Ein psychotischer Mann, der durch seinen Kindheitsmissbrauch beunruhigt ist, der in New York City herumläuft, tötet junge Frauen und nimmt ihre Kopfhäute als seine Trophäe. Wird er die perfe... Alles lesenEin psychotischer Mann, der durch seinen Kindheitsmissbrauch beunruhigt ist, der in New York City herumläuft, tötet junge Frauen und nimmt ihre Kopfhäute als seine Trophäe. Wird er die perfekte Frau in einem Fotografen finden und seine Mordtour beenden?Ein psychotischer Mann, der durch seinen Kindheitsmissbrauch beunruhigt ist, der in New York City herumläuft, tötet junge Frauen und nimmt ihre Kopfhäute als seine Trophäe. Wird er die perfekte Frau in einem Fotografen finden und seine Mordtour beenden?
- Auszeichnungen
- 1 Nominierung insgesamt
- Rita
- (as Gail Lawrence)
- Beach Boy
- (as James Brewster)
- T.V. Reporter
- (Synchronisation)
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The movie's appeal will be limited, but if one enjoys that particular brand of late-70's/early-80's NYC grime and sleaze, it's a must-see. Director William Lustig made several other genre films (Vigilante, Maniac Cop) before starting the Blue Underground home video company, who are the prime source for Italian genre films on disc (horror, giallo, spaghetti westerns, crime thrillers, etc.).
Joe Spinell is absolutely strong in his portrayal of Frank Zito, a real man who has a nasty habit of slaughtering random individuals, mostly female ones so he can dress up mannequins with their scalped hair and clothes. This guy isn't Michael or Jason: when he bleeds, he feels pain. And because he feels guilty a bit over the tragic death of his abusive mother, he feels the urge to murder. Frank falls in love with Anna (Caroline Munro), a photographer who is unaware of Frank's dirty deeds, until Frank sets his unrested demon upon her in the end. The ending is bizarre, and the love story subplot feels a tad unsuitable (although the restaurant scene sets up some exposition, including the knowledge of Frank's mom being killed in an auto wreck). But when the gory carnage sets in, its realistic and graphic. Most other gore flicks seem timid.
The DVD version from ANCHOR BAY is a keeper, with audio commentary, a documentary on the late Spinell, the obligatory trailers/TV ads, a radio interview pitting the Spinell, Lustig and Munro against a DJ who roasts the film despite not seeing it, and some more angry comments from the critics in a "Gallery of Outrage". Tin box version contains the moody and effective Jay Chattaway film score on CD.
The plot for this movie may not seem very scary, but the way the movie is crafted is genuinely grisly and really made me feel uncomfortable. Rather than going from the victim's point of view as they are slashed to pieces (like most horror movies tend to do), this movie rather focuses on the actual killer himself. We learn about the abuse that he suffered as a small child at the hands of his domineering mother, which is presumably the reason he's become a murderer, taking out his own personal revenge on other people. The one thing about this movie that was so interesting was how the audience got to enter the mind of the killer, so to speak. Joe Spinell gave an excellent performance as the maniac in this movie, he portrayed a tormented human very well. There are some very grisly murders throughout the movie, all of which are fairly gruesome. But the most disturbing aspect to the film was the sense of psychosis that the killer is experiencing.
"Maniac" is surely similar to "Psycho", which makes me wonder whether or not the writers of this film were basing the plot on the real life serial killer Ed Gein, who also grew up with an abusive mother and suffered psychological problems later on as an adult, which ultimately drove him to grave-robbing and murder. There are some striking similarities between the story of this film and Ed Gein's life.
Overall, "Maniac" is one grisly, nasty movie. It displays the psychological torment that many real-life serial killers suffer from and does a good job at it, leaving it's audience uncomfortable in their seats. And from what I have seen, not many movies do that. 7/10.
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- WissenswertesWilliam Lustig and Joe Spinell say they didn't always have the necessary permits to film on location in New York City. Certain scenes (including the infamous shotgun through the windshield scene) had to have been filmed quickly and afterwards the crew had to run away before the cops arrived.
- PatzerThe nurse is supposedly alone in the subway station, but during one shot (from inside the subway train as it pulls away) we can see several people walking about on the platform; they all disappear in the next shot.
- Zitate
Frank Zito: I told you not to go out tonight, didn't I? Every time you go out, this kind of thing happens.
- Alternative VersionenThe film was rejected for a cinema certificate in 1981 by the BBFC and also for a video rating in 1998. It was finally released in the UK on the Anchor Bay label in 2002 after receiving 58 secs of cuts to a prolonged strangulation scene and to a sexualized stabbing sequence.
- VerbindungenEdited from Feuertanz - Horror Infernal (1980)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Maniac: Maníaco
- Drehorte
- Hotel St. James, 109 West 45th St, Manhattan, New York City, New York, USA(the hotel where Frank kills the prostitute)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 350.000 $ (geschätzt)
- Laufzeit
- 1 Std. 27 Min.(87 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1