Jeanies Clique

Privileged Valley girls discover that they are not immune to the consequences of their bad decisions.

I was not impressed by this movie on my first viewing, more than forty years ago, but a chance to see it on Turner Classic Movies after I had forgotten everything about it revealed a better movie and a more mature understanding of what the film makers were trying to say. The young women, led by Jodie Foster and Cherie Currie, don't understand the costs of what they are doing, between the drinking, the sex, and the hard partying that leaves the parents angry at the sheer destruction. Like the contemporaneous LITTLE DARLINGS, it failed because it didn't really understand who its audience was, and what they would enjoy seeing. The older segment of the audience was angry at the young women, and the younger portions didn't care for the unhappy ending with its inherent moralizing.

Having grown up with the East Coast bracket of privileged young people, I can say the attitudes were precisely on point. With Scott Baio, Sally Kellerman, Randy Quaid, and Laura Dern.

One of the best portrayals of being a teen in the late 70's early 80's. Jodie Foster is simply wonderful as the one who tries to hold all of her friends together through the difficult times of being a teen in Califirnia; actually this could have been set in any city. I lived this life of parties, concerts and excess during this same era. Being 44 and looking back it is like looking back into my own memories of kids I went to school with and the things we experienced. Though the look of this movie is dated, big hair, satin jackets etc, however it certainly is still relevant. Donna Summer's "On the Radio" is such a great song and is a vital part of the fabric of this move. This is movie is so much better than the teen sex farces that seemed to proliferate after this movie came out - because it is a pretty close portrayal of what being a teen at this time was like with absent parents and lots of free time.If you haven't seen it you should...

I adore this movie. It is one of the best teen movies ever! Jodie Foster, Cherie Currie, Marilyn Kagan, and Kandice Stroh were awesome! The whole movie seems realistic, and is very interesting and thoughtful. It concerns four teenage girls struggling with problems as they live their lives in the San Fernando Valley. Jeanie (Foster) is fighting with her divorced mother, Annie (Currie) is a teen runaway who drinks and pops pills, and runs away from her abusive father. Madge (Kagan) is a young girl who is overweight and mad that she is a virgin. Plus, her parents are overprotective and she has annoying younger siblings. Then there is Deirdre (Stroh) who is not as developed as the other characters, she is basically one of their friends who likes boys and has a lot of boy troubles. I like the music, the acting, and there were some scenes that were great...the party and the ending were standout scenes. The concert scenes were funny as well. The ending is a tearjerker, but I won't give it away. See for yourself and rent or buy this great film.

Totally agree with the previous reviewer that screenwriter and co producer Gerry Ayres and director Adrian Lyne took a good, simple story of a difficult friendship between two teenage gals and inflated it to the point where the central conflict between Jeannie and Annie is lost amid a clutter of sub plots, added characters that contribute very little, like Madge and Jay, and a need for every messed up teen girl to have an equally messed up (or worse) parent. Consequently, when we come to the tragic denouement the impact, while not lost, is certainly lessened. Indeed, if it were not for the fine acting of Jodie Foster and Cheri Currie there would be little reason to watch the film at all other than some nice shots of LA in the early 80s, courtesy of cinematographers Leon Bijou and Michael Seresin, that make even Van Nuys appear painterly. Give it a C plus. PS...I like Donna Summer as much as the next guy (or gal) but if they played "On The Radio" one more time I was gonna toss my radio through the goddamn tv screen!

Four teenage girls in a suburb of Los Angeles get into all kinds of trouble: parties, drugs, cops, mixed-up parents, older boyfriends. Jodie Foster, the group's level-headed mother hen, tries keeping everyone together "like a family" (like the family unit she's never had), and the heartbreaking thing about the movie is that she can't. Slowly, everyone grows up and goes away. THAT precise plot point, though underscored throughout, is unfortunately tampered with. Did we really need a long sequence with Scott Baio outracing a car full of thugs on his skateboard? Or an even longer sequence--also with Baio--where Foster has a strange soliloquy about pain as an illusion. Some of the dialogue in fact is downright loopy, and I didn't much care for an edit in the third act which segues clumsily from a death to a wedding. But these are nitpicks in what is basically a very sensitive story about the loss of a tight bond. And Jodie's face at the ending speaks volumes. If viewers do get choked up, the movie has earned this. The film doesn't pander for tears or ask for sympathy--it shows us an example of friendship and hopes we understand. *** from ****