Urban Cowboy

How can anyone argue the fact that Urban Cowboy was, and still is, the best document of Texas life for the time period. Consider the following: men beat their wives, get drunk at bars nightly, get married to settle a fight, commit adultery, and compete on mechanical bulls. Try and name a movie that depicts real life so vividly. They dont make them anymore. It seems current films are always about people with lots of money, they live in huge homes, drive expensive cars and don't work. This movie has a celebration scene about getting a trailer for pete's sake !

Anyway, I watch it at least once a week. No kidding. I have dissected this movie from end to end. feel free to email me to learn more about my reason for calling it a documentary. Consider the following scenes: Bud sees Sissy - they are split up - he amicably honks and waves, she flips him the bird - he returns half the peace sign honking his horn to add impact then tears off.

Buds mom calls him approx. 18 hours after he gets into town, on a Sunday, to see if he has a job yet - all he has accomplished is getting drunk and laid(x2), with help from his uncle and aunt who cover for him.

"You all live like pigs" Think about why this scene is needed. Think about it. Was it necessary ? Could we not figure it out without showing the filthy sink ? God I love that !

Sissy allows Wes to help her ride the bull. Only a few days (or possibly the next day) after Wes just kicked the crap out of her husband. Steve asks - Hey Sissy, remember Wes ? Oh yeah, didnt you beat my husband up the other night, so let's get this lesson goin', to make no mention of the fact that she seeks solace in him later during one Bud and Sissy's many fights, which by the way all take place in public - in Gilley's !

The Wedding reception picture taking session (oh the humanity !) could they at least arrange or move the chairs out of the way. "My legs are sweatin' momma"

In conclusion, you don't put scenes like this in a movie to try and show insight into human psychology. It is a documentary of real life.

I only wish there was a director's cut....

Bud Davis (John Travolta) is a simple small town kid who moves to Houston and lives with his Uncle Bob (Barry Corbin)'s family. He gets a low level job at the refinery with Bob's help. He starts hanging out at Gilley's Club where he meets Sissy (Debra Winger). They have a fiery combative date and quickly get married. They move into a trailer park. Bud is traditional but Sissy is independent. Bud likes to ride the mechanical bull at Gilley's. Released convict and rodeo bullrider Wes Hightower (Scott Glenn) impresses Sissy with his skills. He teaches her after Bud forbids her to ride.

It's hard to like Bud especially at the beginning. It takes awhile for him to build some vulnerability. I never really get to a point where I'm rooting for this couple to stay together. It's the first leading role for Debra Winger and she shows her great feistiness as well as vulnerability. Gilley's is very well represented. That cowboy way is nicely done. It would be great for this movie to be shorter and for Bud to not be so much of a jerk. It would allow for better rooting interest. I don't particularly care who wins or who gets together by the end. Although I definitely want Sissy to get out of her troubled life.

There's a part of me that wishes I was cognizant in 1980 when the "Urban Cowboy" craze hit; just to experience the hype if nothing else (I saw it in utero, but that doesn't count). As it stands, this is best viewed as a cultural curiosity; a snapshot both of Travolta in his prime and the Western craze. It's that star power that helps the film retain its potency for decades after the fact. The camera belabors that point with the shot of its lead actor posing against the bar, beer in hand, intensity smoldering (they even used that on the poster to sell tickets).

If we're talking substance, hell there's not much. The allure of bull-riding is lost on me and the men in this movie are absolute pigs. Watching Debra Winger go from one loveless abuser to another is a real drag, and she tends to be the film's sympathetic core.

I can't blame anyone for not being able to relate to this movie if their first watch is in 2020, but I can appreciate the mark it made in its time.

This film is a classic compared to the Latham/Bridges/Travolta misfire called PERFECT which came out in 1985.

This film showcases the Houston lifestyle of the oil boom in the early 1980s. We get an insider's view of their jobs, hangouts, and relationships as Travolta and the gang live out their daily lives.

There are some excellent supporting performances here, but make no mistake: THIS IS TRAVOLTA'S SHOW! Who would have thought at the time he'd make such a credible Texan? You almost have to remind yourself this guy was one of the Sweathogs from Welcome Back Kotter. We get to see him dance, fight, ride a mechanical bull, and score with a number of hot women. What more could you ask for? I think this is his best performance to date.

The soundtrack is one of the best I've heard. You won't hear any of this crappy pop-country that is en vogue today. It's just good old fashioned music you can dance or make love to.

This film displays the downfalls of couples who get married too quickly in a very realistic manner. Bud and Sissy resemble a lot of young couples without big bank accounts who have trouble getting along.

Scott Glenn makes a terrific villain, too.

Do yourself a favor and see this one. Or see it again if it's been a while. Travolta could use a hit movie like this one right about now in his career.

9 of 10 stars

So sayeth the Hound.

For Urban Cowboy John Travolta plays one of the stronger alpha males ever portrayed on the big screen. He's a decent enough young kid who leaves his parent's homestead and strikes out for the big city of Dallas where his uncle Barry Corbin has promised to find him work in the petrochemical industry. In 1980 that was beginning to boom and Texas was definitely a growing place in the USA.

Travolta does a good job in making we the audience care about his character who when you come right down to it is a sexist pig. He meets and marries Debra Winger who's from the same background, but she's got some ideas that women should not be shadows of their men. And when she beats him at Gilley's mechanical bull, a man's game, that's it for him.

Scott Glenn who's an ex-convict is working at Gilley's and this film was his breakout role. He's a real snake in Urban Cowboy, he gets Travolta's goat with a mere look and he moves in on Winger. Travolta in turn takes up with rich girl, Madolyn Smith Osborne who's slumming at Gilley's.

Despite the characters, Urban Cowboy was really one gigantic commercial for the self-styled biggest honky tonk in the world. Gilley's is no longer there in the suburban Texas community of Pasadena, but the memories do live on. And the best thing about Urban Cowboy is the wonderful score of country/western songs that were featured in the film. I'm not sure if some of the songs were not written specifically for Urban Cowboy, but it's the only reason I can think of why the Motion Picture Academy ignored the musical aspects of this film. I especially liked Johnny Lee's Looking For Love, if it was specifically written for this film, it's a disgrace that it wasn't nominated for Best Song.

I liked Debra Winger's character best in this film. She doesn't lose a trace of femininity, but she stands up to Travolta and does it in style. And this review is dedicated to that yet as unknown woman who will one day be the first woman bull-rider in the Professional Bull Riders.