Das Boot

As good as "Das Boot" is in it's original theatrical form,and in an director Peterson's extended version in the re-release,the TV version,coming in at close to five hours long shows so much more of the day to day life on the boat.The claustriphobic nature of life on a WWII submarine is opened up for us. It delves far more deeply into the personalities and lives of the crew,both on and off the boat.They become real human beings,and we see how hard their lives are while on patrol.As with "All Quiet on the Western Front",the senselessness of war is brought home when see from the losing side. Highly moving

Despite the extra length, I would *strongly* recommend the mini-series version. I first watched this when it came out on TV as a mini-series (293 min, 1985), then recently as the movie version (149 min, 1981), and then the mini-series again.

In cutting the length down for the movie version, what largely remains are action scenes. Retained in the mini-series version are the quieter more reflective, atmospheric scenes, which in my opinion are what most make Das Boot truly AWESOME. These scenes gradually and subtly develop the characterizations of the crew members: their divergent political beliefs, the tensions among them, their cynicism or honor, their bravery or fragility. The submarine itself is a central character too: emerging through the depths like a great lethal whale, or plowing through the spray in rough weather, or floating calmly across the placid ocean surface, all to the backdrop of the haunting and memorable theme music. These subtle atmospheric aspects are what most stayed with me for 30 years. I would also suggest watching it in German with subtitles - one of the things that makes this an unusual WWII movie is that it is from the German perspective, and hearing it in German gives a more intense feel for that Germanic aspect and its special qualities (even if you don't understand German). Das Boot is an amazing experience, and it is well worth immersing yourself in the original full length miniseries version for a memorable and unique experience.

I watched this movie the very first time as a kid in 1985 on TV and was stoked right away. I had not even been allowed to stay up late at that age but I was able to persuade my parents to let me watch it. Since then I must have watched this five hour version at least seven times and I would be very happy to see it again but unfortunately I do not own it.

Do not let the genre "war movie" keep you away from watching this because it is far from being one of those typical "war movies". It is not only the story which makes this one great but also the acting, the lack of special effects and the authenticity. And of course Jürgen Prochnow is king!

If you want an action movie, watch something else. Das Boot reflects what war must really be like, showing not just the 1% of terror and confusion, but also the 99% sitting around waiting for things to happen. It is also the best if not only explanation I know, of how honourable men could have fought for the Nazis.

I have now seen "Das Boot" 4 times. The first time was the "Director's Cut" with subtitles. Since then I have learnt German, so each time I watch the film I understand it better. It is still very difficult to follow, and a great deal passes me by; I think this film probably has the hardest German of any of the 50 or so German-language films I've seen. This is part of its authenticity; you don't expect people to speak Standard High German when they think they may die horribly in the next five minutes.

The original mini-series has about the same amount of action as the Director's Cut, but a great deal more explanation and character development. For example, the Captain gets to comment on his actions towards the English sailors from the sinking oil-tanker. I think the sound of the Director's Cut was redone for Dolby-7, so the noises seem to come from all around and at times make you want to hide under the seat. However in all other respects, I think the mini-series is very much better than the Director's Cut, brilliant though that is.

When a film about World War II has American audiences routing for the Germans, hoping and cheering them on for the success of their mission, one can only become conscious of the ultimate horror and futility of war. One also has watched a helluva movie.

Back in the early 80's I called in sick (along with some friends) to see the opening of Petersen's Das Boot. We were all stunned. Went out for a beer and then returned to the theatre and watched it all over again.

Petersen masterfully developed his cast into a crew who are no longer "the enemy" but fresh faced kids, neither prepared nor aware of the horror that was waiting them. When I first saw "Das Boot" – I was the same age as those kids so it resonated more powerfully than I could have possibly imagined. In this wonderful uncut release of the original German miniseries we're forced to spend even more time with the crew of U-96 and in that time get to knew them better. We see friendships and bonds formed, the irritability that comes with lack of privacy and tension so dense it becomes an almost physical presence. We also get more of the sense of what war really is – immense spans of boredom and ennui interrupted by the occasional horrors of violence and death.

Petersen kept his cast indoors and unshaven during the entire shoot with the resulting effect that the crew actually looks like a group of men who have not seen natural light, or breathed fresh air for 65 days. Additionally, the actors were all put through vigorous physical training so that when racing through the set of a dangerously reconstructed U-Boat, they move naturally with an almost balletic swiftness that is dazzling.

This is masterful film-making of the highest order, with sound and lighting that capture the claustrophobic nature of a submarine, almost suffocating the viewer. The scenes of Das Boot racing through the Atlantic, it's difficult near fatal destruction in the narrow Strait of Gibraltar will have your blood pumping at fever pitch.

The ensemble cast is uniformly excellent, each actor - even ones with little to no dialogue, making bold indelible choices in developing their characters.

Jürgen Prochnow as the Captain gives a remarkable, strong performance, making one believe - from the very beginning - this is a true leader of men.

You have no difficulty believing this crew standing behind this captain's every decision.

Petersen's writing of Herbert Grönemeyer as the eager young reporter, Werner is a masterful creation. Werner becomes the multi-faceted prism through whom we watch and live this story. Part Greek chorus, part conscience of the uninvolved, we join him as an outsider on the inside, becoming participants in this heart rending drama. Grönemeyer's performance becomes the very soul of Das Boot.

"Das Boot" remains one of my all time favorite films and to finally be able to own and see it as Wolfgang Petersen intended is one of the best things to happen since the invention of DVD.