Scanners - Ihre Gedanken können töten

I was pretty disappointed. It's more of a step down than a step up for Cronenberg; it seemed like he was sacrificing his vision to make a mainstream-friendly film. As a result, the film is basically a bunch of great scenes strung along by a generic, rather lame plot and some truly terrible performances. Even so, those scenes - the exploding head, the phone line stuff, the final battle - are so fantastic and so memorable in their own right that they make it worth getting through everything that comes between. Just a brilliant combination of sound and image in those sequences. So, overall, the film is nothing great, but it's not a complete wreck, either.

Scanners is Cronenberg's venture into telepathy and the strange workings of the mind(he seems to do one movie on each theme, doesn't he?) While it is not as good as many of his other movies, it's still worthwhile.

First of all, the effects are really good. Some shots easily beat what the best CGI can do today, and some are just plain sick(you'll jump, I promise you). I was actually scratching my head over some things, thinking "how did they do that?", which is a good measure of special effects skills.

Second, the atmosphere is very powerful. It's a dark and unknown world in here, and no-one living in it likes it at all. The characters are all slightly off colour, subnormal. Our hero is no exception. The unknown Stephen Lack does a good-enough job, what with all the grimacing and psycho-playing. The supporting cast is over all sufficient. A treat is, as usual, Michael Ironside, who gives his pretty simple character a nice edge and a personality.

As for the story, it's sometimes hard to follow, and sometimes it lacks something. The ending is a bit rushed as well(even though the climax is incredible).

Still, Scanners is a cult movie and if you can find time, and you're in the right mood, it's certainly worthwhile for it's innovative gore, moody atmosphere and Michael Ironside.

7/10

Cameron Vale (played by artist Stephen Lack) is a derelict who, after a bizarre incident in a shopping mall, is rounded up by two goons who bring him to eminent doctor Paul Ruth (Patrick McGoohan). Paul reveals to Cameron the reality of his situation: Cameron is in fact a "Scanner", or a person with extraordinary telepathic abilities. Scanners can not only look into the minds of others, and manipulate them, but can also do very unpleasant things to human bodies. Paul recruits Cameron to help him track down Darryl Revok (Michael Ironside, in his breakthrough role), a rogue Scanner with plans for world domination.

The late, great Dick Smith was the special consultant to the makeup effects crew (Stephan Dupuis, Chris Walas, Tom Schwartz), and it's these effects that take center stage in this interesting and bleak thriller from Canadian legend David Cronenberg. The exploding head that everybody remembers so vividly actually occurs only about 13 and a half minutes into the show, so viewers don't have long to wait. Of course, as has been pointed out, how does one top something like that? Well, Cronenberg waits until the end to come up with a pretty good showdown between good Scanner and bad Scanner.

The pace is admittedly deliberate, but the ideas unfortunately don't feel completely fleshed out. Quite a bit of exposition is packed into the last act. The filming of this classic wasn't particularly enjoyable for Cronenberg as he *did* have to begin filming before his script was even finished, so he *was* unfortunately rushed. Still, his story is a damn entertaining and intense one.

Howard Shores' music score is wonderfully over the top and scary, and sets and locations do have a very sparse look. The acting is variable; McGoohan looks bored, as if he doesn't really want to be there, and Jennifer O'Neill, while beautiful, doesn't really add anything to the film. Lack gets a lot of flak for his performance, which I'll agree isn't a particularly dynamic one, but it does suit the character, a man who was a lonely fringe dweller for a long time until being awakened into a larger reality. (Cronenberg does make an effective parallel here to the way that real life people with mental issues get treated.) Former Cronenberg repertory player Robert A. Silverman is fun in another of his offbeat parts, and Lawrence Dane is excellent as security chief Braedon Keller, but it's Ironside who completely steals the show as the nasty villain.

While not without flaws, "Scanners" remains one of its directors' most memorable efforts to date.

Seven out of 10.

What was once startling and shocking is now more humorous than anything else. This early Cronenberg film delivers his usual brand, but it doesn't stand the test of time. Between the infamous early head scene and the big confrontation ending scene, there is a lot of boredom, though some of it is okay. Some of the cast is a problem as well. Stephen Lack lacks talent and the more famous Jennifer O'Neill isn't much better and ludicrously looks like she stepped away from a magazine cover shoot. On the other hand, Patrick McGoohan overacts. I saw this when released and this was the first time I had seen Michael Ironside. He's rather effective here in a creep role that he would often repeat in his, thus far, whopping 282 credits listed here. The only other performers of interest here are Lawrence Dane & Robert A. Silverman in a small role. The special effects (all gore) hold up pretty well and for the uninitiated, this is a must for horror buffs.

Scanners (1981) was another one of David Cronenberg's "body in revolt" films. This one deals with people that have telepathic and telekinetic abilities. Not your average horror film because it's quite heady. That's what I like about Cronenberg, not only does he make great psychological horror/thrillers but he makes you think. Nothing is spoon feed to you. The splatter effects have given this movie it's much deserved place in one of the best horror set pieces ever made. Two scenes stand out the most. After watching this film you'll understand why gore hounds love this movie.

The only part of this movie that I would have changed would have been the lead. Mr. Lack was okay but I felt that Cronenberg could have found an actor with more experience. Michael Ironside was chilling, ice ran through his veins. This movie made his career as a movie heavy. Jennifer O'Neill was nice to look at and fit in well. A strong storyline and good directing made this one a must see.

I was very impressed with this movie. The soundtrack was apt for the movie.

I haven't watch this film in awhile. But after seeing it on D.V.D. recently, I'm still a big fan of Scanners. Sadly I'm not too fond of the sequels.

A+

If you love heady horror films this is a must see.