Die Terrasse

Horrible sound, horrible photography, horrible screenplay, horrible acting. It seems to be directed with the left foot. Miles and miles away from the masterpieces 'C'eravamo tanto amati' or 'Una giornata particolare'.

Too much ambitious as well as superficial. It tries to represent the moral and political defeat of a generation, but the characters are two-dimensional.

Very uncertain in the choice of style: naturalistic or grotesque? It would have been better to go with the grotesque, because this kind of naturalism is very depressing. Scola used a bunch of actors who have always played anti-naturalistic characters in the glorious years of Italian cinema, so they are poorly utilized.

I'm sure this film will be forgotten over time.

The movie's status as a cult classic definitely makes sense to me now. It's a very satirical and thorough look at the italian elite of intellectuals and artists, all of them very narcissistic, pretentious, self-pitying, emotionally unstable, in a constant internal state of decay, brandishing political theory without actually applying it, fighting unsuccessfully against the world of the 80s and capitalism and profit. All the main characters are tragic, and their awareness of their own pathetic nature makes them even more unhappy. They're all men who use women or demand their attention and their love, they try to find happiness where it doesn't belong. The theme of the movie is the humorous existential loneliness of the self-aware bourgeoisie. I have some complaints, like the fact that the movie is a bit long for my taste, and some of the 5 episodes really drag. The actors are almost all pretty good, the final raging monologue of Mario is amazing. The humor holds up pretty well, and it's always interesting to see how an older generation of creatives saw themselves. Overall, not very digestible, but fine as an intellectual and thought provoking portrait of the 80s artlife.

Adorable, intelligent and politic driven movie. The best Italian director ever commands great actors and conducts the audience through a journey of passionate and bitter fellows who dare to fight for their beliefs.

In La Terrazza there are some amazing speeches - which I don't recall exactly - about every human being's right to happiness and love.

Maybe I liked it so much because I'm already a big fan of Ettore Scola. I also recommend his masterpieces "C'eravamo Tanto Amati" (the best Victorio Gassman performance) and "La Cena" (the last Gassman appearance).

Good opportunity to see once again Scola's great sense of criticism and love for Italian contemporary society, mixing in a tragicomic way politics, middle-age crisis, failing marriage, love, infidelity, suicide, friendship, the rôle of intellectuals. His great ensemble direction rivals Robert Altman's. And just have a look at that cast - Mastroianni (effective as always), Trintignant (always so surprising), Tognazzi (in charge of his difficult rôle), Gassman (what a superb actor!), Reggiani (moving), the lovely Stefania Sandrelli and a débutante very young Marie Trintignant. For those who like Italian cinema and politically oriented films with a touch of humor. 8/10

Ettore Scola has made at least two great films, C'eravamo tanto amati and Une giornata particolare. But this time he got carried away. It's not enough to put 20 great actors in a room to end up with a masterpiece. Call it self- indulgent, call it intellectual masturbation, I call it boring. Sorry, Ettore.