Die Rückkehr der Zombies

"Le Notti Del Terrore" (aka. "Burial Ground") of 1981 is a film with a mixed reputation. While some of my fellow Italian Horror fanatics regard it as being among the greatest Italian Zombie gore flicks, others seem to regard it as being completely worthless junk. In my opinion, it is neither. As far as I am concerned, "Burial Ground" does not nearly rank among the greatest Italian Zombie flicks, and yet it is an absolute must-see for my fellow fans of the living dead, mainly because of its extreme gore and its value as one of the most demented Zombie flicks ever made. Director Andrea Bianchi had already proved to be an expert for the sleazy kind of Italian Horror with his delightfully smutty Giallo "Nude Per L'Assassino" ("Strip Nude For Your Killer", 1975), and he also proves that he's a master of extreme gore with this yummy flick.

The storyline is extremely thin, and the existence of the zombies gets even less explanation than in other zombie films. However, the film's nauseating qualities easily make up for what it lacks in plotting. The living dead in this film are, without exaggeration, some the most disgusting Zombies ever in cinema. The makeup department really did an amazing job here - zombies do often look rotten, but these guys are literally in the process of rotting. The zombies have disgusting worms and maggots crawling out of their eye-sockets and other orifices, and the mere look of them is already a delight for every fan of nauseating and disgusting gore. Additionally, the film provides an enormous amount of remarkably nauseating gore, even for Italian Zombie flick standards. The film furthermore includes an extremely irritating little boy who has the face of an adult (and who was actually played by an adult, Peter Bark), and whose looks are not the only strange thing about him... I don't wanna give away more, as I don't want to spoil any of the fun, but I can assure that the fans of the really explicit and demented kind of gore-cinema will have the time of their lives watching "Burial Ground". The film is never even remotely eerie or suspenseful, and the plot is as thin as it gets, but there is no doubt about one thing: this is demented stuff! I recommend "Burial Ground" to all my fellow fans of Italian Horror cinema, especially to those who like their Zombie flicks extremely gory. If you want GORE, then this is for you!

Burial Ground is an Italian bonkers mix of audio horror, vile imagery and gutsy character work.

In the best manner, Burial Ground does all it can to make you feel uncomfortable. Forgetting the slow march of the decaying filth following the cast, the cast themselves are playing some of the most egregious characters ever committed to film. Each and every one of them seems wrong in some way. The framing of the violence, often in close up, with the camera remaining long after the skin's been torn, or the skull cracked makes for seat squirming viewing. The zombies, with live maggots and worms and eyes falling out of sockets, stir nasty feelings of disgust as they shamble and stumble and lay seige to the mansion.

In it all, though, is a sense of beauty. The grounds of the mansion and its interior are epic. The cast, even though they're being terrorised all night, look absolutely stunning in their pearls and perms and high neck sweaters. The blood flows like paint on a wet canvas.

But the kicker, the reason to watch this film, is the final scene. In a moment built up over the runtime, we get one of cinema's most depraved and insane developments ever committed to in film. A real horror crowd pleaser that I'm sure if played at any late night horror show would get whoops and gasps and screams of delight from the audience.

To properly critique this film I will attempt to rate some of it's key elements individually.

Entertainment Value: 10/10 This is a very entertaining movie that moves at a fast pace. The best part is that the zombies are twice as clever as the living. The undead concoct plans to outwit the living, similar to tapping on the left shoulder then standing behind the right one.

Plot: 1/10 Thank goodness there were other zombie films made before this one, otherwise you wouldn't know what the heck was going on! This is basically derivative of all the better done, and known zombie films of the 70's, with some totally bizarre twists thrown in to keep you guessing. The script is very disproportional, and the dialog is awful. Basically, it would be extremely challenging to write another script as horrible as this one ever again.

Production Value: 2/10 This movie has almost no directorial style, and the class equivalent of an 80's porno movie. The gore and makeup is done with very little, or no attention to detail, so it's hard to believe that the same guy that did the make-up effects for Fulci's "Zombie" did the effects for this one. Also, the image looks murky and the camera compositions, undesirable. The crew is seen once, for certain, and the dubbing is sloppy. However, it should be noted that now and then the score is pretty good.

Acting: 0/10 or 10/10 (depending on how you look at it) The acting is completely overdone, and definitely one of the funniest parts of the movie. I found myself gleefully anticipating every line.

So there you have it, a very entertaining, very bad movie. Possibly, one of the most entertaining films I have ever seen. Check it out!

I first saw this in the late 80s on a vhs. Revisited it recently. Three couples and a demented, creepy kid of one of the women get invited to a castle situated in the woodlands n away from civilization. Unknown to em, the host who is a professor has accidentally unleashed an evil curse thereby summoning up the dead from their graves.

The best part about this film is that it doesn't waste time, the zombies arrive instantly n the film maintains tension throughout.

Those were the days when zombies were slow as snails with decayed teeth n almost blind but still able to relish human bodies.

Wait till u see the zombies in this film who display high levels of intelligence. They work as a team to break into a castle. They even carry different weapons, using tools, axes to chop through doors n they even shoot knives with accuracy n climb pillars. These zombies even kno how to put someone into a woodcutter machine but the kill is never shown.

I was wondering how Michael reached the model factory. We have Mariangela Giordano showing off her tits, the masturbatory nun from Malabimba. (An amazing milf).

Pietro Barzocchini, who played the creepy kid is really freaky and his character disturbing and sick with an unhealthy Oedipal and incestuous relationship with his overly doting mother.

The maid's decapitation with a scythe is shown in a poorly lit scene n one cannot make out what is goin on.

This is one of the most brilliantly funny movies in the history of film. It displays humor that is so complex, and it's so unbelievably fall-on-the-floor-until-you-can-no-longer-breathe-and-your- friends-have-to-dial-9-1-1-but-they-can't-because-they can't-breathe-either-and-you-all-end-up-suffocating-funny that it should not be missed. What's almost as funny are some of the other reviews on this site. People actually admitting to being scared by this unintended laugh fest. The soundtrack is the stuff Academy Award-winning scores are made of. I want to turn that kid who played Michael into a cult hero. I know he's no longer living because I think he had that aging disease. I love the 40 year-old man who dubbed Michael's voice with that soprano-mock-child voice. Paper machet zombies always liven up a film that wears it's no-budget aesthetics proudly on it's sleave. What may be the funniest thing of all is that I own this movie(not the rights, just the video, although I could probably afford the rights.) The blurb on the box says that it's about a "group of jet-setters and a mysterious professor that we don't see too much of." Priceless. This is a rare movie to find at rental stores, but if you look hard enough, it may pop up and your searching efforts will not go unrewarded when you find it. You can trust me on this one. To quote the professor at the beginning, "I'm your friend."