Die Fliege

A film who, for long time, remains as one of significant memories. for its admirable simplicity. for impecable drawing. for the sound. for the need to reflect about yourself front to a fly looking a secure place. the last scene is the best option for define a trip far to be usual. "The Fly" has the rare gift to propose questions. to be seductive. to use, in brilliant manner, an idea who becomes significant. in the context of period, it could be perceived as a parable. but it is only an angle to see it. because, in fact, it is just a gem. and it is enough for recommand it to the large public.

Not sure if it's Oscar worthy but at least it's different The perspective of the animation is interesting but I find I was bored after awhile even when the fly hunt began

If one could put a camera on a fly and follow it, what would you see. Here, of course, is an effort to create the fly's milieu so the animators can work around it. For a three minute film, it must have taken incredible discipline to put the fly in places that become interesting. This is remarkable, considering it is a 1980 feature.

We have to be careful when watching old works because we tend to look at works that, for example, are 40 years old today. The légy doesn't have a plot in itself, however, the ability to show a fly's POV so masterfully is what probably earned it the Oscar.

Here's a magnificent triumph in everything it's set out to do. You may ask what's so interesting about following the point of view of a fly.

Well, "The Fly" is one of those old school animations that simply isn't done these days unless if there's loads of computers and artificial intelligence involved. Ferenc Rofusz's is very detailed, curious, fun and thrilling to watch, as we follow the fast and furious movements and observations of a fly moving through different spaces, nature and then entering a house where a disaster of sorts will take place as a person tries to get the fly, as it moves through several objects, bothering everyone with its noise.

I got to know the work of Ferenc Rofusz through another curious and bizarre animated short called "Deadlock" (1982), which is also about an unusual point of view (the limited view of a man who's about to get executed by a firing squad), and both works have a great sense of hyper-realism that for a few instances it doesn't feel like we're watching an animated but instead a real image that later is transformed into drawings, all captured by a careful black-and-white cinematography. A most deserved Oscar was given to him and "The Fly", one of the greatest works of its kind. 10/10.