Zwei amerikanische College-Studenten auf einer Wanderung durch Großbritannien werden von einem Werwolf angegriffen, von dem keiner der Einheimischen zugeben wird, dass es ihn gibt.Zwei amerikanische College-Studenten auf einer Wanderung durch Großbritannien werden von einem Werwolf angegriffen, von dem keiner der Einheimischen zugeben wird, dass es ihn gibt.Zwei amerikanische College-Studenten auf einer Wanderung durch Großbritannien werden von einem Werwolf angegriffen, von dem keiner der Einheimischen zugeben wird, dass es ihn gibt.
- 1 Oscar gewonnen
- 3 Gewinne & 4 Nominierungen insgesamt
- Kermit the Frog
- (Archivfilmmaterial)
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After watching an American Werewolf in London for the first time I found the film to be a clever mixture of comedy and horror which succeeds in being both funny and scary, The film possesses an overriding eagerness to please that prevents it from becoming off-putting. It delivers a good share of scares and dark laughs. Some of the special effects are a little creaky now, but the snap of Landis's editing and the razor's-edge balance of horror and comedy are still fresh. The metamorphoses into the werewolf scenes are spectacular and the beast's rampage through Piccadilly Circus is marvellous. Splendid gory fun. It feels increasingly like a symbol of traveller abroad alienation-what trying to live in a place that isn't home can feel like: confusing, rageful, even physically debilitating.
In Summary: Top banana
I had the opportunity to sit down and watch writer and director John Landis' 1981 movie again here in 2022, and of course I needed no persuasion to do so, because "An American Werewolf in London" truly is a horror classic. And I find that the movie is every bit as entertaining and enjoyable as it was back in the day when watching it as a kid.
The storyline is pretty straight forward, and it is actually rather enjoyable, despite being somewhat generic. But take into consideration that this movie was made in 1981, so it was somewhat pushing boundaries back in the day.
The visual effects were great back in the day. And I will actually go as far as saying that they still hold up now 41 years later. Sure, there are signs of aging, but having just seen the movie again, I still find the special effects in the movie rather enjoyable and good. Especially the transformation scenes, they are just spectacular and very, very impressive for a movie 41 years old.
The cast in the movie is good, and I've always liked David Naughton in this movie. But the movie also have familiar faces on the cast list such as Jenny Agutter, Frank Oz and even a short appearance by Rik Mayall.
If you enjoy werewolf movies, then you should be well-familiar with "An American Werewolf in London" already, and if you are not familiar with this 1981 classic, then you should make haste and acquire a copy and sit down to watch John Landis' masterpiece.
My rating of "An American Werewolf in London" lands on a well-deserved eight out of ten stars. This is a classic werewolf movie, and it is one that can be watched over and over.
The appeal to this film is the combination of horror, suspense, action and humor. The latter actually is the key ingredient because this can become a downright scary movie. The levity here and there is welcome relief. There is just the right amount of contrast between horror and comedy.
For parents wanting to know, there also is a fair amount of rough language and there two sex scenes, one as part of the story and one "on screen" in a porn- movie theater where the two male leads meet late in the story.
Jenny Agutter is the love interest in here, a very pretty woman whom Americans audiences aren't that familiar with. It isn't just her: neither of the two leading (American) male actors in this popular movie ever became stars, either.
An entertaining but silly sequel came out almost two decades later, "An American Werewolf in Paris." I own both movies but much prefer this one.
Wusstest du schon
- WissenswertesDue to the controversial lack of recognition for Der Elefantenmensch (1980), make-up and industry technological contributions became recognized by the Academy Awards in 1981. Make-up artist Rick Baker was the first to receive an Oscar in the new category. William Tuttle was the first make-up effects artist to receive an honorary Oscar, for his work on Der mysteriöse Dr. Lao (1964). At 31, Baker was also the youngest person to win the award, a record that was later tied by Tami Lane for Die Chroniken von Narnia - Der König von Narnia (2005).
- PatzerRepeated mentions of werewolf attacks during a full moon are ignored when David undergoes his transformation on two consecutive nights. There is only one full moon during a lunar cycle. If the moon is full on a Saturday night, for example, it cannot be truly full on the next night, Sunday.
- Zitate
David: I want you to arrest me, you asshole!
Bobby in Trafalgar Square: There's no call for that kind of language.
David: Queen Elizabeth is a man! Prince Charles is a faggot! Winston Churchill was full of shit!
Bobby in Trafalgar Square: That's enough.
David: No! Let go of me!
Alex: David, please!
David: Shakespeare's French! Fuck! Shit! Cunt! Shit!
- Crazy CreditsKermit the Frog and Miss Piggy star as themselves.
- Alternative VersionenUniversal Studios re-mixed the film's monaural soundtrack to Dolby Digital 5.1 and DTS for the 20th anniversary "Collector's Edition" DVD, replacing the older sound effects and adding some new ones (see also Der weiße Hai (1975)).
- Extra thunderclap sound effects were added in the scene when David and Jack are walking in the moors and it starts to rain.
- The first werewolf can now be heard growling in the rear channels as it circles David and Jack. A louder growl has been added to the rear-left channel after Jack says "It's circling us" to make the audience jump.
- All the gunshots and car crash sound effects have been replaced.
- The train in the "London tube" scene can now be heard moving from one channel to another
- Despite already being bad enough, the entire mix is inexplicably pitched down a half-pitch and sounds very different from the original mix.
- VerbindungenEdited into Hunting (1984)
- SoundtracksBlue Moon
Music by Richard Rodgers (uncredited)
Lyrics by Lorenz Hart (uncredited)
Performed by Bobby Vinton
Courtesy of Columbia Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Un hombre lobo americano en Londres
- Drehorte
- Crickadarn, Powys, Wales, Vereinigtes Königreich(East Proctor)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 30.565.292 $
- Eröffnungswochenende in den USA und in Kanada
- 3.786.512 $
- 23. Aug. 1981
- Weltweiter Bruttoertrag
- 30.820.576 $
- Laufzeit1 Stunde 37 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1