Acht Teenager haben es sich zum Ziel gesetzt, berühmt zu werden. Sie alle besuchen zu diesem Zweck die New Yorker School of Performing Arts. Doch der Weg auf die Bühne erweist sich als übera... Alles lesenAcht Teenager haben es sich zum Ziel gesetzt, berühmt zu werden. Sie alle besuchen zu diesem Zweck die New Yorker School of Performing Arts. Doch der Weg auf die Bühne erweist sich als überaus steinig und schon bald müssen die tapferen Acht erkennen: Talent allein ist eben nicht ... Alles lesenAcht Teenager haben es sich zum Ziel gesetzt, berühmt zu werden. Sie alle besuchen zu diesem Zweck die New Yorker School of Performing Arts. Doch der Weg auf die Bühne erweist sich als überaus steinig und schon bald müssen die tapferen Acht erkennen: Talent allein ist eben nicht alles.
- 2 Oscars gewonnen
- 9 Gewinne & 16 Nominierungen insgesamt
Zusammenfassung
Empfohlene Bewertungen
Alan Parker's bold directorial style fits the story pretty well. The film has been classified as a musical, but more than anything it is a drama. Musical numbers and dance routines break out here and there, and Parker keeps them as close to realistic as they really could have been filmed. The acting is for the most part top-drawer with a few exceptions. The pacing is a little off, particularly toward the end of the film, but by that point, the story has already taken a few wrong turns anyway.
First off, the auditions at the beginning of the film should have weeded a couple of the principle characters out. It seems unlikely that anyone would show up and audition for one department, then stumble their way through admissions to another. Some of these people just don't look that talented or interested to begin with. Once the first year of classes gets going, the film settles into a nice groove. The interaction between students and teachers is very well handled, and it leaves you wanting more. The film begins to lose itself later on as we see more and more of the students' lives out of school. Some of these people just aren't worth caring about.
The film's biggest mistake is making the Ralph Garcy character so prominent. This guy is a boorish; self-centered jerk. A "professional a-hole" as he proudly declares on stage during his comedy routines. The audience is supposed to somehow feel for this guy and his tragic personal situation, but I was just hoping they'd throw his butt out of school. Irene Cara, Maureen Teefy, Paul McCrane and the late Gene Anthony Ray are the people you'll care about by the time this film is over. Try as I might, I still can't develop abs like Gene Anthony Ray had in this film.
Overall this film is good. It is memorable, interesting, and full of daring scenes and performances. It runs maybe a little too long, and perhaps some of the wrong characters get fully developed while others kind of hover in the background. The musical numbers are great, and there is even a surprise or two waiting to be discovered by the time the film is over. Though not perfect, Fame will be a film that lives on in one way or another for many years to come.
7 of 10 stars.
The Hound.
Increddibly crafted and edited, Fame is a joy to watch that keeps you invested in the journey of many characters despite its long runtime. The piece poignently captures some of the more meaningful moments of the students four years at performing high school while inserting some showstopping numbers along the way ("Fame" and "Out Here on My Own" for example). However, the film never strays from the more painful decisions and experiences of growing up and chasing a dream. It tackles a variety of topics with care and decisiveness.
Many complaints I have seen are against the film's openended nature. I would argue that this is part of the film's realism. High school is only the beginning of these students lives and there are countless more hurt and highs in their future that they have yet to experience. The film is about the lack of knowledge of whether one has talent or will "make it" in a nearly impossible business, and this choice only further upholds it.
The film is a wonderful drama that stands the test of the time for anyone who's been young with a wild dream and determination. It is definitely worth watching.
Fame is famous for its music and performances. There are several standouts including Irene Cara, Paul McCrae, Anne Meara*, and the superb Gene Anthony Ray. The latter who plays a walk-on dancer with no academic or other than "street" credentials is an amazing personality and is worth watching for what is essentially a portrayal of himself. A wonderment to behold, as one king was apt to say.
The plot follows an interesting format - chronological at times, genre at other times, personalities in some cases ... but, it all really ends in a kind of mush.
Where Parker succeeds is in pushing this movie into periodic overdrive - with the extremely poignant and sometimes beautiful and outright campy music score that matches the performers step for step.
The climax of the film is a climax for all times. And this climatic complete cast of many many talented musicians and dancers and music is thankfully repeated throughout the credits. These are one set of credits that are well worth sitting through ... an achievement for the ages. The music by Christopher Gore is a gift to behold.
'Fame' starts with some audition scenes which are hilarious. Then it shows which candidates are selected and that's when the story starts. Though it is labelled a musical drama, it doesn't follow the traditional musical genre. The songs do not appear out of nowhere. They are well situated within the context of the film and quite nice to listen to. 'Fame' also has that wild 70's feel. If this movie is the last of the 70s then it 'rounds' up the decade well.
The actors, most of them in their 20s, do a fine job. There are those who are shy, naive and afraid, those who are wacky, wild and a little reckless and those who put a front but all these characters are striving for their dream which is to become an artiste. The actors brilliantly demonstrate this. I particularly liked Barry Miller, Paul McCrane and Maureen Teefy who play the three close friends and Irene Cara who as the vulnerable singer Coco.
I had heard a lot about 'Fame' but I was under the impression that it would be a flimsy musical. I got a chance to watch it last night and I was certainly under the wrong impression. Even though many won't appreciate it, To me it is great.
Wusstest du schon
- WissenswertesDirector Sir Alan Parker wanted a scene that showed Doris overcoming her fear and becoming an actress. He heard of the audience participation at the local screenings of Rocky Horror Picture Show (1975) and went to check it out. He loved it so much that he not only decided to use it in the film, he had many of the "cast" from the local screenings appear in the film, as the people doing the time-warp on stage when Doris runs up and joins them.
- PatzerAfter four years of school, Doris Finsecker's little brother never gets any older.
- Zitate
Doris Finsecker: I'm about as flamboyant as a bagel.
- Alternative VersionenFollowing the success of the TV series in the UK, an alternate PG-rated version was released theatrically with all of the swearing, sexual and drugs references removed.
- VerbindungenFeatured in On Location with: FAME (1980)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Fama
- Drehorte
- Church of Saint Mary the Virgin 145 West 46th Street, Manhattan, New York City, New York, USA(School Exterior - Parker was not allowed to shoot the actual school at 120 West 46th, so he opted for a then abandoned Church directly opposite)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 21.202.829 $
- Eröffnungswochenende in den USA und in Kanada
- 118.160 $
- 18. Mai 1980
- Weltweiter Bruttoertrag
- 21.203.707 $
- Laufzeit
- 2 Std. 14 Min.(134 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1