Stardust Memories

The problem with Woody has always been that everyone takes his movies more seriously than he does. Here, using the tactics of Felini, he makes fools of his detractors including the greatest detractor of all, Woody himself. For many reasons, I rank this among his best. He removes the restraint of plot, and just goes balls out nuts with his usual philosophical angst, and endless worship of beautiful dames. Oddly enough, without the fetters of convention, to me it was actually less pretentious or indulgent I think people like to call it, and a lot easier to understand and empathize with. One thing that I've always found absurd, and ironically what this film dwells on, is the complaints by fans and critics that he should go back to making comedies. Woody cannot not make a funny movie. If he's in it, and he's talking, I'm laughing. Especially back in this era, when his jokes were so fresh. So make no mistake, this film is loaded with comedy. Finally, I liked his choice of women in this. Charlotte Rampling is what I suppose the word breathtaking was originally meant to describe. If you arent touched by the final scenes with her, you got issues.

While this film doesn't get the praise and respect of, say, "Annie Hall" or "Manhattan," I think it is a brilliant look into the mind of a film director. How much of Woody Allen is Sandy Bates? Some, I'm sure, but I think it's more interesting to compare Sandy to Woody Allen's "persona"--that is, who the public thinks he is.

The structure of the film is also quite interesting to me. Allen had done a very non-linear story structure, mixed with occasional flights of fantasy, in "Annie Hall," but "Stardust Memories" does that and piles on a movie within a movie within a movie, and manages to both comment on all that, at the same time as he's telling the story of the brilliant, but self-absorbed Sandy Bates.

A great movie, that you probably should see more than once to appreciate.

Only a filmmaking genius like Woody Allen could bring such viable characters to the screen with such life and perception. Allen (who also scripted) is Sandy Bates, an acclaimed, world-reknowned director who attends a weekend festival honoring his works. When he's not being bombarded by mobs of autograph hounds and PR people, he takes time to reflect on himself and the three diverse women in his life: drug-abusing actress Dorrie (Charlotte Rampling), wistful violinist Daisy (Jessica Harper, who also appeared in Allen's "Love and Death" (1975)) and French housewife Isobel (Academy Award-nominee Marie-Christine Barrault). Loaded with the crisp dialogue that we've come to expect from Allen (Best line: "I would trade that Oscar for one more second of life"), "Stardust Memories" is noticably one of Allen's most personal films. Also, what makes "SM" unlike his other works, where his characters do a lot of interacting, the film's focus is mainly on Allen (most beautifully) interacting with himself mentally. Sharon Stone has a bit part in the beginning as a train passenger. Gordon Willis' cinematography is gorgeous. ***1/2 of ****.

In my opinion, Stardust Memories is Allen's greatest achievement. The film perceptively explores the relationships between art and reality, between the artist and his work, between the work and its consumers. Beyond its philosophic concerns though, this is also an incredibly funny film. There are more genuinely funny moments within this serious film than in many of Allen's earlier pure comedies. It skewers the movie industry, the movie-going public, Allen's own earlier work, Allen's present insecurities (surprise!), and a number of other targets. Intelligent, thought provoking, and at times hilarious, this film is an overlooked gem in the Allen canon.

I was very surprised to find out that Stardust Memories is dismissed by both critics (at least some of them) and viewers as absolutely unwatchable Allen's film, his most chaotic attempt to claim that he can not stand his fans. I found it insightful and witty satire that cleverly (as always; if anything, Woody is a very clever man) fuses the comic and the serious.

Sandy Bates (Allen, of course) - a comic director who does not want to make funny films anymore "because there is so much suffering in the world" (the scene reminds so much of Sturgis's "Sullivan's Travels"). Sandy is depressed because his new "serious" film is not well received by both critics and public and he is spending a weekend at Stardust Hotel during showing of his films. While there, he reflects upon his life, art, and relationships with three different women. Sounds familiar? Like 8 1/2, anyone? You are absolutely right. Woody meets Federico in the Stardust Hotel. The film is delight in gorgeous black and white. It is funny, touching, angry - all in the same time. The film was made twenty four years ago and I am very happy that Sandy - Woody had realized that to help the world IS to do what you do the best - funny movies. "The people survived because they laughed".

One more thing - Charlotte Rampling is breathtaking.

9.5/10