Diese in den Weinbergen Kaliforniens angesiedelte Seifenoper zur besten Sendezeit thematisierte den Konflikt innerhalb der mächtigen Familie Gioberti, den Eigentümern der riesigen Falcon Cre... Alles lesenDiese in den Weinbergen Kaliforniens angesiedelte Seifenoper zur besten Sendezeit thematisierte den Konflikt innerhalb der mächtigen Familie Gioberti, den Eigentümern der riesigen Falcon Crest Winery.Diese in den Weinbergen Kaliforniens angesiedelte Seifenoper zur besten Sendezeit thematisierte den Konflikt innerhalb der mächtigen Familie Gioberti, den Eigentümern der riesigen Falcon Crest Winery.
- 1 Primetime Emmy gewonnen
- 8 Gewinne & 47 Nominierungen insgesamt
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Executive producers Michael Filerman and creator Earl Hamner made the wise decision to make Robert McCullough the supervising producer and de facto show-runner by the end of the first season, and the result was three years of FALCON CREST which were near-brilliant -- a gently Gothic, slightly tongue-in-cheek entry in the DALLAS/DYNASTY era wealth-based nighttime soap genre which became so huge during the early-1980s.
Unfortunately, studio politics at Lorimar Productions resulted in a lunch-drinking executive demanding that McCullough be fired, even though the series was at its ratings peak, and FALCON CREST was never, ever the same again. Ever.
Once McCullough was gone, the show managed to maintain some momentum for a few months through most of its fourth season, but a CBS executive then demanded that the "offensive" nazi treasure plot line be dropped immediately, just ten episodes before the end of the season -- despite the fact that it was the year's main storyline. As a result, the remainder of the fourth seasons sees a bunch of side plots cobbled together and shoe-horned in just so they can finish off the year. But to me, the inertia of the program had been destroyed once and for all (even though its cushy post-DALLAS time slot kept it alive for several more years).
Season 5 was drab and cluttered. Season 6 seemed like it might be a renaissance for the show, but it turned too much towards excessive shlock by the end of that year and then Season 7 just became frenetically silly. The decision to turn the production design light and airy and '80s pastel, combined with Lorimar's new cheapy post-production process making the show look as if it had been shot on video, didn't help much either. A big ratings drop during Season 7 saw CBS demanding the show be fixed, but once they tried to get serious again for Season 8, they no longer seemed to know how to do it. And by Season 9, it just seemed like a different series entirely and ratings continued to spiral into the cellar.
Why do swollen executives think a show can make itself as long as you have a key star and a recognizable brand name title? Because it can't.
Shame, because the first three season, maybe even 3 1/2 seasons, were fabulous.
Unfortunately, studio politics at Lorimar Productions resulted in a lunch-drinking executive demanding that McCullough be fired, even though the series was at its ratings peak, and FALCON CREST was never, ever the same again. Ever.
Once McCullough was gone, the show managed to maintain some momentum for a few months through most of its fourth season, but a CBS executive then demanded that the "offensive" nazi treasure plot line be dropped immediately, just ten episodes before the end of the season -- despite the fact that it was the year's main storyline. As a result, the remainder of the fourth seasons sees a bunch of side plots cobbled together and shoe-horned in just so they can finish off the year. But to me, the inertia of the program had been destroyed once and for all (even though its cushy post-DALLAS time slot kept it alive for several more years).
Season 5 was drab and cluttered. Season 6 seemed like it might be a renaissance for the show, but it turned too much towards excessive shlock by the end of that year and then Season 7 just became frenetically silly. The decision to turn the production design light and airy and '80s pastel, combined with Lorimar's new cheapy post-production process making the show look as if it had been shot on video, didn't help much either. A big ratings drop during Season 7 saw CBS demanding the show be fixed, but once they tried to get serious again for Season 8, they no longer seemed to know how to do it. And by Season 9, it just seemed like a different series entirely and ratings continued to spiral into the cellar.
Why do swollen executives think a show can make itself as long as you have a key star and a recognizable brand name title? Because it can't.
Shame, because the first three season, maybe even 3 1/2 seasons, were fabulous.
Falcon Crest was such a great show! It stood apart from serious-Dallas and campy-Dynasty and rivoted viewers for 9 seasons. Headed by Jane Wyman, the cast and crew rose to the challenge of taking their place beside the classic dramas of Dallas, Dynasty and Knots Landing. With gorgeous on location photography and crisp screenplays....the show was able to capture its own following. Currently airing on SoapNet, this vintage drama has finally been uncorked!
I love this show and this is a lot coming from a 16 year old. The show is deliciously humorous and dramatic at the same time. The show is headed by Jane Wyman as the conniving and manipulative Angela Channing. I feel as though this is one of the best shows of the 80s along with Dallas, Dynasty, and Knots Landing. The show also had other great actors and characters such as Robert Foxworth as Chase, Susan Sullivan as Maggie, David Selby as Richard, Lorenzo Lamas as Lance, Ana Alicia as Melissa, and Cesar Romero as Peter. The number of guest stars was amazing. The wardrobe was fabulous. This show was a perfect example of prime time soaps in the 80s.
A TOAST TO YOU FALCON CREST AND LONG SHALL YOU LIVE.
A TOAST TO YOU FALCON CREST AND LONG SHALL YOU LIVE.
Initially dismissed as "Dallas with grapes" Falcon Crest was created by Earl Hamner Jr. who also created such TV series as The Waltons and Apple's Way. His more wholesome take on a night-time soap was similar to that which you might think - one that romanticizes family values (While providing an examination of complicated family interpersonal relations) and work ethic. The Northern Italian roots of his maternal grandfather was an influence upon his crafting of the backstory of Falcon Crest.
But the main inspiration for Falcon Crest was Hamner's own experience owning an unsuccessful vineyard in the Napa Valley in California in the 1970s, an unprofitable investment which nevertheless inspired him via his experiences. His own time as a struggling writer is doubtless an inspiration for Maggie Gioberti - hapless freelancer.
Beginning as a more family friendly night-time soap airing right after Dallas on CBS Angela Channing was set to be portrayed by Barbara Stanwyck reflecting her matriarchal role on The Big Valley TV series in the 1960s. Barbara Stanwyck passed on the role which was then taken on by Jane Wyman.
The original unaired pilot for the series starred Clu Gulager as Chase and Samantha Eggar as Maggie. The roles were recast and Robert Foxworth who had been approached with playing the role of J.R. on Dallas was brought in to play Chase, a very different character on what would be a different kind of prime time serial.
The series inevitably declined in its later years long after it had said what it had to say. Hastening the decline was the departure of series stars and recycling of plot-lines.
But the main inspiration for Falcon Crest was Hamner's own experience owning an unsuccessful vineyard in the Napa Valley in California in the 1970s, an unprofitable investment which nevertheless inspired him via his experiences. His own time as a struggling writer is doubtless an inspiration for Maggie Gioberti - hapless freelancer.
Beginning as a more family friendly night-time soap airing right after Dallas on CBS Angela Channing was set to be portrayed by Barbara Stanwyck reflecting her matriarchal role on The Big Valley TV series in the 1960s. Barbara Stanwyck passed on the role which was then taken on by Jane Wyman.
The original unaired pilot for the series starred Clu Gulager as Chase and Samantha Eggar as Maggie. The roles were recast and Robert Foxworth who had been approached with playing the role of J.R. on Dallas was brought in to play Chase, a very different character on what would be a different kind of prime time serial.
The series inevitably declined in its later years long after it had said what it had to say. Hastening the decline was the departure of series stars and recycling of plot-lines.
I love this show, i started watching it last year on soapnet and i absolutley love it, i taped every episode and i still watch it everyday. Angela, Richard and Chase when in scenes together have great chemistry. The cast is incredible, Abby Dalton as the psycho daughter of Angela and Margaret Ladd as her looney but very intelligent other daughter Emma are brilliant in their roles. Also stars Susan Sullivan, Ana Alicia, Laura Johnson. I can go on and on, i wish i watched this when i was younger but i was 3 when it started. I highly recommend watching this show.
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- WissenswertesBy the second season, the show became more serialized and abandoned the self-contained episode format of the first season. When the show first premiered, creator Earl Hamner, Jr. stated that he did not want the show to become another soap opera like Dallas (1978), however, by its second season, that is exactly what the show became.
- PatzerWhen Richard Channing takes control of his fathers newspaper he renames it The New San Francisco Globe. Throughout season 2 some establishing shots of the exterior of the building still show the original "The San Francisco Globe" sign.
- Zitate
Richard Channing Denault: Sorry I had to be nice to you.
Angela Channing: I may never recover.
- VerbindungenFeatured in En himla många program (1989)
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- Inglenook Vineyards - 1991 St. Helena Highway, Rutherford, Napa Valley, Kalifornien, USA(interiors of Falcon Crest winery building)
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