Zahltag im Supermarkt

This was the film that brought together Susan Saint James and Jane Curtin, who went on to have several successful seasons as "Kate and Allie". Jessica Lange is charming in an early comedy role. Key to the plot is a shopping center built on a river - at the time only found in Eugene, Oregon. If you like the stars, you will enjoy the performances, and the light-hearted story. While Susan Saint James was filming in Eugene, she did public service promos for the local Special Olympics organization. Another anecdote - the shopping center had a "Money Ball" which threw real bills all over the mall - after the shot, when the money was collected, they wound up with more than they started with. "Only in Eugene, Oregon!" chortled the director

I had a memory of loving this as a kid, so finally obtained it to watch here in 2019 almost 40 years later. Gulp.

It's fun - a tale of a three women, their lives, and the interconnected hi-jinx that occur. My mind remembered the heist, which is clearly what excited me as a kid - when actually, it's a small part of the movie.

What I love is how relevant it is today. Lots of economists spinning cost of living increases being only so many percentage points blah blah blah so disconnected from every day lives. 40 years later, nothing has changed on that one.

What's particularly amazing is this is a female tour de force. Just recently we've had female-led casts such as Ocean's 8 or the ill-fated Ghostbusters and it feels forced. It's a statement. It's a fight to be fought.

But here the women are utterly centre stage - the stories revolve around them, they plot the heist, they run it... there's no men here underpinning it. Men are the supporting cast, and it's brilliant as it's just so natural and stems so effortlessly from the script.

It does it without fanfare - it just is. With confidence and style. Just like the actresses and story they inhabit.

Jane Curtin is paranoid, Susan St. James is harried, and Jessica Lange is beautiful and married to dork Richard Benjamin. This light-hearted yup flick is fairly ridiculous, but the charms of these wonderful actresses makes it worthwhile. I give it a 6 out of 10 with the best performance by Jane Curtin.

It's nice to see Jessica Lange in an early role when her youth and attractiveness hide the fact that she will become one of our best actresses while Ms. Curtin and Ms. St. James (who I also love since THE NAME OF THE GAME on TV) had careers that faltered (beside the TV show they did together - Kate and Allie). The men in this movie are mostly idiots, but this plays like a decent sit-com; fairly lame, but harmless fun.

For some reason, a slew of movies in 1980 mark a turning point in my developmental teen years: 9 to 5, A Coal Miner's Daughter, Private Benjamin, et.al. HTBTHCOL is yet another...one that took a long time to eventually come out on DVD.

It's even funnier than I'd remembered. While the story is good and the acting is ok, it's the cultural references circa 1980 that totally make the movie work for me (I'm 36 yrs old in '04). Jane Curtain's '80 Cutlass sucking gas, her oh-so-'70s contemporary house--complete with green bedspread and Buick-sized answering machine, the endless references to inflation, the grocery store cashier actually saying the name of each item before ringing it up by hand ("toy gun, $1.95..."), etc.

Jane Curtain actually does give the best performance, not only for her manic attempts to find cash, but for her impromptu striptease ("are you ready to see 1985, or should we skip right to 1990?"). The chemistry between Jane and Jessica Lange's character is quite good. Poor Susan Saint James...her character is annoying, whiny, and basically she serves as the Curly of this trio. (Yeah, I'd bring my kids to rob a store too...)

In all, this is a cute, silly time capsule to the dark days of inflation, 17% mortgage interest rates, slanted wood houses with lots of poorly utilized space, ferns, etc. One funny note: Jane Curtain's character makes numerous references to prostitution (to the gas station attendant, to the gals at the restaurant, and to Jack--the copy played by Dabney Coleman).

When I saw this film in the theatre the entire audience was alive with laughter. There's more story here than most contemporary comedies, which may make for some head scratching by younger folks seeing this film, but the gags hold for anybody who's had to scrimp and save to make ends meat.

This is a timeless film for anyone (woman particularly) who've fallen on hard times. It was a hit when it was first released, and still gets laughs today.