Eine ganz normale Familie

"Ordinary People" deserved its Oscar. There was such fierce competition in 1980 that winning the award was a real honor. The movie should have shared honors with "Coal Miner's Daughter".

Having said that, the reality of the movie is so heartbreaking and so real that you feel every emotion and understand the characters feelings, whether you liked them or not. Mary Tyler Moore's performance of Beth Jarrett is so powerful that you forget Moore's comedic repertoire and immerse yourself into her persona as a cold, distant wife that can not show emotion for her son. It is disturbing that Beth can not show Conrad love and it breaks your heart when you see the awkwardness as he tries so hard to get any love or recognition from her. Her breakdown scene at the golf course and the realization at the end of the movie that she is incapable of affectionate love are powerful performances.

Donald Sutherland's understated and beautiful performance is brilliant. His making up for Beth's shortcomings as an affectionate human being are so touching. He does all he can to keep the rest of his family together. Why he was not nominated for an Oscar is beyond comprehension.

Timothy Hutton absolutely shines as the troubled Conrad. All you want to do is hug him, love him, after his rejections from his own mother. The torture and pain he is in is portrayed so stunningly. His guilt over the death of his brother and subsequent depression are heartbreaking.

Growing up in suburban America, the film rings many a truth to the insights of what people perceive as a "normal family". The cocktail parties, the school activities, the socialization of Beth and her friends over the recognition of her son do happen in suburban America. Robert Redford recognized every real detail of the facades that people put up and the reality of what happens at home. They are poignantly and chillingly realized.

Definitely one of the most deserved Best Picture Oscars given. Please don't miss this one.

This film, without a doubt, is the best dramatic film I have ever seen. It is truly an extraordinary film of humanity. To start out, the film begins in complete silence and gently flows into Pachalbel's "Canon in D". It has become my favorite movie and I can say with 100% certainty that it deserved every Oscar it received. I cannot truly articulate with words what this movie did to me when I first saw it. I had an epiphany-like experience. I was born in 1980 and didn't see this film until shortly after I turned 19. The events portrayed by Timothy Hutton, Mary Tyler Moore, Donald Sutherland, Judd Hirsch, Elizabeth McGovern, Dinah Manoff, and Fredric Lehne are just as powerful and relevant in society today as they were 20 years ago. Timothy Hutton's performance of Conrad Jarrett, an 18 yr-old suffering from depression after the tragic death of his older brother is extraordinary. Being the age Hutton was when he made the film, when I first saw it twenty years later, I related to the emotions on every note. Teenagers are rarely portrayed in film as realistically as in real life. In my opinion, Conrad Jarrett in "Ordinary People" is the best portrayal on film of a teenage boy going through the good times and the bad, but mostly the bad. Timothy Hutton is a truly amazing actor. Mary Tyler Moore also deserved all of the praise and nomination for a role that is literally the opposite of anything she had ever played before. The way she portrayed the cold, cruel, yet emotionally-hidden Beth Jarrett is outstanding. Donald Sutherland and Judd Hirsch also gave performances that made them truly believable as Calvin Jarrett and Dr. Berger. Sutherland should have received an Oscar nomination. Elizabeth McGovern and Dinah Manoff's small character roles as Jeannine Pratt and Karen are just as vivid as in the novel. Jeannine provides the excellent uplift in the story; while Karen provides the semblance of reality that things are not as they seem. Every line and every scene in this film is as detrimental to the overall underlying theme as it is in the novel by Judith Guest. The words "I love you" and "love" have an immense importance in this film. Kudos to Robert Redford, who shows that he is not only an excellent actor, but also a truly excellent director. The color scheme, music scheme, setting in Lake Forest, Illinois and that "perfect" home all provide the exact backdrop to the circumstances going on between these characters and within Conrad himself. This film relies solely on the realistic interaction between "ordinary" people living through "extraordinary" circumstances. This film had an amazing impact on me and I'm sure it will do the same for anyone else who sees it. If you do not leave this film having gained that underlying insight that this film gives, then you did not truly understand the purpose of the film. You don't have to suffer from depression or go through the loss of a loved one to understand the message delivered by this film. It's definitely more than just a "tissue" movie. Truly one of the best films ever made.

A 10 out of 10.

A family in an affluent neighborhood north of Chicago tries to recover after a tragedy. Timothy Hutton plays the troubled son who gets help from a therapist (Judd Hirsch) while Donald Sutherland & Mary Tyler Moore play the seemingly okay parents.

"Ordinary People" (1980) was Robert Redford's debut movie in the director's chair and it was a huge success. The story is two-pronged: It's a coming-of-age drama about the anxious son at home, school, therapy and his relationships with the fairer sex, as well as a marital drama about the parents.

This was Hutton's first theatrical movie, but you wouldn't know that by his powerhouse performance, which is on the level of Brando. It's interesting how simple, realistic drama can be more compelling than some overblown "blockbuster" with an explosion every five minutes.

Winsome Elizabeth McGovern is a highlight as one of the girls the son dates.

On the negative side, the storm sequences are pretty artificial, reminiscent of a TV flick, and the story almost drowns in its unrelenting drama in the last act (I said "almost").

The film runs 2 hours, 4 minutes, and was mostly shot in suburbs north of Chicago, e.g. Lake Forest and Highland Park.

GRADE: B

I might consider putting this movie in my top 10 list of best movies. It's absolutely amazing that for his directorial debut, Robert Redford created such a masterpiece. Now it was not all due to him, as the story was so well-written and the acting is dead on for all the characters. Part of the reason I love it so much might be because I was a psychotherapist before becoming a school teacher (mid-life crisis, you know). And, having worked with dysfunctional families, this movie gets it right time and time again. Therapy is not a miracle cure that takes effect almost immediately (like in GOOD WILL HUNTING) and the parents BOTH have a strong role in keeping the family sickness alive. Donald Sutherland is the enabler who denies there is a problem--even after one son dies by accident and the other attempts suicide. He also cannot face that the family's dysfunction is mostly controlled and maintained by his very disturbed wife, played wonderfully by Mary Tyler Moore. She is not mentally ill but has a very sick personality, as she is cold as ice emotionally and deals with problems through massive amounts of denial as well as stuffing her anger WAY down deep. Timothy Hutton is, despite his being the patient, the healthiest one in the family, as his suicide attempt is a strong cry for help. Finally, Judd Hirsch plays the therapist--and one of the most realistically portrayed therapists on film. He has no miracle cure but tries his best to get Hutton, and later Sutherland, to work hard at uncovering their dysfunction. Again and again and again, the viewer is rewarded by a brutally honest script that is about people who would be real--not Hollywood's idea of "people". The film is neither manipulative nor condescending--this is the way more films SHOULD be.

In addition, as I have watched the film several times, I keep noticing just how perfect the direction was. How wonderfully framed the shots were, how wonderfully the music fit in and how unflinching the movie dealt with pain. In particular, I love the scene with Sutherland at the psychiatrist's office as he talks about his marriage....and his eyes keep looking away and avoiding the doctor as he says how much he loves her. And the great Christmas photo scene--it just screams out "this is real!!". For this to be Robert Redford's directorial debut is absolutely amazing and he surely earned that Best Director Oscar.

FYI--although this movie is rated R, it is only for language. There are a few REALLY CHOICE WORDS used here and there, but otherwise this is a great movie for teens. If filmed today, this would no doubt be a PG-13 film. I am a very conservative parent, and yet I found this to be totally acceptable for my 15 year-old. It's a great film to watch WITH your kids and discuss what you see.

I cannot recommend a film more highly.

I saw Ordinary People when I was very young and had a very difficult time with the storyline.However, even then I think I knew I was watching something simply remarkable. Even after all these years, it's impact has not lessened, which I guess is a mark of an incredible movie. The movie is among the most disturbing I've ever viewed and the performances, at least to me, are among the best. I can't imagine viewing this movie without feeling absolutely drained afterwards and I think I may have been a bit to young to fully appreciate it, but I can't imagine giving this anything but a 10, it was absolutely flawless in it's storytelling.

I do think though, that a certain element of maturity is needed to view this, there are few I know who have not been touched or upset by the story and if one is to young or just not in the right mood to handle the heaviness(as I wasn't at the time),they may not be able to fully appreciate it. I still know people who cannot sit through this and I understand why but I hope this movie will be viewed by many who can handle it, it's impact is fierce, all the performances are incredible and Mary Tyler Moore's performance is among the best of any female lead ever.