American Werewolf

The old adage of the simplest ideas being the best is once again demonstrated in this, one of the most entertaining films of the early 80's, and almost certainly Jon Landis' best work to date. The script is light and witty, the visuals are great and the atmosphere is top class. Plus there are some great freeze-frame moments to enjoy again and again. Not forgetting, of course, the great transformation scene which still impresses to this day.

In Summary: Top banana

Interestingly enough then the 1981 horror movie "An American Werewolf in London" still is one of the most iconic werewolf movies out there and has been so for 41 years. That is some impressive feat, I have to admit that.

I had the opportunity to sit down and watch writer and director John Landis' 1981 movie again here in 2022, and of course I needed no persuasion to do so, because "An American Werewolf in London" truly is a horror classic. And I find that the movie is every bit as entertaining and enjoyable as it was back in the day when watching it as a kid.

The storyline is pretty straight forward, and it is actually rather enjoyable, despite being somewhat generic. But take into consideration that this movie was made in 1981, so it was somewhat pushing boundaries back in the day.

The visual effects were great back in the day. And I will actually go as far as saying that they still hold up now 41 years later. Sure, there are signs of aging, but having just seen the movie again, I still find the special effects in the movie rather enjoyable and good. Especially the transformation scenes, they are just spectacular and very, very impressive for a movie 41 years old.

The cast in the movie is good, and I've always liked David Naughton in this movie. But the movie also have familiar faces on the cast list such as Jenny Agutter, Frank Oz and even a short appearance by Rik Mayall.

If you enjoy werewolf movies, then you should be well-familiar with "An American Werewolf in London" already, and if you are not familiar with this 1981 classic, then you should make haste and acquire a copy and sit down to watch John Landis' masterpiece.

My rating of "An American Werewolf in London" lands on a well-deserved eight out of ten stars. This is a classic werewolf movie, and it is one that can be watched over and over.

A Film maker's film that's an homage and a refreshing take on the werewolf legend. It's scary; rich in dialogue; practical... (in a horror movie???) AND Funny!

Especially in DTS sound... It's Scary!!!

Specifically...for anyone who enjoys the old 'Universal Studios' classic renditions of the "Wolf Man" saga, this modern 'fairy tale horror' doesn't violate any traditions. If you haven't seen the old classics, not to worry;...this flick stands on its own.

The story unfolds!...And the tension begins!...slowly!

Actors Naughton and Dunne are perfectly cast as your typical college students, backpacking their way thru Europe for...well...for what ELSE!!?!! Their back & forth banter is priceless!! Their 'on screen' chemistry is, unfortunately, too short (that's kinda redeemed in the DVD commentary by both actors). And their trek across the fog laden moor ranks as one of the most frightening scenes in movie history.

But the real star of the film is director John Landis!

Along with the Cast!

And make-up artist Rick Baker.

Not since "Bud Abbott & Lou Costello Meet Frankenstein" has Comedy/Horror worked so well. The difference is: unlike "A&C Meet Frankenstein", this film is a horror story laced with a sharp and clever 'comic relief'. And Landis captures that fine line balance between horror/humor that is unprecedented.

A near definitive werewolf movie that's bloody! scary! funny! satirical! funny! intelligent! sexy! charming!...and ultimately sad!!!...(did I say funny twice?). HEY...if you ever take time to see only one werewolf movie; then...

Well...everyone's got their opinion.

But this film ranks way up their in horror. A Classic!!

With a soundtrack that's perfectly placed! And composer Elmer Bernstein perfectly placing the music.

Grab the popcorn! And Hang On!

Here's a film that never fails to entertain, year after year. It's almost a quarter of a century old but hasn't become dated and the special effects, which were astounding in its day, are still good. Director John Landis is so good at making entertaining movies. This is one of his best.

The appeal to this film is the combination of horror, suspense, action and humor. The latter actually is the key ingredient because this can become a downright scary movie. The levity here and there is welcome relief. There is just the right amount of contrast between horror and comedy.

For parents wanting to know, there also is a fair amount of rough language and there two sex scenes, one as part of the story and one "on screen" in a porn- movie theater where the two male leads meet late in the story.

Jenny Agutter is the love interest in here, a very pretty woman whom Americans audiences aren't that familiar with. It isn't just her: neither of the two leading (American) male actors in this popular movie ever became stars, either.

An entertaining but silly sequel came out almost two decades later, "An American Werewolf in Paris." I own both movies but much prefer this one.

An American Werewolf in London is a 1981 horror comedy film written and directed by John Landis. An international co-production of the United Kingdom and the United States, the film stars David Naughton, Jenny Agutter, and Griffin Dunne. The film's plot follows two American backpackers, David and Jack, who are attacked by a creature while traveling in England, causing David to question whether he will become a werewolf under the next full moon.

After watching an American Werewolf in London for the first time I found the film to be a clever mixture of comedy and horror which succeeds in being both funny and scary, The film possesses an overriding eagerness to please that prevents it from becoming off-putting. It delivers a good share of scares and dark laughs. Some of the special effects are a little creaky now, but the snap of Landis's editing and the razor's-edge balance of horror and comedy are still fresh. The metamorphoses into the werewolf scenes are spectacular and the beast's rampage through Piccadilly Circus is marvellous. Splendid gory fun. It feels increasingly like a symbol of traveller abroad alienation-what trying to live in a place that isn't home can feel like: confusing, rageful, even physically debilitating.