Dreist und gottesfürchtig

As so often, the IMDb voter average is nothing to go by, in terms of seeking quality. However, in the case of this very funny, even somewhat clever, comedy the 4.6 average is a joke. The reason for it is obvious: many people who have never seen the movie but heard about it and what it's about decided to hate it without giving it a chance.

IGWT is quite an offensive movie to believers, and anyone who is strongly Christian (or of any other religious persuasion) should not only avoid this movie, but pray to his God that He burn all copies of it.

Although, the movie mocks the commercialization of religion far more than Christianity itself.

As an atheist, I loved this movie and recommend it to all agnostics, other atheists, Christianity-haters, but also Christians who can take a joke. Provided, of course, that you don't mind raunchy, irreverent humour.

Feldman is quite weird playing an ultra-naive do-gooder monk who has never been outside his monastery. The premise alone makes one curious to see the film. The supporting cast is very good, too (Boyle, Kaufman, etc.).

Obviously not as good as the almost flawless mother of all religion-bashing films, "Life Of Brian", but with plenty of good and wicked gags at the expense of religion.

There is criticism that IGWT was just a cashing-in reaction to Monty Python's Jesus movie, but who cares if it was? There are plenty of movies that support religion, so another (good) comedy that goes in the opposite direction really can't hurt.

-May contain spoilers.

Many people only know Marty Feldman as Igor in 1974's "Young Frankenstein". And, I'll admit, unless one does some research, that's all one can really ever know. It's a shame that his other stuff, such as this film, has gone more unnoticed. Anyway...

"In God We Tru$t", from what I've heard and read really did horribly at the box office, and the critics just seemed to rip it to shreds! It's as if they couldn't find anything good about it. Well, I can. I really enjoyed this film. Maybe it wasn't well received because to me, in this movie, Feldman doesn't play his usual silly, comic relief based roles. I mean yes, he's funny in this film, but he has a much more straight role than in his other films, and yeah...he actually acts and emotes. Also, maybe romantic comedies weren't as big then, who knows? Or maybe the press just didn't think Marty Feldman had the right to play a serious, or semi-romantic role. Regardless, I feel that in this film, Feldman gets to showcase his real acting ability, and he's really great in this movie. And there's great support from the likes of Peter Boyle, Andy Kaufman, Richard Pryor, etc...

Looks-wise, Feldman was not the "conventional leading man", but in this film, I feel he makes it work. His "By the way, I think I love you...do you mind?" is delivered in an absolutely convincing and adorable way...

So yes, maybe this film is more a cute, sweet, sort of movie...but why did all of Marty Feldman's films have to be silly, manic, or zany? I think if anything the fact that he did different things shows his versatility. The concept of this film, a monk who really doesn't belong in the monastery, having to go out into the imperfect and corrupt world, falling in love with a prostitute, etc...I mean, it's great. All I can really see that is wrong with it, is simply the fact that unlike most Feldman movies that make one go, "HA HA!" this may make one go..."Awww".

Some deep lines too, such as "It may not be the best of all possible worlds but it's the only one we've got" and "Doubts are about the only certainties I have right now." Maybe I'm not with the popular opinion, but I enjoyed it and give it 8/10.

This flick (one of the least-seen comedies EVER, I believe) tries to be, at once, a slapstick chase comedy, an offensive religious comedy, a leering sex comedy and an expose of evangelists who exploit the faith of their naive audiences! The results are uneven, but not horrible. Apart from the much-mentioned already Andy Kaufman, there is a standout performance by Louise Lasser, as a warm-hearted hooker. Richard Pryor, as God, is underused, though. (**)

This thing cracks me up.

I saw it on TV when I was a child.

My parents recorded it and it became a staple of my viewing choices while growing up.

I only wish they would have included the original opening title theme, "Good for God".

I was very disappointed when I finally got a new video copy several years ago.

I was poised for my traditional sing-along only to be presented with a new opening title.

If anybody has the ability to see the original, I would recommend it.

Either way, the movie is good for quite a few laughs.

Marty Feldman got another chance to write and direct a movie, and this one is a little less funny. Still, it provides a humorous view of televangelists and other religious organizations in their neverending pursuit of money over spirituality. Andy Kaufman, as televangelist Armageddon T. Thunderbird, is simply brilliant (which is not always the word used to describe him) and Feldman, Lasser, and Boyle also provide vivid characterizations. I enjoyed this film, even though Feldman gave Richard Pryor very little to do and the film runs out of steam near the end. Nevertheless, there are some big laughs, and any fans of Feldman should enjoy. Definitely worthwhile renting if you can find it. Not quite on the level as the equally irreverent "Life of Brian," but is quite good, too. My rating: 7/10 stars.