs. Sadly there are no George ones.

As a nitpicking Beatlemaniac I found it slightly annoying not so much that the songs are performed in the 'wrong' order but that many of them are performed in clearly the wrong 'look' for the time. A bit of crossover is acceptable, but having the guys sing If I Fell in their Magical Mystery Tour outfits feels a bit weird.

This isn't a great movie, in fact it's barely a movie at all, but it's nice to hear these songs again. It always is. But as always the ear wants it to be the originals. Oh well, I guess there are other films for that.