Harlekin

Despite a potentially rich premise and the presence of David Hemmings (a personal favorite of mine) , this was a rather disappointing and overly confusing film. The plot more or less is a bizarre re-working of the Rasputin legend and revolves on a charismatic magician who infiltrates in a political family to cure the son of his leukemia, but then continues with interfering in the husband's career as a replacement-senator. This terrifically mystic idea is pretty much ruined by a bad script, a whole lot of supernatural mumbo-jumbo and a wooden performance by Robert Powell. I was hoping to see some exciting horror effects and eerie make up but "Harlequin" is very tame and lifeless. David Hemmings is okay, and so is the young actor Mark Spain. Especially after his cure, he turns into a spooky and mysterious little brat. In short: this easily could have been one of the most ingenious fantasy-tales of the eighties but it became a failure instead. Director Wincer went on directing less ambitious and more comic movies such as "Harley Davidson and the Marlboro Man", "Free Willy" and "Crocodile Dundee in LA".

seen a lot of stuff with robert powel in,but this has always been the one that stands out as his best to me.

Naturaly being 1980 its now an old and well used format but at time it was excellent,and even now i find it an enjoyable film.

The story is bought in gradualy but at a steady pace,the acting is enjoyable over all,and considering the lack of blood and guts it still holds its own as a decent spooky movie that when i was younger made me jump a few times and stayed in my mind for a good few months afterwards,not least because it was the sort of film everyone in my school talked about when saw it,and made other kids not having seen it want to!

A faith healer who appears from nowhere suddenly cures the sick son of a profound government senator, whom the politicians wife falls under the mysterious healer's charm and the young boy grows attached to his company. The senator can't shake the idea that there's something strange about all of this, could it all be a hypnotic trick or is there something really supernatural going on here. Then you got the chief political adviser who's trying to rid the healer of power he holds over the senator and his family, because he wants to be the one who's in control of the senator.

Was it all an illusion? Who was playing whom? Did this go beyond reality, by making way for supernatural influences? Like you see there are so many question brought up here that are totally left unexplained, but this enigmatic factor of who, what and why makes for one curious, but oddly enchanting spectacle. The multi-layered story plays out like political fantasy where it throws around many different ideas and allegories into the blend, where nothing seems quite like what it is because of a real mystical edge that's given out by Powell's charismatic character Wolfe. As an exhilarating tale, it failed for me, but for a curiosity piece, it really did work. The plot's outline shares its similarities with the Rasputin account, but this film has gone with a contemporary take on the story. The story does become incredibly strange with certain circumstances and situations, in which you have to suspend your disbelief and plays around with psychological tension. The thick air of mystery that's planted in the film, you could say is like that of a jigsaw puzzle that's missing some important pieces to give it that truly satisfying feel. The complex script is heavy on its parallel theories and it very much comes across like a poetic riddle (that's most of Powell's lines anyway) with it parables and psychic jargon. It's a very talkative piece with little significant details and hints running throughout it very mischievous layout on who's really the manipulator and just what are everyone's true intentions.

The film, which was made in Australia, looks reasonably good, even though it had a modest budget to work with. By today's standards the appearance and even the context is somewhat dated. The special effects are reasonably modest, with the odd hokey effect, but I guess you just got to take it with a grain of salt. The mostly well devised FXs were well orchestrated in to the story, but it does go over-the-top in the third act were the uneven pacing makes way for some flamboyant magic tricks for the fight of control over the senator. At least they were spot on with it, but they do and as well as the costumes give it an underlining campy b-grade charm. The location setting was simply ravishing and the exterior of the senator's house (were it all mostly plays out) is given a grand feel. The glitzy cinematography was remarkably well handled with some showy moments and Brian May's tenderly spooky score had a stinging, but emotional rush too it. Director Simon Wincer manages to come up with some inspired, solid visuals and tiny pockets of heighten and exciting suspense. But some moments are half-baked and it has an climax that doesn't feel like it has paid off. You just feel like it's working up for something big. However it does fit in with its subtle moodiness.

The performances are very first-rate with an international cast on show. Robert Powell plays the healer, Wolfe and his piercing capabilities create such subtly mysterious imprint (good or evil?) that you can't help but be intrigued by. David Hemmings' underplayed performance as senator Nick Rast shows a real solidarity. Broderick Crawford superbly plays Doc Wheelan a greedy political leader who overlooks Senator Rast and when he's on screen his presence truly governs the film. Carmen Duncan as Sandra Rast simply shines in her feisty role and Mark Spain utterly fits the role of eerie young lad Alex Rast. I thought the chemistry of the relationships was well thought up and naturally suitable.

What is served up here is exceedingly ambiguous and different, but this creative project has more going for it then what actually meets the eye. It's far from flawless and it wasn't what I expecting that's for sure, but it does make for an interesting viewing.

harlequin is a fun film and very entertaining. It's problem is that it seems to get a bit confused as to what it's all about. Robert powell, one of the most underused talents of modern times, shies as Wolfe, and there are some excellent moments exploiting his strengths, such as those intense blue eyes and angelic yet sinister demeanour. A scene at the start with Powell as a clown is particularly intriguing. The Rasputin illusions are noticeable, but here is where the film's weakness lies. Unlike Rasputin, who was gaining control of the affairs of no less than the Tsar of russia, Gregory wolfe hewre seems to be fascinated by a minor Australian politician, and when we can see what he is capable of himself one can't help thinking that Nick must seem a rather trivial target for his talents. It would be interesting to speculate that unlike us, Wolfe can see that nick will become important in the future and therefore warrants the attention he is being given but there is no attempt made in the film to explain this. Wolfe's relationship with Sandra is equally baffling, veering at random from rejection to seduction. The locations are generally rather dull and the film looks cumbersome, there being little elegance in the composition, all muddy colour and blocks of contrasting images, like a 70s American commercial. But on the plus side, the story keeps one intrigued, Powell is fascinating, his appearance in the window, distorted, is superb, and the final scene with Hemmings at his mercy in the house is pretty chilling. Certainly a good discussion can ensue after viewing for those in the mood!

As a long-time fan of Robert Powell, I have to say he was fantastic in this little known film, which I saw under the title "Dark Forces." The actor's ability is far under rated -why, I'll never know. This tale of a mysterious being entering the lives of a family was curiously spiritual as well as supernatural. I even found Powell quoting a line from his masterpiece "Jesus of Nazareth." There were some unanswered questions in the film, but I wasn't bothered by this. After all, the supernatural leaves a lot of gaps for us to dwell on and come up with our own conclusions.