Starkstrom

Canadian horror film starring Richard Chamberlain as a professor out to prove a conspiracy exists in a huge phone company as they cover up a mad killer that uses high-pitch frequencies on the phone to kill people. The movie resembles Coma with its thriller-like atmosphere and its one person against the world protagonist. As thrillers go, the film is pretty enjoyable, although it is definitely short on logic. You really will need to suspend some disbelief here. Michael Anderson directs(quite a ways down from directing Around the World in Eighty Days if you ask me...which you didn't) with some polish and flair, using the materials he is given to their best. John Houseman is somewhat wasted in the film, but his verbal reparte with Chamberlain is quite amusing. Chamberlain is adequate in the lead. The special effects are...well, not too impressive. Some of the death scenes are over-acted and over-directed, and unintentionally amusing.

Given the title, you would expect 'Murder by Phone' to be a silly eighties slasher style flick...and that's actually more or less what it is. The most notable thing about this film is definitely the killer's modus operandi. Most slashers simply feature some guy with a knife, but the killer in this film has decided to go a step further than that and had developed a way to use an ordinary telephone as a murder weapon! Obviously, the whole thing comes off as being more than a little bit silly, but the way that the murders are carried out is amusing enough. The plot centres on these murders and takes the form of an investigative thriller, as our hero, Nat Bridger, begins looking into the death of one of his students. The film is never really all that interesting, but at least it's not boring and there's usually another murder scene just around the corner anyway; though unfortunately, they are pretty much the same. Director Michael Anderson does manage some fairly good moments of suspense, a couple of major characters have close calls (no pun intended) when speaking on the phone and there are various other bits and bobs to keep us interested. I can't say that this is a brilliant film, but it's at least worth a look.

Alternatively known as Bells, here's an entertaining chiller with two gooder actors for a film that's still a good solid drama/thriller. Certainly something different here, we have a disgruntled nut who used to work for the phone company, taking people out at random, some he personally knows, by upping the voltage so high, their body melts, their ears explode, and are sent flying backwards whether on subways, or from high rise buildings. Richard Chamberlain, of all people, is a professor, who investigates the killings, when one of his best students, is a victim (the first one on the subway). While bedding architect (Sara Botsford- Rats) he teams up with a cop who he first bangs heads with, on the account of his no caring attitude, they try to flush out the killer, who's doing his business from a small electricity house, which is also his abode. John Houseman, an old lecturer and close friend of Chamberlain, has something to hide here, too, which I thought was a good shock point (pardon the expression). I did like the cop in this film, a Frederick Forest type guy, I found a hoot, if the whole film. The death scenes are classics, and we do question if we could really kill someone by upping the amps so high. How they set the killer up, is classic, as is the last call Richard Chamberlain takes, that he shouldn't of. On the whole, Bells is fun viewing for the horror/thriller viewer, though I don't think it will turn you off answering your next call.

Richard Chamberlin makes for an amiable hero in this idiosyncratic Canadian shocker. He plays Nat Bridger, an idealistic, ecologically aware lecturer who eventually discovers through diligent investigation, somewhat incredulously, that a nefarious individual has manufactured a monstrously effective device that turns the once prosaic phone into a conduit of agonizing death! Includes nice support from John Houseman as his crotchety mentor, whose amenable exterior may conceal ulterior motives. 'Bells' might seem to have an entirely implausible premise, but nonetheless manages to coalesce into an efficient, and highly entertaining, early 80s horror; which is lent considerable verisimilitude by Richard Chamberlin's earnest performance. 'Bells' comes highly recommended. 'The very next time the telephone rings, might it in reality be the tolling of your imminent death!'

On paper this sounds pretty uninspiring, but 'Bells' turns out to be an ingenious idea well-executed (a bit like Didier Grousset's 'Kamikaze' [1986] in reverse), that reunites the director and composer of 'The Quiller Memorandum'.

The script vaguely recalls 'Quatermass 2', is lively, quite witty in places and generous to the supporting characters (Gary Reineke, in particular, is visibly enjoying himself as the police lieutenant, who gets to develop as the film progresses), the Toronto locations are well used, and it all builds up to a satisfyingly explosive climax. One can nit-pick - Richard Chamberlain gets a lot of lucky breaks looking for information - but it certainly makes you pay attention every time yet another 'phone rings; did every single phone in Toronto - even the Mickey Mouse ones - have exactly the same ring tone in 1980, by the way?