Falcon Crest

I love this show, i started watching it last year on soapnet and i absolutley love it, i taped every episode and i still watch it everyday. Angela, Richard and Chase when in scenes together have great chemistry. The cast is incredible, Abby Dalton as the psycho daughter of Angela and Margaret Ladd as her looney but very intelligent other daughter Emma are brilliant in their roles. Also stars Susan Sullivan, Ana Alicia, Laura Johnson. I can go on and on, i wish i watched this when i was younger but i was 3 when it started. I highly recommend watching this show.

Set in the fictional Tuscany Valley of California, Falcon Crest focused on a large family of wealthy vinyardists, who were either bickering with each other, plotting against each other, and occasionally swapping mates. Legendary film star Jane Wyman played the ambitious matriarch Angela Channing, constantly at loggerheads with her nephew Chase Gioberti (Robert Foxworth), an airline pilot (and ex-Vietnam vet) who returned to Falcon Crest to claim his inheritance following his father's mysterious death. Others in the FC's large cast included Chase's long-suffering wife Maggie (Susan Sullivan), their children Cole (Billy Moses) and Vickie (Jamie Rose, Dana Sparks); Angela's children Emma (Margaret Ladd) and Julia (Abby Dalton), Abby's irresponsible son Lance (Lorenzo Lamas), who married the conniving Melissa (Ana-Alicia), when she was pregnant with Cole's child. A solid soap during its first season, FC got a major boast with the arrival of nefarious Richard Channing (David Selby), who turned out to be related to the Giobertis and would stop at nothing to get his share of Falcon Crest. The first 5-6 seasons of Falcon Crest remain among the best television has ever offered, with terrific acting, strong storylines, suspenseful and unforgettable cliffhangers, and a wonderfully dry wit. Currently, SoapNet runs episodes 3 times daily, Mon-Fri; try to see it if you can, Falcon Crest is an absolute must.

I got hooked on this show after the first few years had passed. These nighttime soap operas were known for their season-ending cliffhangers and this one was no exception. The best seasons of the series were 1986-1989, when they experimented with a faster-paced style of storytelling that was quite smart and exciting. This had by far the best sense of humor of all the soaps and featured excellent acting from Jane Wyman, Ana-Alicia, David Selby and Susan Sullivan (now on "Dharma and Greg") Interesting note: during many of its later years, this show's music was composed by Mark Snow, who went on to do the famous "X-Files" theme and score. I wish they still showed reruns of this show somewhere!

Initially dismissed as "Dallas with grapes" Falcon Crest was created by Earl Hamner Jr. who also created such TV series as The Waltons and Apple's Way. His more wholesome take on a night-time soap was similar to that which you might think - one that romanticizes family values (While providing an examination of complicated family interpersonal relations) and work ethic. The Northern Italian roots of his maternal grandfather was an influence upon his crafting of the backstory of Falcon Crest.

But the main inspiration for Falcon Crest was Hamner's own experience owning an unsuccessful vineyard in the Napa Valley in California in the 1970s, an unprofitable investment which nevertheless inspired him via his experiences. His own time as a struggling writer is doubtless an inspiration for Maggie Gioberti - hapless freelancer.

Beginning as a more family friendly night-time soap airing right after Dallas on CBS Angela Channing was set to be portrayed by Barbara Stanwyck reflecting her matriarchal role on The Big Valley TV series in the 1960s. Barbara Stanwyck passed on the role which was then taken on by Jane Wyman.

The original unaired pilot for the series starred Clu Gulager as Chase and Samantha Eggar as Maggie. The roles were recast and Robert Foxworth who had been approached with playing the role of J.R. on Dallas was brought in to play Chase, a very different character on what would be a different kind of prime time serial.

The series inevitably declined in its later years long after it had said what it had to say. Hastening the decline was the departure of series stars and recycling of plot-lines.

Executive producers Michael Filerman and creator Earl Hamner made the wise decision to make Robert McCullough the supervising producer and de facto show-runner by the end of the first season, and the result was three years of FALCON CREST which were near-brilliant -- a gently Gothic, slightly tongue-in-cheek entry in the DALLAS/DYNASTY era wealth-based nighttime soap genre which became so huge during the early-1980s.

Unfortunately, studio politics at Lorimar Productions resulted in a lunch-drinking executive demanding that McCullough be fired, even though the series was at its ratings peak, and FALCON CREST was never, ever the same again. Ever.

Once McCullough was gone, the show managed to maintain some momentum for a few months through most of its fourth season, but a CBS executive then demanded that the "offensive" nazi treasure plot line be dropped immediately, just ten episodes before the end of the season -- despite the fact that it was the year's main storyline. As a result, the remainder of the fourth seasons sees a bunch of side plots cobbled together and shoe-horned in just so they can finish off the year. But to me, the inertia of the program had been destroyed once and for all (even though its cushy post-DALLAS time slot kept it alive for several more years).

Season 5 was drab and cluttered. Season 6 seemed like it might be a renaissance for the show, but it turned too much towards excessive shlock by the end of that year and then Season 7 just became frenetically silly. The decision to turn the production design light and airy and '80s pastel, combined with Lorimar's new cheapy post-production process making the show look as if it had been shot on video, didn't help much either. A big ratings drop during Season 7 saw CBS demanding the show be fixed, but once they tried to get serious again for Season 8, they no longer seemed to know how to do it. And by Season 9, it just seemed like a different series entirely and ratings continued to spiral into the cellar.

Why do swollen executives think a show can make itself as long as you have a key star and a recognizable brand name title? Because it can't.

Shame, because the first three season, maybe even 3 1/2 seasons, were fabulous.